Perform scene in a wounded world: judgment, action and community in Hannah Arendt

This work focuses on what are the possible places that scenic practices can take in relation to the adverse conditions that make contemporary forms of life. Possible answers are tested based on the contributions made by Hannah Arendt in her phenomenology of action, articulating various readings of p...

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Detalles Bibliográficos
Autor principal: Chirino, Maximiliano J.
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2022
Materias:
Political action
Scenic practices
Public space
Judgment
Community
Acción política
Prácticas escénicas
Espacio público
Juicio
Comunidad
Acceso en línea:https://revistas.unc.edu.ar/index.php/ART/article/view/38665
Aporte de:
Artilugio de Universidad Nacional de Córdoba
id I10-R361-article-38665
record_format ojs
spelling I10-R361-article-386652023-03-03T23:57:52Z Perform scene in a wounded world: judgment, action and community in Hannah Arendt Hacer escena en un mundo herido: juicio, acción y comunidad en Hannah Arendt Chirino, Maximiliano J. Political action Scenic practices Public space Judgment Community Acción política Prácticas escénicas Espacio público Juicio Comunidad This work focuses on what are the possible places that scenic practices can take in relation to the adverse conditions that make contemporary forms of life. Possible answers are tested based on the contributions made by Hannah Arendt in her phenomenology of action, articulating various readings of performers and researchers of the performing arts. The objective of the paper is to investigate the relationship between scenic practices and political action. The hypothesis that is proposed is that these practices are capable of operating joints with the faculty of action based on three major issues: a) the ability to appear and its intersubjective and plural condition; b) the constitution of the political and scenic practice in the public space; and c) the capacity for reflective aesthetic judgment in relation to the construction of the common world. Finally, the work concludes by affirming the hypothesis, noting that scenic practices can play a key role in the dispute of meanings around the construction of a common world. With this, it is proposed to continue investigating the articulations between scenic and political practices. Este trabajo se centra en cuáles son los posibles lugares que pueden tomar las prácticas escénicas en relación a las condiciones adversas que hacen a las formas de vida contemporáneas. Se ensayan posibles respuestas a partir de los aportes realizados por Hannah Arendt en su fenomenología de la acción articulando diversas lecturas de hacedores e investigadores de artes escénicas.  El objetivo del trabajo es indagar la relación entre prácticas escénicas y acción política. La hipótesis que se propone es que que dichas prácticas son susceptibles de operar articulaciones con la facultad de la acción a partir de tres grandes cuestiones: a) la capacidad de aparición y su condición intersubjetiva y plural; b) la constitución de la práctica política y escénica en el espacio público; y c) la capacidad del juicio estético reflexivo en relación a la construcción de mundo común.  Por último, el trabajo concluye afirmando la hipótesis, advirtiendo que las prácticas escénicas pueden ocupar un papel clave en la disputa de sentidos en torno a la construcción de mundo común. Con ello, se propone continuar indagando en torno a las articulaciones entre prácticas escénicas y políticas. Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2022-09-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-blind peer-reviewed article Artículo revisado por sistema de pares doble ciego application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/ART/article/view/38665 10.55443/artilugio.n8.2022.38665 ark:/s2408462x/pc65la35q Artilugio; No. 8 (2022): Artistic Practices, Planetary Crisis and Possible Lives; 76-89 Artilugio; Núm. 8 (2022): Prácticas artísticas, crisis planetaria y vidas posibles; 76-89 Artilugio; n. 8 (2022): Prácticas artísticas, crisis planetaria y vidas posibles; 76-89 2408-462X 10.55443/artilugio.n8.2022 ark:/s2408462x/b8bok3jj5 spa https://revistas.unc.edu.ar/index.php/ART/article/view/38665/38767 https://revistas.unc.edu.ar/index.php/ART/article/view/38665/38706 https://revistas.unc.edu.ar/index.php/ART/article/view/38665/38707 https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-361
container_title_str Artilugio
language Español
format Artículo revista
topic Political action
Scenic practices
Public space
Judgment
Community
Acción política
Prácticas escénicas
Espacio público
Juicio
Comunidad
spellingShingle Political action
Scenic practices
Public space
Judgment
Community
Acción política
Prácticas escénicas
Espacio público
Juicio
Comunidad
Chirino, Maximiliano J.
Perform scene in a wounded world: judgment, action and community in Hannah Arendt
topic_facet Political action
Scenic practices
Public space
Judgment
Community
Acción política
Prácticas escénicas
Espacio público
Juicio
Comunidad
author Chirino, Maximiliano J.
author_facet Chirino, Maximiliano J.
author_sort Chirino, Maximiliano J.
title Perform scene in a wounded world: judgment, action and community in Hannah Arendt
title_short Perform scene in a wounded world: judgment, action and community in Hannah Arendt
title_full Perform scene in a wounded world: judgment, action and community in Hannah Arendt
title_fullStr Perform scene in a wounded world: judgment, action and community in Hannah Arendt
title_full_unstemmed Perform scene in a wounded world: judgment, action and community in Hannah Arendt
title_sort perform scene in a wounded world: judgment, action and community in hannah arendt
description This work focuses on what are the possible places that scenic practices can take in relation to the adverse conditions that make contemporary forms of life. Possible answers are tested based on the contributions made by Hannah Arendt in her phenomenology of action, articulating various readings of performers and researchers of the performing arts. The objective of the paper is to investigate the relationship between scenic practices and political action. The hypothesis that is proposed is that these practices are capable of operating joints with the faculty of action based on three major issues: a) the ability to appear and its intersubjective and plural condition; b) the constitution of the political and scenic practice in the public space; and c) the capacity for reflective aesthetic judgment in relation to the construction of the common world. Finally, the work concludes by affirming the hypothesis, noting that scenic practices can play a key role in the dispute of meanings around the construction of a common world. With this, it is proposed to continue investigating the articulations between scenic and political practices.
publisher Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba.
publishDate 2022
url https://revistas.unc.edu.ar/index.php/ART/article/view/38665
work_keys_str_mv AT chirinomaximilianoj performsceneinawoundedworldjudgmentactionandcommunityinhannaharendt
AT chirinomaximilianoj hacerescenaenunmundoheridojuicioaccionycomunidadenhannaharendt
first_indexed 2024-09-03T22:28:18Z
last_indexed 2024-09-03T22:28:18Z
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