Dancing The Distance: Bodily Identities In The Margin.
This text was generated from the registration of the process of Villerxs, a project of methodological, corporal and scenic investigation based on the CePIA. The project uses dance as a tool to ask about the construction of the corporal identities of young Cordobans in a situation of vulnerability. T...
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| Autor principal: | |
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba.
2018
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/ART/article/view/21076 |
| Aporte de: |
| Sumario: | This text was generated from the registration of the process of Villerxs, a project of methodological, corporal and scenic investigation based on the CePIA. The project uses dance as a tool to ask about the construction of the corporal identities of young Cordobans in a situation of vulnerability. The search around how to represent what is foreign from the outside is one of the knots of the proposal, which finds a place of active reflection in the bodies of those who dance. |
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