Perform scene in a wounded world: judgment, action and community in Hannah Arendt
This work focuses on what are the possible places that scenic practices can take in relation to the adverse conditions that make contemporary forms of life. Possible answers are tested based on the contributions made by Hannah Arendt in her phenomenology of action, articulating various readings of p...
Guardado en:
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba.
2022
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/ART/article/view/38665 |
| Aporte de: |
| Sumario: | This work focuses on what are the possible places that scenic practices can take in relation to the adverse conditions that make contemporary forms of life. Possible answers are tested based on the contributions made by Hannah Arendt in her phenomenology of action, articulating various readings of performers and researchers of the performing arts.
The objective of the paper is to investigate the relationship between scenic practices and political action. The hypothesis that is proposed is that these practices are capable of operating joints with the faculty of action based on three major issues: a) the ability to appear and its intersubjective and plural condition; b) the constitution of the political and scenic practice in the public space; and c) the capacity for reflective aesthetic judgment in relation to the construction of the common world.
Finally, the work concludes by affirming the hypothesis, noting that scenic practices can play a key role in the dispute of meanings around the construction of a common world. With this, it is proposed to continue investigating the articulations between scenic and political practices. |
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