Theatres, memoirs and archives. Counter-stories
This article approaches the complex links between archives, theaters and memories as concepts capable of configuring particular and problematic devices. The intersections within this triad force us to reflect on each of them in their singularity, and...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba.
2020
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/ART/article/view/30025 |
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| Sumario: | This article approaches the complex links between archives, theaters and memories as concepts capable of configuring particular and problematic devices. The intersections within this triad force us to reflect on each of them in their singularity, and at the same time, to re-think them based on the tensions they establish in their juxtapositions, in their irreducibility. The relations they inaugurate involve both time (in a plural sense) and the way we situate ourselves “in” history. Theaters and archives, although inseparably linked to memories, hold a contradictory relationship between them. On the one hand, they may be considered as necessarily intertwined; on the other, we here verify the alien relations they hold. From this point of view, any possible agreement implies partially giving up their own conditions, which is the reason why these “pacts” are precariously made. |
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