Affective life in independent art. Sensitive territory in contemporary dance of the provincial interior.

In this paper we investigate the affective life in independent art, specifically in the contemporary dance world of the Paravachasca Valley (Córdoba, Argentina), from a collaborative ethnographic work of observant participation in the Cantorodado group, between the years 2018-2022. Situated in the S...

Descripción completa

Guardado en:
Detalles Bibliográficos
Autor principal: Bertea, Francisco
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2024
Materias:
social anthropology
political art
agency
capitalism
collective
antropología social
arte político
agencia
capitalismo
colectivo
Acceso en línea:https://revistas.unc.edu.ar/index.php/ART/article/view/45966
Aporte de:
Artilugio de Universidad Nacional de Córdoba
id I10-R361-article-45966
record_format ojs
spelling I10-R361-article-459662025-08-20T18:56:07Z Affective life in independent art. Sensitive territory in contemporary dance of the provincial interior. La vida afectiva en el arte independiente. Territorio sensible en la danza contemporánea del interior provinciano Bertea, Francisco social anthropology political art agency capitalism collective antropología social arte político agencia capitalismo colectivo In this paper we investigate the affective life in independent art, specifically in the contemporary dance world of the Paravachasca Valley (Córdoba, Argentina), from a collaborative ethnographic work of observant participation in the Cantorodado group, between the years 2018-2022. Situated in the Social Studies of Art and the affective turn, we make a thick description of the sensitive territory of this art world, distinguishing some of the vectors that compose it, as real types: a way of (earning the) collective life, an ethic of care and an affective atmosphere of enthusiasm. We use an analytical proposal that moves in the tension between analytic-individual and analytic-force, between the relative freedoms of the agents and the structuring structures of subjection. We contribute at the understanding of the affective life of independent contemporary dance and independent art as a way of (earning a) living, from specific aspects linked: morality, friendship, management, wellness and gift. Acknowledging that the analytical proposal used can mean a contribution to the study of the affective life. En este trabajo indagamos la vida afectiva en el arte independiente, específicamente en el mundo de la danza contemporánea del Valle de Paravachasca (Córdoba, Argentina), a partir de un trabajo etnográfico colaborativo de participación observante en el grupo Cantorodado, entre los años 2018-2022. Situados en los estudios sociales del arte y el giro afectivo, describimos de forma densa el territorio sensible de este mundo del arte, distinguiendo algunos de los vectores que lo componen, en calidad de tipos reales: una forma de (ganarse la) vida colectiva, una ética del cuidado y una atmósfera afectiva de entusiasmo. Empleamos para ello una propuesta analítica que se mueve en la tensión entre analítica-individuo y analítica-fuerza, entre las libertades relativas de los agentes y las estructuras estructurantes de sujeción. Realizamos así aportes a la comprensión de la vida afectiva de la danza contemporánea independiente y al arte independiente como forma de (ganarse la) vida, desde temáticas específicas, como la moral, la amistad, el management, el wellness y el don, reconociendo que la propuesta analítica empleada puede significar un aporte al estudio de la vida afectiva. Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2024-09-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-blind peer-reviewed article Artículo revisado por sistema de pares doble ciego application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/ART/article/view/45966 10.55443/artilugio.n10.2024.45966 Artilugio; No. 10 (2024): Affectivity, pedagogies and resistance; 28-55 Artilugio; Núm. 10 (2024): Afectividad, pedagogías y resistencia; 28-55 Artilugio; n. 10 (2024): Afectividad, pedagogías y resistencia; 28-55 2408-462X 10.55443/artilugio.n10.2024 spa https://revistas.unc.edu.ar/index.php/ART/article/view/45966/46681 https://revistas.unc.edu.ar/index.php/ART/article/view/45966/46682 https://revistas.unc.edu.ar/index.php/ART/article/view/45966/46683 Derechos de autor 2024 Francisco Bertea https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-361
container_title_str Artilugio
language Español
format Artículo revista
topic social anthropology
political art
agency
capitalism
collective
antropología social
arte político
agencia
capitalismo
colectivo
spellingShingle social anthropology
political art
agency
capitalism
collective
antropología social
arte político
agencia
capitalismo
colectivo
Bertea, Francisco
Affective life in independent art. Sensitive territory in contemporary dance of the provincial interior.
topic_facet social anthropology
political art
agency
capitalism
collective
antropología social
arte político
agencia
capitalismo
colectivo
author Bertea, Francisco
author_facet Bertea, Francisco
author_sort Bertea, Francisco
title Affective life in independent art. Sensitive territory in contemporary dance of the provincial interior.
title_short Affective life in independent art. Sensitive territory in contemporary dance of the provincial interior.
title_full Affective life in independent art. Sensitive territory in contemporary dance of the provincial interior.
title_fullStr Affective life in independent art. Sensitive territory in contemporary dance of the provincial interior.
title_full_unstemmed Affective life in independent art. Sensitive territory in contemporary dance of the provincial interior.
title_sort affective life in independent art. sensitive territory in contemporary dance of the provincial interior.
description In this paper we investigate the affective life in independent art, specifically in the contemporary dance world of the Paravachasca Valley (Córdoba, Argentina), from a collaborative ethnographic work of observant participation in the Cantorodado group, between the years 2018-2022. Situated in the Social Studies of Art and the affective turn, we make a thick description of the sensitive territory of this art world, distinguishing some of the vectors that compose it, as real types: a way of (earning the) collective life, an ethic of care and an affective atmosphere of enthusiasm. We use an analytical proposal that moves in the tension between analytic-individual and analytic-force, between the relative freedoms of the agents and the structuring structures of subjection. We contribute at the understanding of the affective life of independent contemporary dance and independent art as a way of (earning a) living, from specific aspects linked: morality, friendship, management, wellness and gift. Acknowledging that the analytical proposal used can mean a contribution to the study of the affective life.
publisher Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba.
publishDate 2024
url https://revistas.unc.edu.ar/index.php/ART/article/view/45966
work_keys_str_mv AT berteafrancisco affectivelifeinindependentartsensitiveterritoryincontemporarydanceoftheprovincialinterior
AT berteafrancisco lavidaafectivaenelarteindependienteterritoriosensibleenladanzacontemporaneadelinteriorprovinciano
first_indexed 2024-09-10T02:53:02Z
last_indexed 2025-08-27T05:24:00Z
_version_ 1842852760570036224

Ejemplares similares