Narratives of equality in Argentininian LGBT cinema. Marco Berger’s Hawaii and Papu Curotto’s Esteros
Taking as a starting point the study of Marco Berger´s Hawaii (2013) and Papu Curotto´s Esteros (2016), the article tackles on the tensions between the so called New Argentine Cinema and LGBT cinema in Argentina. On one hand it explores disjunctions amongst the way that love stories are told as univ...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
2018
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/toma1/article/view/20906 |
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I10-R367-article-20906 |
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I10-R367-article-209062020-11-01T03:56:09Z Narratives of equality in Argentininian LGBT cinema. Marco Berger’s Hawaii and Papu Curotto’s Esteros Narraciones de la igualdad en el cine LGBT argentino. Hawaii de Marco Berger y Esteros de Papu Curotto Forastelli, Fabricio Nuevo Cine Argentino Cine Argentino LGBT Universalidad Diferencia Pappu Curotto Marcos Berger New Argentine Cinema Argentine LGBT Cinema Universality Difference Pappu Curotto Marcos Berger Taking as a starting point the study of Marco Berger´s Hawaii (2013) and Papu Curotto´s Esteros (2016), the article tackles on the tensions between the so called New Argentine Cinema and LGBT cinema in Argentina. On one hand it explores disjunctions amongst the way that love stories are told as universals, and temporality as an structuring principle, focusing on the figure of zombies or the walking dead; On another, it locates these narrations within the frame of changes in Argentina's politics of equality of the last fifteen years. l artículo propone, a partir del estudio de Hawaii de Marco Berger (2013) y Esteros de Papu Curotto (2016), reflexionar sobre las tensiones entre el llamado Nuevo Cine Argentino y el cine de temática LGBT en este país. Por un lado, explora las disyunciones entre el modo en que se narran las historias de amor como universales y la temporalidad como principio ordenador de los materiales, focalizando en la figura de los zombies o muertos vivos; por otro, sitúa esas narraciones en el marco de los cambios en las políticas de igualdad en nuestro país en los últimos quince años. Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2018-11-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/toma1/article/view/20906 10.55442/tomauno.n6.2018.20906 Toma Uno; No. 6 (2018): Breakthrough cinemas: New ways of making and thinking about cinema throughout history.; 181-191 TOMA UNO; Núm. 6 (2018): Cines de ruptura: Nuevas formas de hacer y pensar el cine a lo largo de la historia; 181-191 2250-4524 2313-9692 10.55442/tomauno.n6.2018 spa https://revistas.unc.edu.ar/index.php/toma1/article/view/20906/20506 Derechos de autor 2018 Fabricio Forastelli http://creativecommons.org/licenses/by-nc-nd/2.5/ar/ |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-367 |
| container_title_str |
TOMA UNO |
| language |
Español |
| format |
Artículo revista |
| topic |
Nuevo Cine Argentino Cine Argentino LGBT Universalidad Diferencia Pappu Curotto Marcos Berger New Argentine Cinema Argentine LGBT Cinema Universality Difference Pappu Curotto Marcos Berger |
| spellingShingle |
Nuevo Cine Argentino Cine Argentino LGBT Universalidad Diferencia Pappu Curotto Marcos Berger New Argentine Cinema Argentine LGBT Cinema Universality Difference Pappu Curotto Marcos Berger Forastelli, Fabricio Narratives of equality in Argentininian LGBT cinema. Marco Berger’s Hawaii and Papu Curotto’s Esteros |
| topic_facet |
Nuevo Cine Argentino Cine Argentino LGBT Universalidad Diferencia Pappu Curotto Marcos Berger New Argentine Cinema Argentine LGBT Cinema Universality Difference Pappu Curotto Marcos Berger |
| author |
Forastelli, Fabricio |
| author_facet |
Forastelli, Fabricio |
| author_sort |
Forastelli, Fabricio |
| title |
Narratives of equality in Argentininian LGBT cinema. Marco Berger’s Hawaii and Papu Curotto’s Esteros |
| title_short |
Narratives of equality in Argentininian LGBT cinema. Marco Berger’s Hawaii and Papu Curotto’s Esteros |
| title_full |
Narratives of equality in Argentininian LGBT cinema. Marco Berger’s Hawaii and Papu Curotto’s Esteros |
| title_fullStr |
Narratives of equality in Argentininian LGBT cinema. Marco Berger’s Hawaii and Papu Curotto’s Esteros |
| title_full_unstemmed |
Narratives of equality in Argentininian LGBT cinema. Marco Berger’s Hawaii and Papu Curotto’s Esteros |
| title_sort |
narratives of equality in argentininian lgbt cinema. marco berger’s hawaii and papu curotto’s esteros |
| description |
Taking as a starting point the study of Marco Berger´s Hawaii (2013) and Papu Curotto´s Esteros (2016), the article tackles on the tensions between the so called New Argentine Cinema and LGBT cinema in Argentina. On one hand it explores disjunctions amongst the way that love stories are told as universals, and temporality as an structuring principle, focusing on the figure of zombies or the walking dead; On another, it locates these narrations within the frame of changes in Argentina's politics of equality of the last fifteen years. |
| publisher |
Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba |
| publishDate |
2018 |
| url |
https://revistas.unc.edu.ar/index.php/toma1/article/view/20906 |
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| first_indexed |
2024-09-03T22:56:58Z |
| last_indexed |
2024-09-03T22:56:58Z |
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