Becoming animal in the Argentine narrative and theater of the 21st century
From technological developments, climate change and the effects of globalization, the representation of the animal as the Other exhibits changes in relation to the modern conception of humanity. From that separation that accentuated the difference between human beings and animals –real or imaginary–...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba.
2022
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/ART/article/view/38663 |
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I10-R361-article-386632023-03-03T23:59:29Z Becoming animal in the Argentine narrative and theater of the 21st century Devenires animales en la narrativa y el teatro argentinos del siglo XXI López, Liliana B. Dystopias Becomings Animality Biological connections Contemporary art Distopías Devenires Animalidad Conexiones biológicas Arte contemporáneo From technological developments, climate change and the effects of globalization, the representation of the animal as the Other exhibits changes in relation to the modern conception of humanity. From that separation that accentuated the difference between human beings and animals –real or imaginary– we observe representations in some productions of contemporary art –we will take examples from narrative and theater– that propose mixtures, unions, and connections between species that, in turn, give rise to relocations and transformations that produce new meanings or else, generate reformulations with respect to the traditional ones. Dystopias, monstrous emergencies, irruption of the sinister, revision of taboos, are some of the axes that we recognize in a series of recent fictional productions, which allow us to postulate a paradigm shift that contains a disturbing vision of the present and even more, of the future. A partir de los desarrollos tecnológicos, el cambio climático y los efectos de la globalización, la representación de lo animal como el Otro exhibe cambios en relación con la concepción moderna de humanidad. De aquella separación que acentuaba la diferencia entre los seres humanos y los animales –reales o imaginarios– observamos representaciones en algunas producciones del arte contemporáneo –en particular tomaremos ejemplos de la narrativa y del teatro– que proponen mixturas, uniones y conexiones entre especies que, a su vez, dan lugar a reubicaciones y transformaciones que producen nuevos sentidos, o bien, generan reformulaciones respecto de las tradicionales. Distopías, emergencias monstruosas, irrupción de lo siniestro, revisión de tabúes, son algunos de los ejes que reconocemos en una serie de producciones ficcionales recientes, lo que nos permite postular un cambio de paradigma que contiene una visión inquietante del presente y, aún más, del futuro. Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2022-09-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-blind peer-reviewed article Artículo revisado por sistema de pares doble ciego application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/ART/article/view/38663 10.55443/artilugio.n8.2022.38663 ark:/s2408462x/1amyree0u Artilugio; No. 8 (2022): Artistic Practices, Planetary Crisis and Possible Lives; 123-135 Artilugio; Núm. 8 (2022): Prácticas artísticas, crisis planetaria y vidas posibles; 123-135 Artilugio; n. 8 (2022): Prácticas artísticas, crisis planetaria y vidas posibles; 123-135 2408-462X 10.55443/artilugio.n8.2022 ark:/s2408462x/b8bok3jj5 spa https://revistas.unc.edu.ar/index.php/ART/article/view/38663/38770 https://revistas.unc.edu.ar/index.php/ART/article/view/38663/38712 https://revistas.unc.edu.ar/index.php/ART/article/view/38663/38713 https://creativecommons.org/licenses/by-nc-sa/4.0 |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-361 |
| container_title_str |
Artilugio |
| language |
Español |
| format |
Artículo revista |
| topic |
Dystopias Becomings Animality Biological connections Contemporary art Distopías Devenires Animalidad Conexiones biológicas Arte contemporáneo |
| spellingShingle |
Dystopias Becomings Animality Biological connections Contemporary art Distopías Devenires Animalidad Conexiones biológicas Arte contemporáneo López, Liliana B. Becoming animal in the Argentine narrative and theater of the 21st century |
| topic_facet |
Dystopias Becomings Animality Biological connections Contemporary art Distopías Devenires Animalidad Conexiones biológicas Arte contemporáneo |
| author |
López, Liliana B. |
| author_facet |
López, Liliana B. |
| author_sort |
López, Liliana B. |
| title |
Becoming animal in the Argentine narrative and theater of the 21st century |
| title_short |
Becoming animal in the Argentine narrative and theater of the 21st century |
| title_full |
Becoming animal in the Argentine narrative and theater of the 21st century |
| title_fullStr |
Becoming animal in the Argentine narrative and theater of the 21st century |
| title_full_unstemmed |
Becoming animal in the Argentine narrative and theater of the 21st century |
| title_sort |
becoming animal in the argentine narrative and theater of the 21st century |
| description |
From technological developments, climate change and the effects of globalization, the representation of the animal as the Other exhibits changes in relation to the modern conception of humanity. From that separation that accentuated the difference between human beings and animals –real or imaginary– we observe representations in some productions of contemporary art –we will take examples from narrative and theater– that propose mixtures, unions, and connections between species that, in turn, give rise to relocations and transformations that produce new meanings or else, generate reformulations with respect to the traditional ones. Dystopias, monstrous emergencies, irruption of the sinister, revision of taboos, are some of the axes that we recognize in a series of recent fictional productions, which allow us to postulate a paradigm shift that contains a disturbing vision of the present and even more, of the future. |
| publisher |
Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. |
| publishDate |
2022 |
| url |
https://revistas.unc.edu.ar/index.php/ART/article/view/38663 |
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AT lopezlilianab becominganimalintheargentinenarrativeandtheaterofthe21stcentury AT lopezlilianab deveniresanimalesenlanarrativayelteatroargentinosdelsigloxxi |
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2024-09-03T22:28:18Z |
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2024-09-03T22:28:18Z |
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