Bodies, desertion and quotidian in the new Pernambuco cinema

In dialogue with a transnational aesthetic horizon that articulates individual poetics in the different geographical coordinates of the globe, the newest Brazilian cinema inserts in the atlas of the visible of contemporary cinema, mobile bodies and their encounters that forge communities in dispersi...

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Detalles Bibliográficos
Autor principal: Taveira Fernándes, Luanda
Formato: Artículo revista
Lenguaje:Español
Publicado: Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2018
Materias:
novíssimo cinema brasileiro
Cotidiano
Cuerpos
Encuentros
Desplazamientos
Newest Brazilian Cinema
Daily
Bodies
Encounters
Displacement
Acceso en línea:https://revistas.unc.edu.ar/index.php/toma1/article/view/20895
Aporte de:
TOMA UNO de Universidad Nacional de Córdoba
id I10-R367-article-20895
record_format ojs
spelling I10-R367-article-208952020-11-01T03:56:09Z Bodies, desertion and quotidian in the new Pernambuco cinema Cuerpos, deserción y cotidiano en el nuevo cine pernambucano Taveira Fernándes, Luanda novíssimo cinema brasileiro Cotidiano Cuerpos Encuentros Desplazamientos Newest Brazilian Cinema Daily Bodies Encounters Displacement In dialogue with a transnational aesthetic horizon that articulates individual poetics in the different geographical coordinates of the globe, the newest Brazilian cinema inserts in the atlas of the visible of contemporary cinema, mobile bodies and their encounters that forge communities in dispersion, not as a cut, interruption, but as a condition of everyday experience. In this analysis we focus on three films of the new cinema from Pernambuco, as one of the most relevant expressions of newest Brazilian cinema that destabilizes the traditional Rio-São Paulo production axis: Era uma vez, Verônica (2012), by Marcelo Gomes, Ventos de agosto (2014), by Gabriel Mascaro and Eles Voltam (2012), by Marcelo Lordello. We are interested in thinking the relation between the female gesture of desertion and a search for the common and the community in the three films. Dialogando con un horizonte estético transnacional que articula poéticas individuales en las diferentes coordenadas geográficas del globo, el novíssimo cinema brasileiro inserta en los atlas de lo visible del cine contemporáneo los movimientos de los cuerpos por un espacio que trasciende lo nacional y los encuentros que estos cuerpos móviles realizan, forjando comunidades en la dispersión, no como corte, interrupción, sino como condición misma de la experiencia cotidiana. En este análisis nos concentramos en tres películas del nuevo cine pernambucano, como una de las expresiones más relevantes del novíssimo cinema que desestabiliza el tradicional eje de producción Rio-São Paulo: Era uma vez, eu Verônica (2012), de Marcelo Gomes, Ventos de agosto (2014), Gabriel Mascaro y Eles Voltam (2012), de Marcelo Lordello. Nos interesa pensar en cómo, a través del gesto de deserción femenino, las tres películas emprenden una búsqueda por lo común y la comunidad, pensada a partir de las ideas de falta, abertura y experiencia y forjan encuentros como copresencias efímeras inmersas en los flujos del mundo.  Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2018-11-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/toma1/article/view/20895 10.55442/tomauno.n6.2018.20895 Toma Uno; No. 6 (2018): Breakthrough cinemas: New ways of making and thinking about cinema throughout history.; 61-77 TOMA UNO; Núm. 6 (2018): Cines de ruptura: Nuevas formas de hacer y pensar el cine a lo largo de la historia; 61-77 2250-4524 2313-9692 10.55442/tomauno.n6.2018 spa https://revistas.unc.edu.ar/index.php/toma1/article/view/20895/20495 Derechos de autor 2018 Luanda Taveira Fernándes http://creativecommons.org/licenses/by-nc-nd/2.5/ar/
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-367
container_title_str TOMA UNO
language Español
format Artículo revista
topic novíssimo cinema brasileiro
Cotidiano
Cuerpos
Encuentros
Desplazamientos
Newest Brazilian Cinema
Daily
Bodies
Encounters
Displacement
spellingShingle novíssimo cinema brasileiro
Cotidiano
Cuerpos
Encuentros
Desplazamientos
Newest Brazilian Cinema
Daily
Bodies
Encounters
Displacement
Taveira Fernándes, Luanda
Bodies, desertion and quotidian in the new Pernambuco cinema
topic_facet novíssimo cinema brasileiro
Cotidiano
Cuerpos
Encuentros
Desplazamientos
Newest Brazilian Cinema
Daily
Bodies
Encounters
Displacement
author Taveira Fernándes, Luanda
author_facet Taveira Fernándes, Luanda
author_sort Taveira Fernándes, Luanda
title Bodies, desertion and quotidian in the new Pernambuco cinema
title_short Bodies, desertion and quotidian in the new Pernambuco cinema
title_full Bodies, desertion and quotidian in the new Pernambuco cinema
title_fullStr Bodies, desertion and quotidian in the new Pernambuco cinema
title_full_unstemmed Bodies, desertion and quotidian in the new Pernambuco cinema
title_sort bodies, desertion and quotidian in the new pernambuco cinema
description In dialogue with a transnational aesthetic horizon that articulates individual poetics in the different geographical coordinates of the globe, the newest Brazilian cinema inserts in the atlas of the visible of contemporary cinema, mobile bodies and their encounters that forge communities in dispersion, not as a cut, interruption, but as a condition of everyday experience. In this analysis we focus on three films of the new cinema from Pernambuco, as one of the most relevant expressions of newest Brazilian cinema that destabilizes the traditional Rio-São Paulo production axis: Era uma vez, Verônica (2012), by Marcelo Gomes, Ventos de agosto (2014), by Gabriel Mascaro and Eles Voltam (2012), by Marcelo Lordello. We are interested in thinking the relation between the female gesture of desertion and a search for the common and the community in the three films.
publisher Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
publishDate 2018
url https://revistas.unc.edu.ar/index.php/toma1/article/view/20895
work_keys_str_mv AT taveirafernandesluanda bodiesdesertionandquotidianinthenewpernambucocinema
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first_indexed 2024-09-03T22:56:55Z
last_indexed 2024-09-03T22:56:55Z
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