Drawing America: Anna Bella Geiger’s cartographic Ecuations
Whilst the affinities between art and cartography have been studied (Wood, 1987), research on the interest of art in cartography (Harmon, 2004, 2009; de Diego, 2008; Tiberghien, 2010, 2013; Wood, 2006, 2014; Lois, 2014; Besse & Tibergheim, 2017; Hollman & Mazzitelli Mastricchio, 2016...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba.
2021
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/ART/article/view/34558 |
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I10-R361-article-345582023-03-04T00:20:33Z Drawing America: Anna Bella Geiger’s cartographic Ecuations Dibujar América: las Ecuaciones cartográficas de Anna Bella Geiger Mazzitelli Mastricchio, Malena Hollman, Verónica Images Map Space Art Geography Imagen Mapa Espacio Arte Geografía Whilst the affinities between art and cartography have been studied (Wood, 1987), research on the interest of art in cartography (Harmon, 2004, 2009; de Diego, 2008; Tiberghien, 2010, 2013; Wood, 2006, 2014; Lois, 2014; Besse & Tibergheim, 2017; Hollman & Mazzitelli Mastricchio, 2016) is recent. In particular, the understanding that both artists’ mapping and the maps they create could become a source of spatial information (Girardi, 2017; Padovesi Fonseca & Hollman, 2018). In 2018, Museum of National University of Tres de Febrero-Centre of Contemporary Art held the exposition “Physical and Human Geography” of the Brazilian artist Ana Bella Geiger. The map, or, the maps that Ana Bella Geiger created with different techniques were the absolute protagonists of that exposition. By taking as starting point some of her artworks, we propose to analyze how she uses elements of cartography to challenge the common sense of Latin America and put forward other ways to image this space. We will focus on the maps that make up the Ecuations series.Key words: Images, Map, Space, Art, Geography. Las afinidades existentes entre el arte y la cartografía han sido ampliamente estudiadas (Woodward, 1987). Sin embargo, es más reciente la indagación sobre el interés del arte contemporáneo por la cartografía (Harmon, 2004, 2009; de Diego, 2008; Tiberghien, 2010, 2013; Wood, 2006, 2014; Lois, 2014; Besse & Tibergheim, 2017; Hollman & Mazzitelli Mastricchio, 2016), y en particular el análisis de los mapas y del mapeo hecho por artistas como fuente de información espacial (Girardi, 2017; Hollman y Padovesi Fonseca, 2018). En el año 2018 el Museo de la Universidad Nacional de Tres de Febrero-Centro de Arte Contemporáneo presentó la exposición “Geografía física y humana” de la artista brasileña Anna Bella Geiger. El mapa, o mejor dicho, los mapas creados, intervenidos, dibujados por Ana Bella Geiger fueron los protagonistas de aquella exposición. Proponemos indagar a partir de algunas de sus obras la utilización de elementos de la cartografía para desafiar y cuestionar cómo se piensa a América Latina así como para proponer otras formas de imaginar este espacio. Entre los numerosos mapas de esta artista nos centraremos en la serie Ecuaciones, producida en el año 1978. Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2021-09-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-blind peer-reviewed article Artículo revisado por sistema de pares doble ciego application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/ART/article/view/34558 10.55443/artilugio.n7.2021.34558 ark:/s2408462x/143ac9k0j Artilugio; No. 7 (2021): Cartographies, Memories and Territories; 319-334 Artilugio; Núm. 7 (2021): Cartografías, memorias y territorios; 319-334 Artilugio; n. 7 (2021): Cartografías, memorias y territorios; 319-334 2408-462X 10.55443/artilugio.n7.2021 ark:/s2408462x/rkwmwvcrg spa https://revistas.unc.edu.ar/index.php/ART/article/view/34558/35047 https://revistas.unc.edu.ar/index.php/ART/article/view/34558/35048 https://revistas.unc.edu.ar/index.php/ART/article/view/34558/35049 Derechos de autor 2021 Malena Mazzitelli Mastricchio, Verónica Hollman https://creativecommons.org/licenses/by-nc-sa/4.0 |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-361 |
| container_title_str |
Artilugio |
| language |
Español |
| format |
Artículo revista |
| topic |
Images Map Space Art Geography Imagen Mapa Espacio Arte Geografía |
| spellingShingle |
Images Map Space Art Geography Imagen Mapa Espacio Arte Geografía Mazzitelli Mastricchio, Malena Hollman, Verónica Drawing America: Anna Bella Geiger’s cartographic Ecuations |
| topic_facet |
Images Map Space Art Geography Imagen Mapa Espacio Arte Geografía |
| author |
Mazzitelli Mastricchio, Malena Hollman, Verónica |
| author_facet |
Mazzitelli Mastricchio, Malena Hollman, Verónica |
| author_sort |
Mazzitelli Mastricchio, Malena |
| title |
Drawing America: Anna Bella Geiger’s cartographic Ecuations |
| title_short |
Drawing America: Anna Bella Geiger’s cartographic Ecuations |
| title_full |
Drawing America: Anna Bella Geiger’s cartographic Ecuations |
| title_fullStr |
Drawing America: Anna Bella Geiger’s cartographic Ecuations |
| title_full_unstemmed |
Drawing America: Anna Bella Geiger’s cartographic Ecuations |
| title_sort |
drawing america: anna bella geiger’s cartographic ecuations |
| description |
Whilst the affinities between art and cartography have been studied (Wood, 1987), research on the interest of art in cartography (Harmon, 2004, 2009; de Diego, 2008; Tiberghien, 2010, 2013; Wood, 2006, 2014; Lois, 2014; Besse & Tibergheim, 2017; Hollman & Mazzitelli Mastricchio, 2016) is recent. In particular, the understanding that both artists’ mapping and the maps they create could become a source of spatial information (Girardi, 2017; Padovesi Fonseca & Hollman, 2018). In 2018, Museum of National University of Tres de Febrero-Centre of Contemporary Art held the exposition “Physical and Human Geography” of the Brazilian artist Ana Bella Geiger. The map, or, the maps that Ana Bella Geiger created with different techniques were the absolute protagonists of that exposition. By taking as starting point some of her artworks, we propose to analyze how she uses elements of cartography to challenge the common sense of Latin America and put forward other ways to image this space. We will focus on the maps that make up the Ecuations series.Key words: Images, Map, Space, Art, Geography. |
| publisher |
Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. |
| publishDate |
2021 |
| url |
https://revistas.unc.edu.ar/index.php/ART/article/view/34558 |
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