Corredor Rojo: fictions, spaces and real characters

This article presents some of the reflections that arose during the Red Lane’s creative process, film developed by students and graduates of the Faculty of Arts (UNC) along with the residents of Villa El Libertador, a suburb located in the South area of Cordoba City. The creative process involved a...

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Autor principal: Compagnucci, Paula
Formato: Artículo revista
Lenguaje:Español
Publicado: Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2017
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Acceso en línea:https://revistas.unc.edu.ar/index.php/toma1/article/view/17211
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spelling I10-R367-article-172112020-11-01T03:56:20Z Corredor Rojo: fictions, spaces and real characters Corredor Rojo: De ficciones, espacios y personajes reales Compagnucci, Paula Villa El Libertador Doc-fic Collective process Sensibility Representation Villa El Libertador Doc-fic Proceso colectivo Sensibilidad Representación This article presents some of the reflections that arose during the Red Lane’s creative process, film developed by students and graduates of the Faculty of Arts (UNC) along with the residents of Villa El Libertador, a suburb located in the South area of Cordoba City. The creative process involved a collective work experience officiated in roles that took over four years, which enabled the debate about the ways the people who inhabit these place are (re)presented. One result of this complex act of creation was the creation of a film in the form of a doc-fic which allowed us to reflect about the modes of expression, in order to transmit an experiential practice based on the events of creative construction, preserving a sensible and conceptual film and process.  En el presente artículo se exponen algunas de las reflexiones que surgieron a lo largo del proceso creativo de Corredor Rojo, película desarrollada por estudiantes y egresados de la Facultad de Artes (UNC) junto con los vecinos de Villa El Libertador, barrio periférico de la zona Sur de Córdoba Capital. El proceso creativo implicó una experiencia de trabajo colectivo oficiado en roles que se extendió a lo largo de cuatro años, lo que habilitó el debate acerca de las maneras en las que son (re)presentadas las personas que habitan estos espacios. Uno de los resultados de este complejo acto de creación fue la generación de una obra bajo la forma del doc-fic lo cual permitió reflexionar acerca de los modos de expresión en pos de transmitir una práctica experiencial fundada en los acontecimientos de construcción creativa, conservando lo sensible y lo conceptual.  Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2017-06-15 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/toma1/article/view/17211 10.55442/tomauno.n5.2016.17211 Toma Uno; No. 5 (2016): Cines plurales: experiencias comunitarias de producción audiovisual; 147-154 TOMA UNO; Núm. 5 (2016): Cines plurales: experiencias comunitarias de producción audiovisual; 147-154 2250-4524 2313-9692 10.55442/tomauno.n5.2016 spa https://revistas.unc.edu.ar/index.php/toma1/article/view/17211/17618 Derechos de autor 2017 TOMA UNO
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-367
container_title_str TOMA UNO
language Español
format Artículo revista
topic Villa El Libertador
Doc-fic
Collective process
Sensibility
Representation
Villa El Libertador
Doc-fic
Proceso colectivo
Sensibilidad
Representación
spellingShingle Villa El Libertador
Doc-fic
Collective process
Sensibility
Representation
Villa El Libertador
Doc-fic
Proceso colectivo
Sensibilidad
Representación
Compagnucci, Paula
Corredor Rojo: fictions, spaces and real characters
topic_facet Villa El Libertador
Doc-fic
Collective process
Sensibility
Representation
Villa El Libertador
Doc-fic
Proceso colectivo
Sensibilidad
Representación
author Compagnucci, Paula
author_facet Compagnucci, Paula
author_sort Compagnucci, Paula
title Corredor Rojo: fictions, spaces and real characters
title_short Corredor Rojo: fictions, spaces and real characters
title_full Corredor Rojo: fictions, spaces and real characters
title_fullStr Corredor Rojo: fictions, spaces and real characters
title_full_unstemmed Corredor Rojo: fictions, spaces and real characters
title_sort corredor rojo: fictions, spaces and real characters
description This article presents some of the reflections that arose during the Red Lane’s creative process, film developed by students and graduates of the Faculty of Arts (UNC) along with the residents of Villa El Libertador, a suburb located in the South area of Cordoba City. The creative process involved a collective work experience officiated in roles that took over four years, which enabled the debate about the ways the people who inhabit these place are (re)presented. One result of this complex act of creation was the creation of a film in the form of a doc-fic which allowed us to reflect about the modes of expression, in order to transmit an experiential practice based on the events of creative construction, preserving a sensible and conceptual film and process. 
publisher Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
publishDate 2017
url https://revistas.unc.edu.ar/index.php/toma1/article/view/17211
work_keys_str_mv AT compagnuccipaula corredorrojofictionsspacesandrealcharacters
AT compagnuccipaula corredorrojodeficcionesespaciosypersonajesreales
first_indexed 2024-09-03T22:56:51Z
last_indexed 2024-09-03T22:56:51Z
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