Entanglements: scientific visualization of life in Irene Kopelman’s art practice

This article deals with a zone among the multiple relations between art and science: the use of a resource towards the scientific visualization of living organisms in Irene Kopelman’s art practice. On the basis of a series of considerations about the art practice as thought, the projects Reconstruct...

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Autor principal: Bruno Garcén, Paula
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2023
Materias:
Contemporary art
Drawing
Microbiology
Anthropocene
Arte contemporáneo
Dibujo
Microbiología
Antropoceno
Acceso en línea:https://revistas.unc.edu.ar/index.php/ART/article/view/42023
Aporte de:
Artilugio de Universidad Nacional de Córdoba
id I10-R361-article-42023
record_format ojs
spelling I10-R361-article-420232024-09-29T17:51:47Z Entanglements: scientific visualization of life in Irene Kopelman’s art practice Entanglements: la visualización científica de lo viviente en la práctica artística de Irene Kopelman Bruno Garcén, Paula Contemporary art Drawing Microbiology Anthropocene Arte contemporáneo Dibujo Microbiología Antropoceno This article deals with a zone among the multiple relations between art and science: the use of a resource towards the scientific visualization of living organisms in Irene Kopelman’s art practice. On the basis of a series of considerations about the art practice as thought, the projects Reconstructing Time (2005) and Underwater Workstation (2016), are analyzed taking into account the montage with cases of scientific visualization. The aim is to understand the shifts and interventions being activated by the art practices. The iconographic, stylistic and material choices of the drawing are observed. The modelling and museum design alter the nature of the scientific visualization of the living issue. Likewise, the time dimension in the scientific and artistic doing identifies an issue: a historical time as well as a deep and geological time. The mangle roots and entanglement figures give access to the idea of surviving and at the same time continuing the interspecies coexistence matter in the planet.  Este trabajo se ocupa de una zona de múltiples relaciones entre arte y ciencia: el recurso a la visualización científica de lo viviente por parte de la práctica artística de Irene Kopelman. En función de una serie de consideraciones acerca de la práctica artística como pensamiento, se analizan los proyectos Reconstructing Time (2005) y Underwater Workstation (2016) a partir del montaje con casos de visualización científica, con el objetivo de comprender los desplazamientos y las intervenciones que estas prácticas artísticas movilizan. Se observa que las elecciones inconográficas, estilísticas y materiales en el dibujo, el modelado y el diseño museográfico desnaturalizan las modalidades de visualización de lo viviente. Asimismo se identifica un interrogante por la dimensión temporal del hacer artístico y científico: un tiempo histórico, así como un tiempo profundo y geológico. La figura de los entanglements o enredos, así como la de las raíces mangle, facilitan una mirada para sobrevivir y continuar el asunto de la coexistencia interespecies en el planeta. Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2023-09-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-blind peer-reviewed article Artículo revisado por sistema de pares doble ciego application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/ART/article/view/42023 10.55443/artilugio.n9.2023.42023 Artilugio; No. 9 (2023): Multiple fabulations and possible technologies; 28-45 Artilugio; Núm. 9 (2023): Fabulaciones múltiples y tecnologías posibles; 28-45 Artilugio; n. 9 (2023): Fabulaciones múltiples y tecnologías posibles; 28-45 2408-462X 10.55443/artilugio.n9.2023 spa https://revistas.unc.edu.ar/index.php/ART/article/view/42023/42567 https://revistas.unc.edu.ar/index.php/ART/article/view/42023/42463 https://revistas.unc.edu.ar/index.php/ART/article/view/42023/42464 Derechos de autor 2023 Paula Bruno Garcén https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-361
container_title_str Artilugio
language Español
format Artículo revista
topic Contemporary art
Drawing
Microbiology
Anthropocene
Arte contemporáneo
Dibujo
Microbiología
Antropoceno
spellingShingle Contemporary art
Drawing
Microbiology
Anthropocene
Arte contemporáneo
Dibujo
Microbiología
Antropoceno
Bruno Garcén, Paula
Entanglements: scientific visualization of life in Irene Kopelman’s art practice
topic_facet Contemporary art
Drawing
Microbiology
Anthropocene
Arte contemporáneo
Dibujo
Microbiología
Antropoceno
author Bruno Garcén, Paula
author_facet Bruno Garcén, Paula
author_sort Bruno Garcén, Paula
title Entanglements: scientific visualization of life in Irene Kopelman’s art practice
title_short Entanglements: scientific visualization of life in Irene Kopelman’s art practice
title_full Entanglements: scientific visualization of life in Irene Kopelman’s art practice
title_fullStr Entanglements: scientific visualization of life in Irene Kopelman’s art practice
title_full_unstemmed Entanglements: scientific visualization of life in Irene Kopelman’s art practice
title_sort entanglements: scientific visualization of life in irene kopelman’s art practice
description This article deals with a zone among the multiple relations between art and science: the use of a resource towards the scientific visualization of living organisms in Irene Kopelman’s art practice. On the basis of a series of considerations about the art practice as thought, the projects Reconstructing Time (2005) and Underwater Workstation (2016), are analyzed taking into account the montage with cases of scientific visualization. The aim is to understand the shifts and interventions being activated by the art practices. The iconographic, stylistic and material choices of the drawing are observed. The modelling and museum design alter the nature of the scientific visualization of the living issue. Likewise, the time dimension in the scientific and artistic doing identifies an issue: a historical time as well as a deep and geological time. The mangle roots and entanglement figures give access to the idea of surviving and at the same time continuing the interspecies coexistence matter in the planet. 
publisher Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba.
publishDate 2023
url https://revistas.unc.edu.ar/index.php/ART/article/view/42023
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first_indexed 2024-09-03T22:28:20Z
last_indexed 2025-02-05T22:14:27Z
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