Living Imaginaries: Corporealities and Words in Dance Practice Dancing Experience Notes
The present work is part of the research and practice of contemporary dance carried out with the team Archive and living imaginaries. The inhabited body that dances (Call CePIAbierto 2018-2021). In this research, we attend to practiced practice (Fernandez, 2018) as the object of study and we approac...
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| Autores principales: | , , , , , |
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba.
2021
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| Materias: | |
| Acceso en línea: | https://revistas.unc.edu.ar/index.php/ART/article/view/34564 |
| Aporte de: |
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I10-R361-article-34564 |
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Universidad Nacional de Córdoba |
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I-10 |
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Artilugio |
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Español |
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Artículo revista |
| topic |
Practiced practice Living imaginaries Experience Orality Essays Práctica practicada Imaginarios vivos Experiencia Oralidad Ensayos |
| spellingShingle |
Practiced practice Living imaginaries Experience Orality Essays Práctica practicada Imaginarios vivos Experiencia Oralidad Ensayos Fernández, Viviana Castro Merlo, Ana Stalldecker, Florencia Ghioldi, María Belén Eiden, Rocío Mariel Garrone, Julieta Belén Living Imaginaries: Corporealities and Words in Dance Practice Dancing Experience Notes |
| topic_facet |
Practiced practice Living imaginaries Experience Orality Essays Práctica practicada Imaginarios vivos Experiencia Oralidad Ensayos |
| author |
Fernández, Viviana Castro Merlo, Ana Stalldecker, Florencia Ghioldi, María Belén Eiden, Rocío Mariel Garrone, Julieta Belén |
| author_facet |
Fernández, Viviana Castro Merlo, Ana Stalldecker, Florencia Ghioldi, María Belén Eiden, Rocío Mariel Garrone, Julieta Belén |
| author_sort |
Fernández, Viviana |
| title |
Living Imaginaries: Corporealities and Words in Dance Practice Dancing Experience Notes |
| title_short |
Living Imaginaries: Corporealities and Words in Dance Practice Dancing Experience Notes |
| title_full |
Living Imaginaries: Corporealities and Words in Dance Practice Dancing Experience Notes |
| title_fullStr |
Living Imaginaries: Corporealities and Words in Dance Practice Dancing Experience Notes |
| title_full_unstemmed |
Living Imaginaries: Corporealities and Words in Dance Practice Dancing Experience Notes |
| title_sort |
living imaginaries: corporealities and words in dance practice dancing experience notes |
| description |
The present work is part of the research and practice of contemporary dance carried out with the team Archive and living imaginaries. The inhabited body that dances (Call CePIAbierto 2018-2021). In this research, we attend to practiced practice (Fernandez, 2018) as the object of study and we approached a methodological proposal based on the description of the shades and the configuration of corporealities and sensitive registers.
During the development of this paper, we will try to show the way in which the notions of archive, living imaginary and inhabited dancing body were interwoven in practice, transforming that weft into a dense texture that needed to link other threads to allow us to see in that new fabric the way in which, saying-imaginary-writing-practice practiced managed to show themselves. Knowing that our object of research is the dance practice, located in the shared training sessions where we propose slogans that attend to the word, the voice and the rhythm to configure a corporeality, we then create —body to body— an event plotted from the movement. The physical and sensitive practices that we guide has a relationship with speech and we consider that there is a repertoire of the voice, as word and sound, together with that of the movement. The descriptions we design to move ourselves and others rely on both a sensorium, the seat of sensation where a living organism experiences or interprets the environments in which it exists, and an imaginary one.
