Critical resources for approaching visual historical acquis from a decolonial perspective

This essay seeks to highlight problems, outline particularities and propose critical resources for the interpretation and "con-formation" of archives on visual acquis, artistic practices and interventional processes in the public space of the recent past and the time that takes place. With...

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Autor principal: Estarellas, Natalia
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2020
Materias:
Criticism
Acquis
Decolonial
Public
Visual
Crítica
Acervo
Público
Acceso en línea:https://revistas.unc.edu.ar/index.php/ART/article/view/30019
Aporte de:
Artilugio de Universidad Nacional de Córdoba
id I10-R361-article-30019
record_format ojs
spelling I10-R361-article-300192023-03-02T18:32:42Z Critical resources for approaching visual historical acquis from a decolonial perspective Recursos críticos para el abordaje de acervos histórico visuales desde una perspectiva decolonial Estarellas, Natalia Criticism Acquis Decolonial Public Visual Crítica Acervo Decolonial Público Visual This essay seeks to highlight problems, outline particularities and propose critical resources for the interpretation and "con-formation" of archives on visual acquis, artistic practices and interventional processes in the public space of the recent past and the time that takes place. Within the framework of Latin American visual cultural studies, the proposal seeks to encourage interpretation strategies that promote critical decolonial readings of creative practices in the public space. The "hegemonic- associative" logics that structured the archivable, their ways of systematizing and organizing information to be "safeguarded", constitute fundamental epistemic-philosophical problems and questions for decolonial theory and practice. The interest in the discourses that actors that orbit around non-hegemonic aesthetics, and that interrelate senses from disciplinary, ontological and discursive, border and interstitial crosses, are necessary for the visualization of the multiple alternative forms of visuality that coexist with the dominant visual and interpretive paradigms. El presente ensayo busca señalar problemáticas, esbozar particularidades y proponer recursos críticos para la interpretación y la “con-formación” de archivos sobre acervos visuales, prácticas artísticas y procesos intervencionistas en el espacio público del pasado reciente y del tiempo que transcurre. En el marco de los estudios culturales visuales latinoamericanos, la propuesta busca incentivar estrategias de interpretación que propicien lecturas crítico decoloniales de las prácticas creativas en el espacio público. Las lógicas “hegemónico-asociativas” que estructuraron lo archivable, sus formas de sistematizar y organizar la información a “resguardar”, constituyen problemáticas y cuestionamientos de tipo epistémico-filosóficos centrales para la teoría y práctica decolonial. El interés hacia los discursos que construyen los actores que orbitan alrededor de estéticas no hegemónicas, y que interrelacionan sentidos desde cruces disciplinares, ontológicos y discursivos, fronterizos e intersticiales, resultan necesarios para la visualización de las múltiples formas alternativas de visualidad que coexisten con los paradigmas visuales e interpretativos dominantes. Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2020-09-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-blind peer-reviewed article Artículo revisado por sistema de pares doble ciego application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/ART/article/view/30019 10.55443/artilugio.n6.2020.30019 ark:/s2408462x/kxrrlgxmm Artilugio; No. 6 (2020): Archive and Memory; 43-58 Artilugio; Núm. 6 (2020): Archivo y Memoria; 43-58 Artilugio; n. 6 (2020): Archivo y Memoria; 43-58 2408-462X 10.55443/artilugio.n6.2020 ark:/s2408462x/u7erw86zt spa https://revistas.unc.edu.ar/index.php/ART/article/view/30019/30922 https://revistas.unc.edu.ar/index.php/ART/article/view/30019/30778 https://revistas.unc.edu.ar/index.php/ART/article/view/30019/30923 Derechos de autor 2020 Natalia Estarellas https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-361
container_title_str Artilugio
language Español
format Artículo revista
topic Criticism
Acquis
Decolonial
Public
Visual
Crítica
Acervo
Decolonial
Público
Visual
spellingShingle Criticism
Acquis
Decolonial
Public
Visual
Crítica
Acervo
Decolonial
Público
Visual
Estarellas, Natalia
Critical resources for approaching visual historical acquis from a decolonial perspective
topic_facet Criticism
Acquis
Decolonial
Public
Visual
Crítica
Acervo
Decolonial
Público
Visual
author Estarellas, Natalia
author_facet Estarellas, Natalia
author_sort Estarellas, Natalia
title Critical resources for approaching visual historical acquis from a decolonial perspective
title_short Critical resources for approaching visual historical acquis from a decolonial perspective
title_full Critical resources for approaching visual historical acquis from a decolonial perspective
title_fullStr Critical resources for approaching visual historical acquis from a decolonial perspective
title_full_unstemmed Critical resources for approaching visual historical acquis from a decolonial perspective
title_sort critical resources for approaching visual historical acquis from a decolonial perspective
description This essay seeks to highlight problems, outline particularities and propose critical resources for the interpretation and "con-formation" of archives on visual acquis, artistic practices and interventional processes in the public space of the recent past and the time that takes place. Within the framework of Latin American visual cultural studies, the proposal seeks to encourage interpretation strategies that promote critical decolonial readings of creative practices in the public space. The "hegemonic- associative" logics that structured the archivable, their ways of systematizing and organizing information to be "safeguarded", constitute fundamental epistemic-philosophical problems and questions for decolonial theory and practice. The interest in the discourses that actors that orbit around non-hegemonic aesthetics, and that interrelate senses from disciplinary, ontological and discursive, border and interstitial crosses, are necessary for the visualization of the multiple alternative forms of visuality that coexist with the dominant visual and interpretive paradigms.
publisher Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba.
publishDate 2020
url https://revistas.unc.edu.ar/index.php/ART/article/view/30019
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first_indexed 2024-09-03T22:28:05Z
last_indexed 2024-09-03T22:28:05Z
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