Synthesize the boundless. A possible dialogue between the artists Liliana Maresca and Soledad Dahbar

The current environmental collapse manifests itself in various ways according to the historical and territorial particularities of each place. The long history of destruction and looting of natural assets in Latin America constitutes a possible reading key for understanding the processes of commodif...

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Autor principal: Casablanca, Cecilia
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2022
Materias:
Extractivism
Anthropocene
Colonial heritage
Ecopoetics
Extractivismo
Antropoceno
Herencia colonial
Ecopoéticas
Acceso en línea:https://revistas.unc.edu.ar/index.php/ART/article/view/38660
Aporte de:
Artilugio de Universidad Nacional de Córdoba
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spelling I10-R361-article-386602023-03-03T23:58:50Z Synthesize the boundless. A possible dialogue between the artists Liliana Maresca and Soledad Dahbar Sintetizar lo inabarcable. Un diálogo posible entre las artistas Liliana Maresca y Soledad Dahbar Casablanca, Cecilia Extractivism Anthropocene Colonial heritage Ecopoetics Extractivismo Antropoceno Herencia colonial Ecopoéticas The current environmental collapse manifests itself in various ways according to the historical and territorial particularities of each place. The long history of destruction and looting of natural assets in Latin America constitutes a possible reading key for understanding the processes of commodification of nature through extractivist and neo-extractivist dynamics. In this framework, visual productions recover many of the critical elements from their own repertoires that point out, warn or denounce established narratives. This article aims to reconstruct the historical and material ties of the productions of contemporary artists Liliana Maresca and Soledad Dahbar around the extractive issue, proposing possible formal and symbolic dialogues between the responses implemented. On tune with Jason Moore's (2020) remarks about the need to incorporate a long-term temporality into the analysis of the Anthropocene, the contribution refers to think about the historical and material continuities in the current configuration of critical visual responses, relevant when it comes to dispute the ways of formulating the problem in order to build creative alternatives from there that overcome impotence in the face of so much destruction. El actual colapso ambiental se manifiesta de diversas formas de acuerdo con las particularidades históricas y territoriales de cada lugar. La larga historia de destrucción y saqueo de bienes naturales en América Latina constituye una clave de lectura posible para la comprensión de los procesos de mercantilización de la naturaleza mediante las dinámicas extractivistas y neoextractivistas.  En este marco, las producciones visuales recuperan muchos de los elementos críticos a partir de repertorios propios que señalan, advierten o denuncian narrativas establecidas. El presente artículo tiene como objetivo reconstruir los lazos históricos y materiales de las producciones de las artistas contemporáneas Liliana Maresca y Soledad Dahbar en torno de la cuestión extractiva, proponiendo posibles diálogos formales y simbólicos entre las respuestas implementadas.  En sintonía con los señalamientos de Moore (2020), sobre la necesidad de incorporar a los análisis sobre el Antropoceno una temporalidad de largo aliento, el aporte remite a pensar las continuidades históricas y materiales en la configuración actual de respuestas visuales críticas, relevantes a la hora de disputar los modos de formular el problema para desde allí construir alternativas creativas que superen la impotencia ante tanta destrucción. Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2022-09-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-blind peer-reviewed article Artículo revisado por sistema de pares doble ciego application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/ART/article/view/38660 10.55443/artilugio.n8.2022.38660 ark:/s2408462x/5qf4tficx Artilugio; No. 8 (2022): Artistic Practices, Planetary Crisis and Possible Lives; 109-122 Artilugio; Núm. 8 (2022): Prácticas artísticas, crisis planetaria y vidas posibles; 109-122 Artilugio; n. 8 (2022): Prácticas artísticas, crisis planetaria y vidas posibles; 109-122 2408-462X 10.55443/artilugio.n8.2022 ark:/s2408462x/b8bok3jj5 spa https://revistas.unc.edu.ar/index.php/ART/article/view/38660/38769 https://revistas.unc.edu.ar/index.php/ART/article/view/38660/38710 https://revistas.unc.edu.ar/index.php/ART/article/view/38660/38711 https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-361
container_title_str Artilugio
language Español
format Artículo revista
topic Extractivism
Anthropocene
Colonial heritage
Ecopoetics
Extractivismo
Antropoceno
Herencia colonial
Ecopoéticas
spellingShingle Extractivism
Anthropocene
Colonial heritage
Ecopoetics
Extractivismo
Antropoceno
Herencia colonial
Ecopoéticas
Casablanca, Cecilia
Synthesize the boundless. A possible dialogue between the artists Liliana Maresca and Soledad Dahbar
topic_facet Extractivism
Anthropocene
Colonial heritage
Ecopoetics
Extractivismo
Antropoceno
Herencia colonial
Ecopoéticas
author Casablanca, Cecilia
author_facet Casablanca, Cecilia
author_sort Casablanca, Cecilia
title Synthesize the boundless. A possible dialogue between the artists Liliana Maresca and Soledad Dahbar
title_short Synthesize the boundless. A possible dialogue between the artists Liliana Maresca and Soledad Dahbar
title_full Synthesize the boundless. A possible dialogue between the artists Liliana Maresca and Soledad Dahbar
title_fullStr Synthesize the boundless. A possible dialogue between the artists Liliana Maresca and Soledad Dahbar
title_full_unstemmed Synthesize the boundless. A possible dialogue between the artists Liliana Maresca and Soledad Dahbar
title_sort synthesize the boundless. a possible dialogue between the artists liliana maresca and soledad dahbar
description The current environmental collapse manifests itself in various ways according to the historical and territorial particularities of each place. The long history of destruction and looting of natural assets in Latin America constitutes a possible reading key for understanding the processes of commodification of nature through extractivist and neo-extractivist dynamics. In this framework, visual productions recover many of the critical elements from their own repertoires that point out, warn or denounce established narratives. This article aims to reconstruct the historical and material ties of the productions of contemporary artists Liliana Maresca and Soledad Dahbar around the extractive issue, proposing possible formal and symbolic dialogues between the responses implemented. On tune with Jason Moore's (2020) remarks about the need to incorporate a long-term temporality into the analysis of the Anthropocene, the contribution refers to think about the historical and material continuities in the current configuration of critical visual responses, relevant when it comes to dispute the ways of formulating the problem in order to build creative alternatives from there that overcome impotence in the face of so much destruction.
publisher Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba.
publishDate 2022
url https://revistas.unc.edu.ar/index.php/ART/article/view/38660
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first_indexed 2024-09-03T22:28:18Z
last_indexed 2024-09-03T22:28:18Z
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