Affective life in independent art. Sensitive territory in contemporary dance of the provincial interior.
In this paper we investigate the affective life in independent art, specifically in the contemporary dance world of the Paravachasca Valley (Córdoba, Argentina), from a collaborative ethnographic work of observant participation in the Cantorodado group, between the years 2018-2022. Situated in the S...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artículo revista |
| Lenguaje: | Español |
| Publicado: |
Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba.
2024
|
| Materias: | |
| Acceso en línea: | https://revistas.unc.edu.ar/index.php/ART/article/view/45966 |
| Aporte de: |
| Sumario: | In this paper we investigate the affective life in independent art, specifically in the contemporary dance world of the Paravachasca Valley (Córdoba, Argentina), from a collaborative ethnographic work of observant participation in the Cantorodado group, between the years 2018-2022. Situated in the Social Studies of Art and the affective turn, we make a thick description of the sensitive territory of this art world, distinguishing some of the vectors that compose it, as real types: a way of (earning the) collective life, an ethic of care and an affective atmosphere of enthusiasm. We use an analytical proposal that moves in the tension between analytic-individual and analytic-force, between the relative freedoms of the agents and the structuring structures of subjection. We contribute at the understanding of the affective life of independent contemporary dance and independent art as a way of (earning a) living, from specific aspects linked: morality, friendship, management, wellness and gift. Acknowledging that the analytical proposal used can mean a contribution to the study of the affective life. |
|---|