Bodies, desertion and quotidian in the new Pernambuco cinema
In dialogue with a transnational aesthetic horizon that articulates individual poetics in the different geographical coordinates of the globe, the newest Brazilian cinema inserts in the atlas of the visible of contemporary cinema, mobile bodies and their encounters that forge communities in dispersi...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
2018
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/toma1/article/view/20895 |
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| Sumario: | In dialogue with a transnational aesthetic horizon that articulates individual poetics in the different geographical coordinates of the globe, the newest Brazilian cinema inserts in the atlas of the visible of contemporary cinema, mobile bodies and their encounters that forge communities in dispersion, not as a cut, interruption, but as a condition of everyday experience. In this analysis we focus on three films of the new cinema from Pernambuco, as one of the most relevant expressions of newest Brazilian cinema that destabilizes the traditional Rio-São Paulo production axis: Era uma vez, Verônica (2012), by Marcelo Gomes, Ventos de agosto (2014), by Gabriel Mascaro and Eles Voltam (2012), by Marcelo Lordello. We are interested in thinking the relation between the female gesture of desertion and a search for the common and the community in the three films. |
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