Political representations in the series Tumberos (Adrián Caetano, 2002) and El marginal (Luis Ortega, 2016)

At the time of the premiere of Tumberos (Ortega y Caetano, 2002), Argentina lived one of the most important economic and social crisis in its history, after the popular revolt in 2001 which caused the resignation of then President Fernando de la Rúa. On the contrary, the context of production of TV...

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Autor principal: Ferrini, Ayelén
Formato: Artículo revista
Lenguaje:Español
Publicado: Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2019
Materias:
TV series
politics
representations
series TV
política
representaciones
Acceso en línea:https://revistas.unc.edu.ar/index.php/toma1/article/view/26182
Aporte de:
TOMA UNO de Universidad Nacional de Córdoba
id I10-R367-article-26182
record_format ojs
spelling I10-R367-article-261822020-11-01T03:51:26Z Political representations in the series Tumberos (Adrián Caetano, 2002) and El marginal (Luis Ortega, 2016) Representaciones políticas de la Argentina en las series televisivas Tumberos (Adrián Caetano, 2002) y El marginal (Luis Ortega, 2016) Ferrini, Ayelén TV series politics representations series TV política representaciones At the time of the premiere of Tumberos (Ortega y Caetano, 2002), Argentina lived one of the most important economic and social crisis in its history, after the popular revolt in 2001 which caused the resignation of then President Fernando de la Rúa. On the contrary, the context of production of TV series El marginal (Ortega, 2016), is quite different. Made for Argentinian Public TV, during the second mandate of Cristina Fernández de Kirchner, it was produced in a context of deep re-politicization in different areas of society, overcoming the emptying of politics held since the neoliberal governments of Carlos Menem, which led to the above mentioned crisis.This paper observes the traces found in each series of the political and historical moments in which they were produced, and the way in which this shapes the mode of enunciation of the stories. En el momento del estreno de Tumberos (Ortega y Caetano, 2002), Argentina vivía una de la crisis económicas y sociales más importantes de su historia tras la revuelta popular del año 2001, que provocara la renuncia del entonces presidente Fernando de la Rúa. Por el contrario, el contexto de producción de la serie El marginal (Ortega, 2016) es bastante diferente: realizada para la TV Pública Argentina, durante el segundo mandato de Cristina Fernández de Kirchner, se enmarca en un proceso de profunda repolitización en diferentes ámbitos de la sociedad, superando el vaciamiento de la política sostenido desde los años de gobierno neoliberal de Carlos Menem que concluyeran en la crisis mencionada. Este trabajo aborda el análisis de las huellas de las condiciones de producción de ambas series en relación con los momentos históricos y políticos en que son producidas, y cómo esto influye en el modo de enunciación de cada uno de los relatos. Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2019-11-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistas.unc.edu.ar/index.php/toma1/article/view/26182 10.55442/tomauno.n7.2019.26182 Toma Uno; No. 7 (2019): Audiovisual production and seriality; 31-43 TOMA UNO; Núm. 7 (2019): Producción audiovisual y serialidad; 31-43 2250-4524 2313-9692 10.55442/tomauno.n7.2019 spa https://revistas.unc.edu.ar/index.php/toma1/article/view/26182/29489 https://revistas.unc.edu.ar/index.php/toma1/article/view/26182/28000
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-367
container_title_str TOMA UNO
language Español
format Artículo revista
topic TV series
politics
representations
series TV
política
representaciones
spellingShingle TV series
politics
representations
series TV
política
representaciones
Ferrini, Ayelén
Political representations in the series Tumberos (Adrián Caetano, 2002) and El marginal (Luis Ortega, 2016)
topic_facet TV series
politics
representations
series TV
política
representaciones
author Ferrini, Ayelén
author_facet Ferrini, Ayelén
author_sort Ferrini, Ayelén
title Political representations in the series Tumberos (Adrián Caetano, 2002) and El marginal (Luis Ortega, 2016)
title_short Political representations in the series Tumberos (Adrián Caetano, 2002) and El marginal (Luis Ortega, 2016)
title_full Political representations in the series Tumberos (Adrián Caetano, 2002) and El marginal (Luis Ortega, 2016)
title_fullStr Political representations in the series Tumberos (Adrián Caetano, 2002) and El marginal (Luis Ortega, 2016)
title_full_unstemmed Political representations in the series Tumberos (Adrián Caetano, 2002) and El marginal (Luis Ortega, 2016)
title_sort political representations in the series tumberos (adrián caetano, 2002) and el marginal (luis ortega, 2016)
description At the time of the premiere of Tumberos (Ortega y Caetano, 2002), Argentina lived one of the most important economic and social crisis in its history, after the popular revolt in 2001 which caused the resignation of then President Fernando de la Rúa. On the contrary, the context of production of TV series El marginal (Ortega, 2016), is quite different. Made for Argentinian Public TV, during the second mandate of Cristina Fernández de Kirchner, it was produced in a context of deep re-politicization in different areas of society, overcoming the emptying of politics held since the neoliberal governments of Carlos Menem, which led to the above mentioned crisis.This paper observes the traces found in each series of the political and historical moments in which they were produced, and the way in which this shapes the mode of enunciation of the stories.
publisher Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
publishDate 2019
url https://revistas.unc.edu.ar/index.php/toma1/article/view/26182
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first_indexed 2024-09-03T22:57:01Z
last_indexed 2024-09-03T22:57:01Z
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