Narratives of equality in Argentininian LGBT cinema. Marco Berger’s Hawaii and Papu Curotto’s Esteros
Taking as a starting point the study of Marco Berger´s Hawaii (2013) and Papu Curotto´s Esteros (2016), the article tackles on the tensions between the so called New Argentine Cinema and LGBT cinema in Argentina. On one hand it explores disjunctions amongst the way that love stories are told as univ...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
2018
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/toma1/article/view/20906 |
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| Sumario: | Taking as a starting point the study of Marco Berger´s Hawaii (2013) and Papu Curotto´s Esteros (2016), the article tackles on the tensions between the so called New Argentine Cinema and LGBT cinema in Argentina. On one hand it explores disjunctions amongst the way that love stories are told as universals, and temporality as an structuring principle, focusing on the figure of zombies or the walking dead; On another, it locates these narrations within the frame of changes in Argentina's politics of equality of the last fifteen years. |
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