File. The tensions of archival aesthetics
Hand in hand with new media in the development of the 20th century, artistic practice has developed a reflection around archival institutional practices. From the questioning of the processes that revolve around the organization of information to the social identity record. However, authors such as...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba.
2020
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/ART/article/view/30031 |
| Aporte de: |
| Sumario: | Hand in hand with new media in the development of the 20th century, artistic practice has developed a reflection around archival institutional practices. From the questioning of the processes that revolve around the organization of information to the social identity record. However, authors such as Valcárcel Medina have criticized the archival art label within the aesthetic discourse argued by recognized art critics in recent decades. Therefore, it is worth asking if the tensions between the nature of artistic practice can generate their own archives or if these are another field not capable of being reflected through cultural productions. Throughout this article we will try to mesh from the central axis of the questioning of the tensions between art and archive to be able to discern the role of this in its artistic representation and, therefore, its link with the conformation of memory and construction historiographic. |
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