Theatres, memoirs and archives. Counter-stories
This article approaches the complex links between archives, theaters and memories as concepts capable of configuring particular and problematic devices. The intersections within this triad force us to reflect on each of them in their singularity, and...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba.
2020
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/ART/article/view/30025 |
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I10-R361-article-300252023-03-02T18:34:08Z Theatres, memoirs and archives. Counter-stories Teatros, memorias y archivos. Contra-relatos Macheret, Gabriela evanescent arts memories device archives event artes evanescentes memorias dispositivo archivos acontecimiento This article approaches the complex links between archives, theaters and memories as concepts capable of configuring particular and problematic devices. The intersections within this triad force us to reflect on each of them in their singularity, and at the same time, to re-think them based on the tensions they establish in their juxtapositions, in their irreducibility. The relations they inaugurate involve both time (in a plural sense) and the way we situate ourselves “in” history. Theaters and archives, although inseparably linked to memories, hold a contradictory relationship between them. On the one hand, they may be considered as necessarily intertwined; on the other, we here verify the alien relations they hold. From this point of view, any possible agreement implies partially giving up their own conditions, which is the reason why these “pacts” are precariously made. Este trabajo aborda los complejos vínculos entre archivos, teatros y memorias como conceptos capaces de configurar dispositivos particulares y problemáticos. Los cruces que operan los elementos de esta tríada fuerzan la reflexión sobre cada uno de ellos, en su singularidad, y obligan a re-pensarlos a partir de las tensiones que establecen: en sus atravesamientos, en su irreductibilidad. Las relaciones a que dan lugar involucran el tiempo en su pluralidad y el modo en que nos situamos ‘en’ la historia. Teatros y archivos, aunque guardan un vínculo inseparable con las memorias, sostienen entre ellos una relación contradictoria: por un lado, podrían considerarse necesariamente implicados y, a la vez, verificamos que mantienen relaciones de extranjería. Desde ese punto de vista, cualquier acuerdo posible implica renuncias parciales a sus propias condiciones y es por eso que estos ‘pactos’ se concretan de forma precaria. Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2020-09-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-blind peer-reviewed article Artículo revisado por sistema de pares doble ciego application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/ART/article/view/30025 10.55443/artilugio.n6.2020.30025 ark:/s2408462x/18wepab43 Artilugio; No. 6 (2020): Archive and Memory; 99-112 Artilugio; Núm. 6 (2020): Archivo y Memoria; 99-112 Artilugio; n. 6 (2020): Archivo y Memoria; 99-112 2408-462X 10.55443/artilugio.n6.2020 ark:/s2408462x/u7erw86zt spa https://revistas.unc.edu.ar/index.php/ART/article/view/30025/30930 https://revistas.unc.edu.ar/index.php/ART/article/view/30025/30784 https://revistas.unc.edu.ar/index.php/ART/article/view/30025/30931 Derechos de autor 2020 Gabriela Macheret https://creativecommons.org/licenses/by-nc-sa/4.0 |
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Universidad Nacional de Córdoba |
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I-10 |
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R-361 |
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Artilugio |
| language |
Español |
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Artículo revista |
| topic |
evanescent arts memories device archives event artes evanescentes memorias dispositivo archivos acontecimiento |
| spellingShingle |
evanescent arts memories device archives event artes evanescentes memorias dispositivo archivos acontecimiento Macheret, Gabriela Theatres, memoirs and archives. Counter-stories |
| topic_facet |
evanescent arts memories device archives event artes evanescentes memorias dispositivo archivos acontecimiento |
| author |
Macheret, Gabriela |
| author_facet |
Macheret, Gabriela |
| author_sort |
Macheret, Gabriela |
| title |
Theatres, memoirs and archives. Counter-stories |
| title_short |
Theatres, memoirs and archives. Counter-stories |
| title_full |
Theatres, memoirs and archives. Counter-stories |
| title_fullStr |
Theatres, memoirs and archives. Counter-stories |
| title_full_unstemmed |
Theatres, memoirs and archives. Counter-stories |
| title_sort |
theatres, memoirs and archives. counter-stories |
| description |
This article approaches the complex links between archives, theaters and memories as concepts capable of configuring particular and problematic devices. The intersections within this triad force us to reflect on each of them in their singularity, and at the same time, to re-think them based on the tensions they establish in their juxtapositions, in their irreducibility. The relations they inaugurate involve both time (in a plural sense) and the way we situate ourselves “in” history. Theaters and archives, although inseparably linked to memories, hold a contradictory relationship between them. On the one hand, they may be considered as necessarily intertwined; on the other, we here verify the alien relations they hold. From this point of view, any possible agreement implies partially giving up their own conditions, which is the reason why these “pacts” are precariously made. |
| publisher |
Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. |
| publishDate |
2020 |
| url |
https://revistas.unc.edu.ar/index.php/ART/article/view/30025 |
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AT macheretgabriela theatresmemoirsandarchivescounterstories AT macheretgabriela teatrosmemoriasyarchivoscontrarelatos |
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2024-09-03T22:28:06Z |
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2024-09-03T22:28:06Z |
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