The return of the original? Aura, art and reproductibility (from Benjamin to Groys)
This text aims to reconsider and problematize the contributions made by Walter Benjamin for the analysis of art and technical reproducibility to put them in contact, on the one hand, with the questions presented by contemporary art in the context of the current media culture and, on the other, with...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba.
2019
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/ART/article/view/25320 |
| Aporte de: |
| Sumario: | This text aims to reconsider and problematize the contributions made by Walter Benjamin for the analysis of art and technical reproducibility to put them in contact, on the one hand, with the questions presented by contemporary art in the context of the current media culture and, on the other, with the elaborations that Boris Groys has produced to rethink these issues, as well as their theoretical potentials. In this way, we start with a review of the relations between art and reproduction and the formulation of the concept of aura, to then turn to the transformations of culture and the conceptual reelaborations that allow us to read them. |
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