Let nothing be lost. Minimum notes on Cairo's interruptions and interventions

The following article sets out to review some interventions made by the visual and audiovisual artist Cairo, in the city of Córdoba in 2019. These subtle gestures with which the public sphere intervenes are the living record of a queer / cuir life, its precariousness and performativity. It operates...

Descripción completa

Guardado en:
Detalles Bibliográficos
Autor principal: Hilas, Sasha
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2020
Materias:
queer
archive
memory
justice
archivo
memoria
justicia
Acceso en línea:https://revistas.unc.edu.ar/index.php/ART/article/view/30030
Aporte de:
Artilugio de Universidad Nacional de Córdoba
id I10-R361-article-30030
record_format ojs
spelling I10-R361-article-300302023-03-02T18:34:27Z Let nothing be lost. Minimum notes on Cairo's interruptions and interventions Que nada se pierda. Apuntes mínimos sobre las interrupciones e intervenciones de Cairo Hilas, Sasha queer archive memory justice queer archivo memoria justicia The following article sets out to review some interventions made by the visual and audiovisual artist Cairo, in the city of Córdoba in 2019. These subtle gestures with which the public sphere intervenes are the living record of a queer / cuir life, its precariousness and performativity. It operates as a kind of archive of feelings (Ann Cvetkovich, 2018) that thinks and constructs time and territory, and reveals some modulations between politics and affections. In turn, these interventions represent an act of historical reparation (in Benjamin’s terms), insofar as they recover snippets of a queer/cuir life (especially those that do not fit in definitions and labels already elaborated), uniting with a tie a singular history and a collective history. Cairo's gesture as an artist is marked in turning queer lives part of an archive, rescuing them from possible oblivion and with it, returning to memory a form of justice. El siguiente artículo propone revisar algunas intervenciones realizadas por lx artista visual y audiovisual Cairo, en la ciudad de Córdoba en el año 2019. Estos sutiles gestos con los cuales interviene la esfera pública son el vivo registro de una vida queer/cuir, su precariedad y performatividad. Opera como una suerte de archivo de sentimientos ( Cvetkovich, 2018) que piensa y construye el tiempo y el territorio, y pone de manifiesto algunas modulaciones entre política y afectos. A su vez, estas intervenciones suponen un acto de reparación histórico (en términos benjaminianos), en la medida en la que recuperan retazos de una vida queer/cuir (sobre todo aquellas que no encajan en definiciones y etiquetas ya elaboradas), uniendo con un lazo una historia singular y una historia colectiva. El gesto de Cairo como artista está signado en volver las vidas queer parte de un archivo, rescatándolas del posible olvido y con ello, volviendo a la memoria una forma de justicia.  Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2020-09-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-blind peer-reviewed article Artículo revisado por sistema de pares doble ciego application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/ART/article/view/30030 10.55443/artilugio.n6.2020.30030 ark:/s2408462x/m05ervaao Artilugio; No. 6 (2020): Archive and Memory; 113-125 Artilugio; Núm. 6 (2020): Archivo y Memoria; 113-125 Artilugio; n. 6 (2020): Archivo y Memoria; 113-125 2408-462X 10.55443/artilugio.n6.2020 ark:/s2408462x/u7erw86zt spa https://revistas.unc.edu.ar/index.php/ART/article/view/30030/30932 https://revistas.unc.edu.ar/index.php/ART/article/view/30030/30789 https://revistas.unc.edu.ar/index.php/ART/article/view/30030/30933 Derechos de autor 2020 Sasha Hilas https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-361
container_title_str Artilugio
language Español
format Artículo revista
topic queer
archive
memory
justice
queer
archivo
memoria
justicia
spellingShingle queer
archive
memory
justice
queer
archivo
memoria
justicia
Hilas, Sasha
Let nothing be lost. Minimum notes on Cairo's interruptions and interventions
topic_facet queer
archive
memory
justice
queer
archivo
memoria
justicia
author Hilas, Sasha
author_facet Hilas, Sasha
author_sort Hilas, Sasha
title Let nothing be lost. Minimum notes on Cairo's interruptions and interventions
title_short Let nothing be lost. Minimum notes on Cairo's interruptions and interventions
title_full Let nothing be lost. Minimum notes on Cairo's interruptions and interventions
title_fullStr Let nothing be lost. Minimum notes on Cairo's interruptions and interventions
title_full_unstemmed Let nothing be lost. Minimum notes on Cairo's interruptions and interventions
title_sort let nothing be lost. minimum notes on cairo's interruptions and interventions
description The following article sets out to review some interventions made by the visual and audiovisual artist Cairo, in the city of Córdoba in 2019. These subtle gestures with which the public sphere intervenes are the living record of a queer / cuir life, its precariousness and performativity. It operates as a kind of archive of feelings (Ann Cvetkovich, 2018) that thinks and constructs time and territory, and reveals some modulations between politics and affections. In turn, these interventions represent an act of historical reparation (in Benjamin’s terms), insofar as they recover snippets of a queer/cuir life (especially those that do not fit in definitions and labels already elaborated), uniting with a tie a singular history and a collective history. Cairo's gesture as an artist is marked in turning queer lives part of an archive, rescuing them from possible oblivion and with it, returning to memory a form of justice.
publisher Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba.
publishDate 2020
url https://revistas.unc.edu.ar/index.php/ART/article/view/30030
work_keys_str_mv AT hilassasha letnothingbelostminimumnotesoncairosinterruptionsandinterventions
AT hilassasha quenadasepierdaapuntesminimossobrelasinterrupcioneseintervencionesdecairo
first_indexed 2024-09-03T22:28:08Z
last_indexed 2024-09-03T22:28:08Z
_version_ 1809215639310565376

Ejemplares similares