The restoration process and the problem of reinterpreting art made by others
The passage of time and the obsolescence of the supports are today the two elementary factors that invite to submit an artistic piece, in any of its forms, to a process of restoration. With this in mind, there is no doubt about the importance of the safeguarding and subsequent restoration of all her...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba.
2019
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/ART/article/view/25315 |
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I10-R361-article-25315 |
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I10-R361-article-253152023-03-02T18:51:21Z The restoration process and the problem of reinterpreting art made by others El proceso de restauración y la problemática de reinterpretar el arte ajeno Brianza, Alejandro restauración arte digital reinterpretación original copia restoration media art reinterpretation original copy The passage of time and the obsolescence of the supports are today the two elementary factors that invite to submit an artistic piece, in any of its forms, to a process of restoration. With this in mind, there is no doubt about the importance of the safeguarding and subsequent restoration of all heritage: the material and tangible art works; and also the immaterial, sound and audiovisual works that live inside different media storage supports.In this paper, we are going to analize this situation and propose some solutions coming mostly from philosophic thoughts about the context of actual media art. El paso del tiempo y la obsolescencia de los soportes son hoy en día los dos factores elementales que invitan a someter a una pieza artística, en cualquiera de sus formas, a un proceso de restauración. Con esto presente, no quedan dudas de la importancia de la salvaguarda y posterior restauración de todo patrimonio: material, las obras de arte tangibles; e inmaterial, las obras sonoras y audiovisuales que viven dentro de diversos soportes de almacenamiento.En este artículo, vamos a analizar esta situación y proponer algunas soluciones que provienen principalmente del pensamiento filosófico acerca del contexto actual de las artes electrónicas. Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2019-09-01 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-blind peer-reviewed article Artículo revisado por sistema de pares doble ciego application/pdf text/html application/epub+zip https://revistas.unc.edu.ar/index.php/ART/article/view/25315 10.55443/artilugio.n5.2019.25315 Artilugio; No. 5 (2019): Temporality, Context and Imaginary Frameworks; 32-41 Artilugio; Núm. 5 (2019): Temporalidad, contexto y entramados imaginarios; 32-41 Artilugio; n. 5 (2019): Temporalidad, contexto y entramados imaginarios; 32-41 2408-462X 10.55443/artilugio.n5.2019 spa https://revistas.unc.edu.ar/index.php/ART/article/view/25315/24588 https://revistas.unc.edu.ar/index.php/ART/article/view/25315/24607 https://revistas.unc.edu.ar/index.php/ART/article/view/25315/24636 Derechos de autor 2019 Alejandro Brianza http://creativecommons.org/licenses/by-nc-nd/4.0/ |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-361 |
| container_title_str |
Artilugio |
| language |
Español |
| format |
Artículo revista |
| topic |
restauración arte digital reinterpretación original copia restoration media art reinterpretation original copy |
| spellingShingle |
restauración arte digital reinterpretación original copia restoration media art reinterpretation original copy Brianza, Alejandro The restoration process and the problem of reinterpreting art made by others |
| topic_facet |
restauración arte digital reinterpretación original copia restoration media art reinterpretation original copy |
| author |
Brianza, Alejandro |
| author_facet |
Brianza, Alejandro |
| author_sort |
Brianza, Alejandro |
| title |
The restoration process and the problem of reinterpreting art made by others |
| title_short |
The restoration process and the problem of reinterpreting art made by others |
| title_full |
The restoration process and the problem of reinterpreting art made by others |
| title_fullStr |
The restoration process and the problem of reinterpreting art made by others |
| title_full_unstemmed |
The restoration process and the problem of reinterpreting art made by others |
| title_sort |
restoration process and the problem of reinterpreting art made by others |
| description |
The passage of time and the obsolescence of the supports are today the two elementary factors that invite to submit an artistic piece, in any of its forms, to a process of restoration. With this in mind, there is no doubt about the importance of the safeguarding and subsequent restoration of all heritage: the material and tangible art works; and also the immaterial, sound and audiovisual works that live inside different media storage supports.In this paper, we are going to analize this situation and propose some solutions coming mostly from philosophic thoughts about the context of actual media art. |
| publisher |
Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. |
| publishDate |
2019 |
| url |
https://revistas.unc.edu.ar/index.php/ART/article/view/25315 |
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2024-09-03T22:28:01Z |
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2024-09-03T22:28:01Z |
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1809215632038690816 |