Territories, Art And Politics. Intervention / Installation Within The Framework Of The Exhibition "Disruptive Translations".
In this paper we propose to think about the art/politics relationship from Rancière's perspective, reflecting on the dispute of the CePIA’ spaces between student political groups.We propose an analysis of the tension generated when the group of artists Translations intervened spaces of the Cent...
Guardado en:
| Autor principal: | |
|---|---|
| Formato: | Artículo revista |
| Lenguaje: | Español |
| Publicado: |
Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba.
2018
|
| Materias: | |
| Acceso en línea: | https://revistas.unc.edu.ar/index.php/ART/article/view/21071 |
| Aporte de: |
| Sumario: | In this paper we propose to think about the art/politics relationship from Rancière's perspective, reflecting on the dispute of the CePIA’ spaces between student political groups.We propose an analysis of the tension generated when the group of artists Translations intervened spaces of the Center for Production and Research in Arts (CePIA) with a montage of the exhibition "Disruptive Translations" in 2017, focusing the actions of the militants and artists as performative acts from an anthropological perspective. |
|---|