MINIMUM DISTANCES: Vast Configurations
Experimental video-poem made remotely and virtually in the year 2021 from a sensory and poetic investigation of the tools and applications that we had available as a means of encountering our bodies during the isolation due to the Covid-19 pandemic. The objective was to experiment new ways of scenic...
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Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba.
2024
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Acceso en línea: | https://revistas.unc.edu.ar/index.php/ART/article/view/46350 |
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I10-R361-article-463502024-09-29T23:08:10Z MINIMUM DISTANCES: Vast Configurations DISTANCIAS MÍNIMAS: Configuraciones vastas Grimaux, Sofía M. video art performing arts experimental body pandemic videoarte artes escénicas experimental cuerpo pandemia Experimental video-poem made remotely and virtually in the year 2021 from a sensory and poetic investigation of the tools and applications that we had available as a means of encountering our bodies during the isolation due to the Covid-19 pandemic. The objective was to experiment new ways of scenic creation in the distance and as a consequence, different digital and audiovisual materials emerged. Delfina Oyuela and Eva Palottini participated as voice performers and co-directed with the author of this article. Video-poema experimental realizado de manera remota y virtual en el año 2021 a partir de una investigación sensorial y poética de las herramientas y aplicaciones que teníamos disponibles como medio de encuentro de nuestros cuerpos durante el aislamiento por la pandemia de COVID-19. El objetivo fue experimentar nuevos modos de creación escénica en la distancia y, como consecuencia, surgieron materiales digitales y audiovisuales. Participan como performers de voz y en dirección conjunta con la autora del artículo, Delfina Oyuela y Eva Palottini. Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2024-09-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Single blind peer-reviewed work Trabajo revisado por pares ciego application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/ART/article/view/46350 10.55443/artilugio.n10.2024.46350 Artilugio; No. 10 (2024): Affectivity, pedagogies and resistance; 348-352 Artilugio; Núm. 10 (2024): Afectividad, pedagogías y resistencia; 348-352 Artilugio; n. 10 (2024): Afectividad, pedagogías y resistencia; 348-352 2408-462X 10.55443/artilugio.n10.2024 spa https://revistas.unc.edu.ar/index.php/ART/article/view/46350/46708 https://revistas.unc.edu.ar/index.php/ART/article/view/46350/46709 https://revistas.unc.edu.ar/index.php/ART/article/view/46350/46710 Derechos de autor 2024 Sofía M. Grimaux https://creativecommons.org/licenses/by-nc-sa/4.0 |
institution |
Universidad Nacional de Córdoba |
institution_str |
I-10 |
repository_str |
R-361 |
container_title_str |
Artilugio |
language |
Español |
format |
Artículo revista |
topic |
video art performing arts experimental body pandemic videoarte artes escénicas experimental cuerpo pandemia |
spellingShingle |
video art performing arts experimental body pandemic videoarte artes escénicas experimental cuerpo pandemia Grimaux, Sofía M. MINIMUM DISTANCES: Vast Configurations |
topic_facet |
video art performing arts experimental body pandemic videoarte artes escénicas experimental cuerpo pandemia |
author |
Grimaux, Sofía M. |
author_facet |
Grimaux, Sofía M. |
author_sort |
Grimaux, Sofía M. |
title |
MINIMUM DISTANCES: Vast Configurations |
title_short |
MINIMUM DISTANCES: Vast Configurations |
title_full |
MINIMUM DISTANCES: Vast Configurations |
title_fullStr |
MINIMUM DISTANCES: Vast Configurations |
title_full_unstemmed |
MINIMUM DISTANCES: Vast Configurations |
title_sort |
minimum distances: vast configurations |
description |
Experimental video-poem made remotely and virtually in the year 2021 from a sensory and poetic investigation of the tools and applications that we had available as a means of encountering our bodies during the isolation due to the Covid-19 pandemic. The objective was to experiment new ways of scenic creation in the distance and as a consequence, different digital and audiovisual materials emerged. Delfina Oyuela and Eva Palottini participated as voice performers and co-directed with the author of this article. |
publisher |
Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. |
publishDate |
2024 |
url |
https://revistas.unc.edu.ar/index.php/ART/article/view/46350 |
work_keys_str_mv |
AT grimauxsofiam minimumdistancesvastconfigurations AT grimauxsofiam distanciasminimasconfiguracionesvastas |
first_indexed |
2024-09-10T02:53:06Z |
last_indexed |
2025-02-05T22:14:35Z |
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