The instructions that guided the exercises proposed for the practice within the framework of the research were not designed in an exclusive or excluding manner. We consider that it is part of our metier the knowledge in the use of methods used in other training spaces so that, it was not relevant for us to highlight the singularity of the exercises performed, but the expression of the experience that led the person who “guided” and experienced the group practice. |
| publisher |
Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. |
| publishDate |
2021 |
| url |
https://revistas.unc.edu.ar/index.php/ART/article/view/34564 |
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I10-R361-article-345642023-03-04T00:22:16Z Living Imaginaries: Corporealities and Words in Dance Practice Dancing Experience Notes Imaginarios vivos: corporalidades y palabras en la práctica danzada Notas de experiencia en el danzar Fernández, Viviana Castro Merlo, Ana Stalldecker, Florencia Ghioldi, María Belén Eiden, Rocío Mariel Garrone, Julieta Belén Practiced practice Living imaginaries Experience Orality Essays Práctica practicada Imaginarios vivos Experiencia Oralidad Ensayos The present work is part of the research and practice of contemporary dance carried out with the team Archive and living imaginaries. The inhabited body that dances (Call CePIAbierto 2018-2021). In this research, we attend to practiced practice (Fernandez, 2018) as the object of study and we approached a methodological proposal based on the description of the shades and the configuration of corporealities and sensitive registers. During the development of this paper, we will try to show the way in which the notions of archive, living imaginary and inhabited dancing body were interwoven in practice, transforming that weft into a dense texture that needed to link other threads to allow us to see in that new fabric the way in which, saying-imaginary-writing-practice practiced managed to show themselves. Knowing that our object of research is the dance practice, located in the shared training sessions where we propose slogans that attend to the word, the voice and the rhythm to configure a corporeality, we then create —body to body— an event plotted from the movement. The physical and sensitive practices that we guide has a relationship with speech and we consider that there is a repertoire of the voice, as word and sound, together with that of the movement. The descriptions we design to move ourselves and others rely on both a sensorium, the seat of sensation where a living organism experiences or interprets the environments in which it exists, and an imaginary one. The instructions that guided the exercises proposed for the practice within the framework of the research were not designed in an exclusive or excluding manner. We consider that it is part of our metier the knowledge in the use of methods used in other training spaces so that, it was not relevant for us to highlight the singularity of the exercises performed, but the expression of the experience that led the person who “guided” and experienced the group practice. El presente trabajo se inscribe en el marco de la investigación y práctica de danza contemporánea llevada a cabo con el equipo Archivo e imaginarios vivos. El cuerpo habitado que danza (convocatoria CePIAbierto 2018-2021). En esta investigación atendemos a la práctica practicada (Fernández, 2018) como objeto de estudio y abordamos una propuesta metodológica basada en la descripción de los tonos y enunciados del decir y la configuración de corporalidades y registros sensibles. Durante el desarrollo del presente trabajo, trataremos de mostrar el modo en cómo se fueron entramando en la práctica las nociones de archivo, imaginarios vivos y cuerpo habitado que danza, transformando esa trama en una textura densa que necesitó ir enlazando otros hilos para permitirnos ver en ese nuevo tejido la manera en qué, decir-imaginario-escritura-práctica practicada lograron mostrarse. Sabiendo que nuestro objeto de investigación es la práctica danzada, situada en los entrenamientos compartidos donde proponemos consignas que atienden a la palabra, la voz y el ritmo para configurar una corporalidad, creamos entonces —cuerpo a cuerpo— un acontecimiento tramado a partir del movimiento. Las prácticas físicas y sensibles que guiamos tienen una relación con el decir y consideramos que hay un repertorio de la voz, como palabra y sonido, junto al del movimiento. Las descripciones que diseñamos para movernos y mover a otres se apoyan tanto en un sensorium, asiento de la sensación donde un organismo vivo experimenta o interpreta los entornos en los que existe, como en un imaginario. Las consignas que guiaron los ejercicios propuestos para la práctica en el marco de la investigación no fueron diagramadas de manera exclusiva ni excluyente. Consideramos que es parte de nuestro metier el conocimiento en la utilización de métodos empleados en otros espacios de entrenamiento de manera que, no nos resultó relevante destacar la singularidad de los ejercicios realizados sino la expresión de la vivencia a la que condujo quien “orientó” y experimentó la práctica grupal. Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2021-09-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Non-arbitrated article Artículo no arbitrado application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/ART/article/view/34564 10.55443/artilugio.n7.2021.34564 ark:/s2408462x/ak1jl9n8f Artilugio; No. 7 (2021): Cartographies, Memories and Territories; 365-389 Artilugio; Núm. 7 (2021): Cartografías, memorias y territorios; 365-389 Artilugio; n. 7 (2021): Cartografías, memorias y territorios; 365-389 2408-462X 10.55443/artilugio.n7.2021 ark:/s2408462x/rkwmwvcrg spa https://revistas.unc.edu.ar/index.php/ART/article/view/34564/35063 https://revistas.unc.edu.ar/index.php/ART/article/view/34564/35064 https://revistas.unc.edu.ar/index.php/ART/article/view/34564/35065 Derechos de autor 2021 Viviana Fernández, Ana Castro Merlo, Florencia Stalldecker, María Belén Ghioldi, Rocío Mariel Eiden, Julieta Belén Garrone https://creativecommons.org/licenses/by-nc-sa/4.0 |