Speculative fabulations for a decolonial aesthesis. The tracking of invisibles in the short film Enviado para falsear

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In this text we explore the possibility of decolonial aesthesis in Latin American moving image. We work with the notions of speculative fabulation by D. Haraway, the art of tracking invisibles, by V. Despret, and other key categories in the field of visual studies, such as the scopic regime, by M. J...

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Autores principales: Navas, Maia, Reyero, Alejandra
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2023
Materias:
Audiovisual
Latin America
Scopic regime
Control technologies
Gloom
Latinoamérica
Régimen escópico
Tecnologías de control
Penumbra
Acceso en línea:https://revistas.unc.edu.ar/index.php/ART/article/view/42025
Aporte de:
Artilugio de Universidad Nacional de Córdoba
id I10-R361-article-42025
record_format ojs
spelling I10-R361-article-420252024-09-29T17:51:47Z Speculative fabulations for a decolonial aesthesis. The tracking of invisibles in the short film Enviado para falsear Fabulaciones especulativas para una aesthesis decolonial. El rastreo de invisibles en el cortometraje Enviado para falsear Navas, Maia Reyero, Alejandra Audiovisual Latin America Scopic regime Control technologies Gloom Audiovisual Latinoamérica Régimen escópico Tecnologías de control Penumbra In this text we explore the possibility of decolonial aesthesis in Latin American moving image. We work with the notions of speculative fabulation by D. Haraway, the art of tracking invisibles, by V. Despret, and other key categories in the field of visual studies, such as the scopic regime, by M. Jay. Through the analysis of the short film Enviado para falsear, we reflect on the value of the invisibles and the black image as decolonial rhetorical figures of audiovisual practice in Latin America. We consider as a hypothesis that the mode of narration and montage developed in the short film can be thought of as a speculative fable whose procedure is the tracking of invisibles. This operation makes it possible to deconstruct the contemporary modalities of sociality, control and surveillance. The fabrication of other stories about cultural, natural and artificial technologies, allows us to review the inherited positivist paradigms and make new orders of the visible and the sensible emerge. The commitment to a decolonial aesthesis raised in the work, problematizes the Eurocentric scopic regime and in this way, suggests ways of making and seeing images that resist the logic of the luminous unconscious cinematographic. En este texto ensayamos sobre la posibilidad de una aesthesis decolonial de la imagen en movimiento latinoamericana. Recurrimos a las nociones de fabulación especulativa de Haraway (2019), arte de rastrear invisibles de Despret (2020) y a otras categorías clave del campo de los estudios visuales como régimen escópico de Jay (2003). A través del análisis del cortometraje de Enviado para falsear, reflexionamos sobre el valor de lo invisible y la imagen negra como figuras retóricas decoloniales de la práctica audiovisual en Latinoamérica. Consideramos, como hipótesis, que los modos de narrar y montar desarrollados en el cortometraje pueden pensarse como fabulación especulativa, cuyo procedimiento es el rastreo de invisibles. Esta operación permite deconstruir las modalidades contemporáneas de socialidad, control y vigilancia. La fabulación de otros relatos sobre tecnologías culturales, naturales y artificiales permite revisar los paradigmas positivistas heredados y hacer emerger nuevos órdenes de lo visible y lo sensible. La apuesta por una aesthesis decolonial planteada en la obra problematiza el régimen escópico eurocentrado y, de esta forma, sugiere modos de hacer y ver imágenes que resisten a las lógicas del inconsciente cinematográfico lumínico. Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2023-09-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-blind peer-reviewed article Artículo revisado por sistema de pares doble ciego application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/ART/article/view/42025 10.55443/artilugio.n9.2023.42025 Artilugio; No. 9 (2023): Multiple fabulations and possible technologies; 60-78 Artilugio; Núm. 9 (2023): Fabulaciones múltiples y tecnologías posibles; 60-78 Artilugio; n. 9 (2023): Fabulaciones múltiples y tecnologías posibles; 60-78 2408-462X 10.55443/artilugio.n9.2023 spa https://revistas.unc.edu.ar/index.php/ART/article/view/42025/42569 https://revistas.unc.edu.ar/index.php/ART/article/view/42025/42467 https://revistas.unc.edu.ar/index.php/ART/article/view/42025/42468 Derechos de autor 2023 Maia Navas, Alejandra Reyero https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-361
container_title_str Artilugio
language Español
format Artículo revista
topic Audiovisual
Latin America
Scopic regime
Control technologies
Gloom
Audiovisual
Latinoamérica
Régimen escópico
Tecnologías de control
Penumbra
spellingShingle Audiovisual
Latin America
Scopic regime
Control technologies
Gloom
Audiovisual
Latinoamérica
Régimen escópico
Tecnologías de control
Penumbra
Navas, Maia
Reyero, Alejandra
Speculative fabulations for a decolonial aesthesis. The tracking of invisibles in the short film Enviado para falsear
topic_facet Audiovisual
Latin America
Scopic regime
Control technologies
Gloom
Audiovisual
Latinoamérica
Régimen escópico
Tecnologías de control
Penumbra
author Navas, Maia
Reyero, Alejandra
author_facet Navas, Maia
Reyero, Alejandra
author_sort Navas, Maia
title Speculative fabulations for a decolonial aesthesis. The tracking of invisibles in the short film Enviado para falsear
title_short Speculative fabulations for a decolonial aesthesis. The tracking of invisibles in the short film Enviado para falsear
title_full Speculative fabulations for a decolonial aesthesis. The tracking of invisibles in the short film Enviado para falsear
title_fullStr Speculative fabulations for a decolonial aesthesis. The tracking of invisibles in the short film Enviado para falsear
title_full_unstemmed Speculative fabulations for a decolonial aesthesis. The tracking of invisibles in the short film Enviado para falsear
title_sort speculative fabulations for a decolonial aesthesis. the tracking of invisibles in the short film enviado para falsear
description In this text we explore the possibility of decolonial aesthesis in Latin American moving image. We work with the notions of speculative fabulation by D. Haraway, the art of tracking invisibles, by V. Despret, and other key categories in the field of visual studies, such as the scopic regime, by M. Jay. Through the analysis of the short film Enviado para falsear, we reflect on the value of the invisibles and the black image as decolonial rhetorical figures of audiovisual practice in Latin America. We consider as a hypothesis that the mode of narration and montage developed in the short film can be thought of as a speculative fable whose procedure is the tracking of invisibles. This operation makes it possible to deconstruct the contemporary modalities of sociality, control and surveillance. The fabrication of other stories about cultural, natural and artificial technologies, allows us to review the inherited positivist paradigms and make new orders of the visible and the sensible emerge. The commitment to a decolonial aesthesis raised in the work, problematizes the Eurocentric scopic regime and in this way, suggests ways of making and seeing images that resist the logic of the luminous unconscious cinematographic.
publisher Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba.
publishDate 2023
url https://revistas.unc.edu.ar/index.php/ART/article/view/42025
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AT reyeroalejandra speculativefabulationsforadecolonialaesthesisthetrackingofinvisiblesintheshortfilmenviadoparafalsear
AT navasmaia fabulacionesespeculativasparaunaaesthesisdecolonialelrastreodeinvisiblesenelcortometrajeenviadoparafalsear
AT reyeroalejandra fabulacionesespeculativasparaunaaesthesisdecolonialelrastreodeinvisiblesenelcortometrajeenviadoparafalsear
first_indexed 2024-09-03T22:28:20Z
last_indexed 2025-02-05T22:14:27Z
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