A cartography of the body: Forms and ideas in the work of Daniel García

As part of my research into the visual arts and their relationship with other disciplines, I'm interested in approaching the work of the Argentinean artist Daniel García, given that his production, made up mainly of paintings and drawings, has over time incorporated other formats or devices tha...

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Detalles Bibliográficos
Autor principal: Quaranta, Manuel Alejando
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2021
Materias:
Body
Memory
Exploration
Painting
Representation
Cuerpo
Memoria
Exploración
Pintura
Representación
Acceso en línea:https://revistas.unc.edu.ar/index.php/ART/article/view/34557
Aporte de:
Artilugio de Universidad Nacional de Córdoba
id I10-R361-article-34557
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spelling I10-R361-article-345572023-03-04T00:19:54Z A cartography of the body: Forms and ideas in the work of Daniel García Una cartografía del cuerpo: formas e ideas en la obra de Daniel García Quaranta, Manuel Alejando Body Memory Exploration Painting Representation Cuerpo Memoria Exploración Pintura Representación As part of my research into the visual arts and their relationship with other disciplines, I'm interested in approaching the work of the Argentinean artist Daniel García, given that his production, made up mainly of paintings and drawings, has over time incorporated other formats or devices that go beyond his original field of action. In this sense, his work admits the qualification of heterogeneous, thinking not only in terms of the materiality or the media used, but also considering the variety of issues he includes in his work.  What I propose in this article is a review of García's work, with a focus on those problems that gradually developed within his artistic project: body, representation and memory. En el marco de mis investigaciones en torno a las artes visuales y su relación con otras disciplinas, me interesa abordar la obra del artista argentino Daniel García dado que su producción, conformada principalmente por pinturas y dibujos, con el correr del tiempo ha ido sumando otros formatos o dispositivos que exceden su campo de acción original. En este sentido, la producción de García admite el calificativo de heterogénea, no solo por la materialidad o los soportes utilizados, sino también teniendo presente la variedad de problemáticas que incorpora en sus trabajos. Lo que propongo en este artículo es un recorrido por la obra de García, atento a indagar en aquellas cuestiones que poco a poco se fueron desplegando dentro de su proyecto artístico: cuerpo, representación y memoria. Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2021-09-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-blind peer-reviewed article Artículo revisado por sistema de pares doble ciego application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/ART/article/view/34557 10.55443/artilugio.n7.2021.34557 ark:/s2408462x/ce9ux5qqk Artilugio; No. 7 (2021): Cartographies, Memories and Territories; 301-318 Artilugio; Núm. 7 (2021): Cartografías, memorias y territorios; 301-318 Artilugio; n. 7 (2021): Cartografías, memorias y territorios; 301-318 2408-462X 10.55443/artilugio.n7.2021 ark:/s2408462x/rkwmwvcrg spa https://revistas.unc.edu.ar/index.php/ART/article/view/34557/35044 https://revistas.unc.edu.ar/index.php/ART/article/view/34557/35045 https://revistas.unc.edu.ar/index.php/ART/article/view/34557/35046 Derechos de autor 2021 Manuel Alejando Quaranta https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-361
container_title_str Artilugio
language Español
format Artículo revista
topic Body
Memory
Exploration
Painting
Representation
Cuerpo
Memoria
Exploración
Pintura
Representación
spellingShingle Body
Memory
Exploration
Painting
Representation
Cuerpo
Memoria
Exploración
Pintura
Representación
Quaranta, Manuel Alejando
A cartography of the body: Forms and ideas in the work of Daniel García
topic_facet Body
Memory
Exploration
Painting
Representation
Cuerpo
Memoria
Exploración
Pintura
Representación
author Quaranta, Manuel Alejando
author_facet Quaranta, Manuel Alejando
author_sort Quaranta, Manuel Alejando
title A cartography of the body: Forms and ideas in the work of Daniel García
title_short A cartography of the body: Forms and ideas in the work of Daniel García
title_full A cartography of the body: Forms and ideas in the work of Daniel García
title_fullStr A cartography of the body: Forms and ideas in the work of Daniel García
title_full_unstemmed A cartography of the body: Forms and ideas in the work of Daniel García
title_sort cartography of the body: forms and ideas in the work of daniel garcía
description As part of my research into the visual arts and their relationship with other disciplines, I'm interested in approaching the work of the Argentinean artist Daniel García, given that his production, made up mainly of paintings and drawings, has over time incorporated other formats or devices that go beyond his original field of action. In this sense, his work admits the qualification of heterogeneous, thinking not only in terms of the materiality or the media used, but also considering the variety of issues he includes in his work.  What I propose in this article is a review of García's work, with a focus on those problems that gradually developed within his artistic project: body, representation and memory.
publisher Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba.
publishDate 2021
url https://revistas.unc.edu.ar/index.php/ART/article/view/34557
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AT quarantamanuelalejando cartographyofthebodyformsandideasintheworkofdanielgarcia
first_indexed 2024-09-03T22:28:13Z
last_indexed 2024-09-03T22:28:13Z
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