Artistic collectives and a look on the crisis of 2001: the case of Arde! Arte, 2001-2006

Towards the ends of the nineties, Argentina was in a critic socio-economic situation, result of the application of a governmental program aligned with the proposals of the Washington Consensus. In 2001, the severity of the crisis became despairing and produced a series of protests demonstrations wit...

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Autor principal: Feldman, Jonathan
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2019
Materias:
Arde! Arte
activismo artístico
crisis
vía pública
memorias
artistic activism
public space
memories
Acceso en línea:https://revistas.unc.edu.ar/index.php/ART/article/view/25322
Aporte de:
Artilugio de Universidad Nacional de Córdoba
id I10-R361-article-25322
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spelling I10-R361-article-253222023-03-02T18:56:39Z Artistic collectives and a look on the crisis of 2001: the case of Arde! Arte, 2001-2006 Los colectivos artísticos y una mirada acerca de la crisis de 2001: el caso de Arde! Arte, 2001-2006 Feldman, Jonathan Arde! Arte activismo artístico crisis vía pública memorias Arde! Arte artistic activism crisis public space memories Towards the ends of the nineties, Argentina was in a critic socio-economic situation, result of the application of a governmental program aligned with the proposals of the Washington Consensus. In 2001, the severity of the crisis became despairing and produced a series of protests demonstrations with its highest point during the events of 19th and 20th of December, know was Argentinazo.Together with popular organizations such as unemployed and piquetero[1] associations, some artistic collectives accompanied the protests with actions in public spaces. Arde! Arte was one of them. Between 2001 and 2006, the group operated on the streets of Buenos Aires with interventions that conjugated resources like irony, humor and denunciation, and tensed the relationships between art and politics from unprecedented perspectives while –because of its dehierarchized and horizontal nature– contributing to generate a gaze and memory of the biggest crisis in the country’s history.This article will analyze some of their actions in the light of the representations of the crisis produced by Arde! Arte and its interactions with other contemporary collectives such as GAC, Etcétera and TPS.[1] The term piquetero refers to a person that –as a way of protesting– interrupts the accesses to urban centers. Hacia finales de la década del noventa, la Argentina se encontraba en una situación socio-económica crítica, resultado de la aplicación de un programa de gobierno alineado con las propuestas del Consenso de Washington. En 2001, la gravedad de la crisis se tornó desesperante y produjo una serie de protestas y manifestaciones que tuvieron su punto más alto el 19 y 20 de diciembre, durante las jornadas conocidas como el Argentinazo.En conjunto con organizaciones populares como agrupaciones de desocupados y piqueteros,[1] algunos colectivos artísticos acompañaron los reclamos con acciones en la vía pública. Arde! Arte fue uno de ellos. Entre 2001 y 2006, el colectivo operó en las calles de Buenos Aires con intervenciones que conjugaron recursos como la ironía, el humor y la denuncia, y lograron tensar la relación entre arte y política desde perspectivas antes inéditas, al tiempo que –conforme a su carácter desjerarquizado y horizontal– contribuyó a generar una mirada y una memoria acerca de la mayor crisis en la historia del país.Este artículo analizará algunas de sus acciones a la luz de las representaciones de la crisis producidas por Arde! Arte y su interacción con otros colectivos contemporáneos como GAC, Etcétera o TPS.[1] El término piquetero designa a la persona que –como modo de protesta– realiza cortes de ruta y accesos a los centros urbanos. Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2019-09-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-blind peer-reviewed article Artículo revisado por sistema de pares doble ciego application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/ART/article/view/25322 10.55443/artilugio.n5.2019.25322 Artilugio; No. 5 (2019): Temporality, Context and Imaginary Frameworks; 115-132 Artilugio; Núm. 5 (2019): Temporalidad, contexto y entramados imaginarios; 115-132 Artilugio; n. 5 (2019): Temporalidad, contexto y entramados imaginarios; 115-132 2408-462X 10.55443/artilugio.n5.2019 spa https://revistas.unc.edu.ar/index.php/ART/article/view/25322/24596 https://revistas.unc.edu.ar/index.php/ART/article/view/25322/24615 https://revistas.unc.edu.ar/index.php/ART/article/view/25322/24643 Derechos de autor 2019 Jonathan Feldman http://creativecommons.org/licenses/by-nc-nd/4.0/
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-361
container_title_str Artilugio
language Español
format Artículo revista
topic Arde! Arte
activismo artístico
crisis
vía pública
memorias
Arde! Arte
artistic activism
crisis
public space
memories
spellingShingle Arde! Arte
activismo artístico
crisis
vía pública
memorias
Arde! Arte
artistic activism
crisis
public space
memories
Feldman, Jonathan
Artistic collectives and a look on the crisis of 2001: the case of Arde! Arte, 2001-2006
topic_facet Arde! Arte
activismo artístico
crisis
vía pública
memorias
Arde! Arte
artistic activism
crisis
public space
memories
author Feldman, Jonathan
author_facet Feldman, Jonathan
author_sort Feldman, Jonathan
title Artistic collectives and a look on the crisis of 2001: the case of Arde! Arte, 2001-2006
title_short Artistic collectives and a look on the crisis of 2001: the case of Arde! Arte, 2001-2006
title_full Artistic collectives and a look on the crisis of 2001: the case of Arde! Arte, 2001-2006
title_fullStr Artistic collectives and a look on the crisis of 2001: the case of Arde! Arte, 2001-2006
title_full_unstemmed Artistic collectives and a look on the crisis of 2001: the case of Arde! Arte, 2001-2006
title_sort artistic collectives and a look on the crisis of 2001: the case of arde! arte, 2001-2006
description Towards the ends of the nineties, Argentina was in a critic socio-economic situation, result of the application of a governmental program aligned with the proposals of the Washington Consensus. In 2001, the severity of the crisis became despairing and produced a series of protests demonstrations with its highest point during the events of 19th and 20th of December, know was Argentinazo.Together with popular organizations such as unemployed and piquetero[1] associations, some artistic collectives accompanied the protests with actions in public spaces. Arde! Arte was one of them. Between 2001 and 2006, the group operated on the streets of Buenos Aires with interventions that conjugated resources like irony, humor and denunciation, and tensed the relationships between art and politics from unprecedented perspectives while –because of its dehierarchized and horizontal nature– contributing to generate a gaze and memory of the biggest crisis in the country’s history.This article will analyze some of their actions in the light of the representations of the crisis produced by Arde! Arte and its interactions with other contemporary collectives such as GAC, Etcétera and TPS.[1] The term piquetero refers to a person that –as a way of protesting– interrupts the accesses to urban centers.
publisher Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba.
publishDate 2019
url https://revistas.unc.edu.ar/index.php/ART/article/view/25322
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first_indexed 2024-09-03T22:28:02Z
last_indexed 2024-09-03T22:28:02Z
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