Pawned dedications

In my memory was discovered the words that I write to an uncertain addressee with affection. I think , the cultural background of this second- hand book, I write about. I leave a dedication (my voice or my voice speaking through others) waiting for the meeting with the reader. Now, I wonder:&nbs...

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Detalles Bibliográficos
Autor principal: Chirino, Noelia
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2020
Materias:
circuit
dedication
affected
assessment
conversation
circuito
dedicatoria
afecto
valor
conversación
Acceso en línea:https://revistas.unc.edu.ar/index.php/ART/article/view/30021
Aporte de:
Artilugio de Universidad Nacional de Córdoba
id I10-R361-article-30021
record_format ojs
spelling I10-R361-article-300212023-03-02T18:37:31Z Pawned dedications Dedicatorias empeñadas Chirino, Noelia circuit dedication affected assessment conversation circuito dedicatoria afecto valor conversación In my memory was discovered the words that I write to an uncertain addressee with affection. I think , the cultural background of this second- hand book, I write about. I leave a dedication (my voice or my voice speaking through others) waiting for the meeting with the reader. Now, I wonder:  How and who gets the dedication? How are the parts re-functionalized? What are the assessment which are at stake? Who benefits economically? How are linked actions, quotes, authors, places, record, readers and me? What other words come up to name the action outside of art? How and when the time is recovered? Descubro en mi memoria las palabras que escribo con afecto a un destinatario incierto. Pienso en el bagaje de este libro usado sobre el que estoy escribiendo. Dejo la dedicatoria (mi voz o mi voz hablando a través de otres) esperando el encuentro con su lector. Ahora, me pregunto: ¿Cómo y quién adquiere la dedicatoria? ¿Cómo se refuncionalizan las partes? ¿Qué valoraciones están en juego? ¿A quiénes beneficia económicamente? ¿Cómo nos vinculamos las acciones, citas, autores, lugares, registros, lectores y yo? ¿Qué otras palabras surgen para nombrar la acción por fuera del arte? ¿Cómo y cuándo se recupera el tiempo? Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2020-09-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Single blind peer-reviewed work Trabajo revisado por pares ciego application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/ART/article/view/30021 10.55443/artilugio.n6.2020.30021 ark:/s2408462x/xalds6yqk Artilugio; No. 6 (2020): Archive and Memory; 226-234 Artilugio; Núm. 6 (2020): Archivo y Memoria; 226-234 Artilugio; n. 6 (2020): Archivo y Memoria; 226-234 2408-462X 10.55443/artilugio.n6.2020 ark:/s2408462x/u7erw86zt spa https://revistas.unc.edu.ar/index.php/ART/article/view/30021/30945 https://revistas.unc.edu.ar/index.php/ART/article/view/30021/30780 https://revistas.unc.edu.ar/index.php/ART/article/view/30021/30946 Derechos de autor 2020 Noelia Chirino https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-361
container_title_str Artilugio
language Español
format Artículo revista
topic circuit
dedication
affected
assessment
conversation
circuito
dedicatoria
afecto
valor
conversación
spellingShingle circuit
dedication
affected
assessment
conversation
circuito
dedicatoria
afecto
valor
conversación
Chirino, Noelia
Pawned dedications
topic_facet circuit
dedication
affected
assessment
conversation
circuito
dedicatoria
afecto
valor
conversación
author Chirino, Noelia
author_facet Chirino, Noelia
author_sort Chirino, Noelia
title Pawned dedications
title_short Pawned dedications
title_full Pawned dedications
title_fullStr Pawned dedications
title_full_unstemmed Pawned dedications
title_sort pawned dedications
description In my memory was discovered the words that I write to an uncertain addressee with affection. I think , the cultural background of this second- hand book, I write about. I leave a dedication (my voice or my voice speaking through others) waiting for the meeting with the reader. Now, I wonder:  How and who gets the dedication? How are the parts re-functionalized? What are the assessment which are at stake? Who benefits economically? How are linked actions, quotes, authors, places, record, readers and me? What other words come up to name the action outside of art? How and when the time is recovered?
publisher Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba.
publishDate 2020
url https://revistas.unc.edu.ar/index.php/ART/article/view/30021
work_keys_str_mv AT chirinonoelia pawneddedications
AT chirinonoelia dedicatoriasempenadas
first_indexed 2024-09-03T22:28:05Z
last_indexed 2024-09-03T22:28:05Z
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