The return of the original? Aura, art and reproductibility (from Benjamin to Groys)
This text aims to reconsider and problematize the contributions made by Walter Benjamin for the analysis of art and technical reproducibility to put them in contact, on the one hand, with the questions presented by contemporary art in the context of the current media culture and, on the other, with...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artículo revista |
| Lenguaje: | Español |
| Publicado: |
Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba.
2019
|
| Materias: | |
| Acceso en línea: | https://revistas.unc.edu.ar/index.php/ART/article/view/25320 |
| Aporte de: |
| id |
I10-R361-article-25320 |
|---|---|
| record_format |
ojs |
| spelling |
I10-R361-article-253202023-03-02T18:55:23Z The return of the original? Aura, art and reproductibility (from Benjamin to Groys) ¿El retorno del original? Aura, arte y reproductibilidad (de Benjamin a Groys) Lenarduzzi, Victor art aura reproductibility contemporaneity installation arte aura reproductibilidad contemporaneidad instalación This text aims to reconsider and problematize the contributions made by Walter Benjamin for the analysis of art and technical reproducibility to put them in contact, on the one hand, with the questions presented by contemporary art in the context of the current media culture and, on the other, with the elaborations that Boris Groys has produced to rethink these issues, as well as their theoretical potentials. In this way, we start with a review of the relations between art and reproduction and the formulation of the concept of aura, to then turn to the transformations of culture and the conceptual reelaborations that allow us to read them. Este texto se propone reconsiderar y problematizar los aportes formulados por Walter Benjamin para el análisis del arte y la reproductibilidad técnica para ponerlos en contacto, por una parte, con los interrogantes que nos presenta el arte contemporáneo en el contexto de la cultura mediática actual y, por otra, con las elaboraciones que Boris Groys ha producido para repensar estas cuestiones, como también sus potenciales teóricos. De este modo, partimos de una revisión de las relaciones entre arte y reproducción y la formulación del concepto de aura, para dirigirnos luego a las transformaciones de la cultura y las reelaboraciones conceptuales que permiten descifrarlas. Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2019-09-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-blind peer-reviewed article Artículo revisado por sistema de pares doble ciego application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/ART/article/view/25320 10.55443/artilugio.n5.2019.25320 Artilugio; No. 5 (2019): Temporality, Context and Imaginary Frameworks; 88-101 Artilugio; Núm. 5 (2019): Temporalidad, contexto y entramados imaginarios; 88-101 Artilugio; n. 5 (2019): Temporalidad, contexto y entramados imaginarios; 88-101 2408-462X 10.55443/artilugio.n5.2019 spa https://revistas.unc.edu.ar/index.php/ART/article/view/25320/24594 https://revistas.unc.edu.ar/index.php/ART/article/view/25320/24613 https://revistas.unc.edu.ar/index.php/ART/article/view/25320/24641 Derechos de autor 2019 Victor Lenarduzzi http://creativecommons.org/licenses/by-nc-nd/4.0/ |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-361 |
| container_title_str |
Artilugio |
| language |
Español |
| format |
Artículo revista |
| topic |
art aura reproductibility contemporaneity installation arte aura reproductibilidad contemporaneidad instalación |
| spellingShingle |
art aura reproductibility contemporaneity installation arte aura reproductibilidad contemporaneidad instalación Lenarduzzi, Victor The return of the original? Aura, art and reproductibility (from Benjamin to Groys) |
| topic_facet |
art aura reproductibility contemporaneity installation arte aura reproductibilidad contemporaneidad instalación |
| author |
Lenarduzzi, Victor |
| author_facet |
Lenarduzzi, Victor |
| author_sort |
Lenarduzzi, Victor |
| title |
The return of the original? Aura, art and reproductibility (from Benjamin to Groys) |
| title_short |
The return of the original? Aura, art and reproductibility (from Benjamin to Groys) |
| title_full |
The return of the original? Aura, art and reproductibility (from Benjamin to Groys) |
| title_fullStr |
The return of the original? Aura, art and reproductibility (from Benjamin to Groys) |
| title_full_unstemmed |
The return of the original? Aura, art and reproductibility (from Benjamin to Groys) |
| title_sort |
return of the original? aura, art and reproductibility (from benjamin to groys) |
| description |
This text aims to reconsider and problematize the contributions made by Walter Benjamin for the analysis of art and technical reproducibility to put them in contact, on the one hand, with the questions presented by contemporary art in the context of the current media culture and, on the other, with the elaborations that Boris Groys has produced to rethink these issues, as well as their theoretical potentials. In this way, we start with a review of the relations between art and reproduction and the formulation of the concept of aura, to then turn to the transformations of culture and the conceptual reelaborations that allow us to read them. |
| publisher |
Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. |
| publishDate |
2019 |
| url |
https://revistas.unc.edu.ar/index.php/ART/article/view/25320 |
| work_keys_str_mv |
AT lenarduzzivictor thereturnoftheoriginalauraartandreproductibilityfrombenjamintogroys AT lenarduzzivictor elretornodeloriginalauraarteyreproductibilidaddebenjaminagroys AT lenarduzzivictor returnoftheoriginalauraartandreproductibilityfrombenjamintogroys |
| first_indexed |
2024-09-03T22:28:02Z |
| last_indexed |
2024-09-03T22:28:02Z |
| _version_ |
1809215633252941824 |