Pasolini: The artist who glimpses in the darkness of time
The present article inquiries about Pier Paolo Pasolini’s relation with time considering the analysis of the play Calderón. In this play, the artist, by referring to archaic theatrical and pictorial forms, revitalizes a sense that appeared to be dead and operates strongly on his present creating a g...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba.
2019
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/ART/article/view/25318 |
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I10-R361-article-253182023-03-02T18:54:10Z Pasolini: The artist who glimpses in the darkness of time Pasolini: El artista que vislumbra en la oscuridad del tiempo Buyatti, Natalia teatro escritura contemporáneo tiempo violencia theater writing contemporary time violence The present article inquiries about Pier Paolo Pasolini’s relation with time considering the analysis of the play Calderón. In this play, the artist, by referring to archaic theatrical and pictorial forms, revitalizes a sense that appeared to be dead and operates strongly on his present creating a gesture that establishes a particular relationship between times. We followed philosophical and theatrical theories in order to detect the artistic operations in the play. Such operations reveal the functioning of systemic violence that remains invisible through time. In the first section we work on the article What is the contemporary? by Giorgio Agamben, establishing some connections among Pasolini’s life and work, and the definition of contemporary proposed by the philosopher. In the second section, we follow the study of the systemic violence proposed by Žižek to analyze Pasolini’s operations to show what is invisible. Finally, we follow Angélica Liddell’s research to study the relation between art and violence in Pasolini’s work. El presente artículo reflexiona en torno a Pier Paolo Pasolini y su relación con la temporalidad, a partir del análisis de la obra teatral Calderón. En esta obra, el artista, remitiéndose a formas teatrales y pictóricas arcaicas, revitalizó un sentido que aparentaba estar muerto y opera fuertemente sobre su presente creando un gesto que instaura una relación particular entre tiempos. Acudimos a teorías de la filosofía y del teatro para detectar las operaciones artísticas existentes en la obra que develan el funcionamiento de la violencia sistémica que permanece invisible en el tiempo. En el primer apartado, tomamos el artículo ¿Qué es lo contemporáneo? de Giorgio Agamben, y establecemos vínculos entre la vida y obra de Pasolini y la definición de contemporáneo que ofrece el filósofo. En el segundo apartado, analizamos la operación de visibilización de lo invisible que realizó Pasolini, a partir del estudio de la categoría de violencia sistémica propuesta por Žižek. Por último, estudiamos la relación entre arte y violencia en Pasolini a partir de la investigación de Angélica Liddell. Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2019-09-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-blind peer-reviewed article Artículo revisado por sistema de pares doble ciego application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/ART/article/view/25318 10.55443/artilugio.n5.2019.25318 Artilugio; No. 5 (2019): Temporality, Context and Imaginary Frameworks; 63-75 Artilugio; Núm. 5 (2019): Temporalidad, contexto y entramados imaginarios; 63-75 Artilugio; n. 5 (2019): Temporalidad, contexto y entramados imaginarios; 63-75 2408-462X 10.55443/artilugio.n5.2019 spa https://revistas.unc.edu.ar/index.php/ART/article/view/25318/24591 https://revistas.unc.edu.ar/index.php/ART/article/view/25318/24611 https://revistas.unc.edu.ar/index.php/ART/article/view/25318/24639 Derechos de autor 2019 Natalia Buyatti http://creativecommons.org/licenses/by-nc-nd/4.0/ |
| institution |
Universidad Nacional de Córdoba |
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I-10 |
| repository_str |
R-361 |
| container_title_str |
Artilugio |
| language |
Español |
| format |
Artículo revista |
| topic |
teatro escritura contemporáneo tiempo violencia theater writing contemporary time violence |
| spellingShingle |
teatro escritura contemporáneo tiempo violencia theater writing contemporary time violence Buyatti, Natalia Pasolini: The artist who glimpses in the darkness of time |
| topic_facet |
teatro escritura contemporáneo tiempo violencia theater writing contemporary time violence |
| author |
Buyatti, Natalia |
| author_facet |
Buyatti, Natalia |
| author_sort |
Buyatti, Natalia |
| title |
Pasolini: The artist who glimpses in the darkness of time |
| title_short |
Pasolini: The artist who glimpses in the darkness of time |
| title_full |
Pasolini: The artist who glimpses in the darkness of time |
| title_fullStr |
Pasolini: The artist who glimpses in the darkness of time |
| title_full_unstemmed |
Pasolini: The artist who glimpses in the darkness of time |
| title_sort |
pasolini: the artist who glimpses in the darkness of time |
| description |
The present article inquiries about Pier Paolo Pasolini’s relation with time considering the analysis of the play Calderón. In this play, the artist, by referring to archaic theatrical and pictorial forms, revitalizes a sense that appeared to be dead and operates strongly on his present creating a gesture that establishes a particular relationship between times. We followed philosophical and theatrical theories in order to detect the artistic operations in the play. Such operations reveal the functioning of systemic violence that remains invisible through time. In the first section we work on the article What is the contemporary? by Giorgio Agamben, establishing some connections among Pasolini’s life and work, and the definition of contemporary proposed by the philosopher. In the second section, we follow the study of the systemic violence proposed by Žižek to analyze Pasolini’s operations to show what is invisible. Finally, we follow Angélica Liddell’s research to study the relation between art and violence in Pasolini’s work. |
| publisher |
Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. |
| publishDate |
2019 |
| url |
https://revistas.unc.edu.ar/index.php/ART/article/view/25318 |
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AT buyattinatalia pasolinitheartistwhoglimpsesinthedarknessoftime AT buyattinatalia pasolinielartistaquevislumbraenlaoscuridaddeltiempo |
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2024-09-03T22:28:01Z |
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2024-09-03T22:28:01Z |
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1809215632769548288 |