Humanizing the prisoner in Carandiru ?s documentary inventory: Paulo Sacramento ?s Prisoner of the Iron Bars

Paulo Sacramento's documentary Prisoner of the Iron Bars" (Self Portraits), 2003, is comprised of a series of portraits shot by prisoners, showing their shocking, arduous daily life in the "Carandiru complex" of Sao Paulo (Brazil). The film was shot as a result of a workshop on d...

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Autor principal: Lomillos García, Miguel Ángel
Formato: Artículo revista
Lenguaje:Español
Publicado: Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2017
Materias:
Carandiru prison
Documentary
Textual analysis
Digital film
Brazilian Prison System
Prisión de Carandiru
Documental
Análisis textual
Cine digital
Sistema penitenciario brasileño
Acceso en línea:https://revistas.unc.edu.ar/index.php/toma1/article/view/17198
Aporte de:
TOMA UNO de Universidad Nacional de Córdoba
id I10-R367-article-17198
record_format ojs
spelling I10-R367-article-171982020-11-01T03:56:20Z Humanizing the prisoner in Carandiru ?s documentary inventory: Paulo Sacramento ?s Prisoner of the Iron Bars Humanización del preso en el inventario documental de Carandiru: O Prisioneiro da Grade de Ferro de Paulo Sacramento Lomillos García, Miguel Ángel Carandiru prison Documentary Textual analysis Digital film Brazilian Prison System Prisión de Carandiru Documental Análisis textual Cine digital Sistema penitenciario brasileño Paulo Sacramento's documentary Prisoner of the Iron Bars" (Self Portraits), 2003, is comprised of a series of portraits shot by prisoners, showing their shocking, arduous daily life in the "Carandiru complex" of Sao Paulo (Brazil). The film was shot as a result of a workshop on digital video, using small camcorders given to the prisoners. The documentary was shot over seven months in 2001, one year before the mythical, overcrowded prison - the biggest in Latin America - was decommissioned. The textual analysis of this essay focuses on identity politics in the representation of prisoners, and the contradictions involving the coda which, in contrast to the rest of the film, shot by prisoners, was shot only by the professional crew.  El documental de Paulo Sacramento O Prisioneiro da Grade de Ferro (Autorretratos), 2003, gracias al dispositivo propiciado por un curso de video con pequeñas cámaras digitales, aglutina una serie de retratos filmados por los presos sobre la dura vida que sobrellevan en el penal de Carandiru en São Paulo (Brasil). El documental fue rodado durante siete meses en 2001, un año antes de la demolición de este populoso y mítico penal, el mayor de América Latina. El análisis textual considera como ejes la política de identidad en la representación del preso y las contradicciones de complementar la estrategia de ofrecer la cámara al preso con el apéndice final realizado por el equipo profesional.  Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba 2017-06-15 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/toma1/article/view/17198 10.55442/tomauno.n5.2016.17198 Toma Uno; No. 5 (2016): Cines plurales: experiencias comunitarias de producción audiovisual; 33-46 TOMA UNO; Núm. 5 (2016): Cines plurales: experiencias comunitarias de producción audiovisual; 33-46 2250-4524 2313-9692 10.55442/tomauno.n5.2016 spa https://revistas.unc.edu.ar/index.php/toma1/article/view/17198/17628 Derechos de autor 2017 TOMA UNO
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-367
container_title_str TOMA UNO
language Español
format Artículo revista
topic Carandiru prison
Documentary
Textual analysis
Digital film
Brazilian Prison System
Prisión de Carandiru
Documental
Análisis textual
Cine digital
Sistema penitenciario brasileño
spellingShingle Carandiru prison
Documentary
Textual analysis
Digital film
Brazilian Prison System
Prisión de Carandiru
Documental
Análisis textual
Cine digital
Sistema penitenciario brasileño
Lomillos García, Miguel Ángel
Humanizing the prisoner in Carandiru ?s documentary inventory: Paulo Sacramento ?s Prisoner of the Iron Bars
topic_facet Carandiru prison
Documentary
Textual analysis
Digital film
Brazilian Prison System
Prisión de Carandiru
Documental
Análisis textual
Cine digital
Sistema penitenciario brasileño
author Lomillos García, Miguel Ángel
author_facet Lomillos García, Miguel Ángel
author_sort Lomillos García, Miguel Ángel
title Humanizing the prisoner in Carandiru ?s documentary inventory: Paulo Sacramento ?s Prisoner of the Iron Bars
title_short Humanizing the prisoner in Carandiru ?s documentary inventory: Paulo Sacramento ?s Prisoner of the Iron Bars
title_full Humanizing the prisoner in Carandiru ?s documentary inventory: Paulo Sacramento ?s Prisoner of the Iron Bars
title_fullStr Humanizing the prisoner in Carandiru ?s documentary inventory: Paulo Sacramento ?s Prisoner of the Iron Bars
title_full_unstemmed Humanizing the prisoner in Carandiru ?s documentary inventory: Paulo Sacramento ?s Prisoner of the Iron Bars
title_sort humanizing the prisoner in carandiru ?s documentary inventory: paulo sacramento ?s prisoner of the iron bars
description Paulo Sacramento's documentary Prisoner of the Iron Bars" (Self Portraits), 2003, is comprised of a series of portraits shot by prisoners, showing their shocking, arduous daily life in the "Carandiru complex" of Sao Paulo (Brazil). The film was shot as a result of a workshop on digital video, using small camcorders given to the prisoners. The documentary was shot over seven months in 2001, one year before the mythical, overcrowded prison - the biggest in Latin America - was decommissioned. The textual analysis of this essay focuses on identity politics in the representation of prisoners, and the contradictions involving the coda which, in contrast to the rest of the film, shot by prisoners, was shot only by the professional crew. 
publisher Departamento de Cine y TV, Facultad de Artes, Universidad Nacional de Córdoba
publishDate 2017
url https://revistas.unc.edu.ar/index.php/toma1/article/view/17198
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first_indexed 2024-09-03T22:56:49Z
last_indexed 2024-09-03T22:56:49Z
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