Territories, Art And Politics. Intervention / Installation Within The Framework Of The Exhibition "Disruptive Translations".

In this paper we propose to think about the art/politics relationship from Rancière's perspective, reflecting on the dispute of the CePIA’ spaces between student political groups.We propose an analysis of the tension generated when the group of artists Translations intervened spaces of the Cent...

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Autor principal: Repetto, María Inés
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2018
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Acceso en línea:https://revistas.unc.edu.ar/index.php/ART/article/view/21071
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spelling I10-R361-article-210712023-02-09T22:57:27Z Territories, Art And Politics. Intervention / Installation Within The Framework Of The Exhibition "Disruptive Translations". Territorios, arte y política. Intervención/instalación en el marco de la muestra “Traducciones Disruptivas”. Repetto, María Inés artistic intervention public space political conflict intervención artística espacio público conflicto política In this paper we propose to think about the art/politics relationship from Rancière's perspective, reflecting on the dispute of the CePIA’ spaces between student political groups.We propose an analysis of the tension generated when the group of artists Translations intervened spaces of the Center for Production and Research in Arts (CePIA) with a montage of the exhibition "Disruptive Translations" in 2017, focusing the actions of the militants and artists as performative acts from an anthropological perspective. El texto propone pensar la relación arte/política desde la mirada de Rancière,  a partir de un hecho –que funciona como disparador– ocurrido a fines de marzo y primera quincena de abril de 2017, en el espacio del edificio del CePIA,  de la Facultad de Artes de la Universidad Nacional de Córdoba. Se reflexiona alrededor de la disputa por el espacio entre agrupaciones políticas estudiantiles que pone en evidencia todo un espectro de consideraciones sobre lo político, circunstancia que se tensiona aún más cuando el colectivo de artistas “Traducciones” realiza el montaje de una intervención en los pasillos de la planta baja del edificio mencionado,  en el marco de la Instalación “Traducciones disruptivas”, inaugurada el 30 de marzo. La propuesta lee las acciones de los militantes y de las artistas como performáticas desde un enfoque antropológico del concepto. En la narración de lo acontecido establece relaciones con las ideas que desarrolla Jacques Rancière en El reparto de lo sensible, tratando de desanudar el conflicto que aparece en la superficie y deconstruirlo desde una mirada “extranjera”. Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2018-09-03 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-blind peer-reviewed article Artículo revisado por sistema de pares doble ciego application/pdf https://revistas.unc.edu.ar/index.php/ART/article/view/21071 10.55443/artilugio.n4.2018.21071 Artilugio; No. 4 (2018): Policies of the Living; 97-108 Artilugio; Núm. 4 (2018): Políticas de lo vivo; 97-108 Artilugio; n. 4 (2018): Políticas de lo vivo; 97-108 2408-462X 10.55443/artilugio.n4.2018 spa https://revistas.unc.edu.ar/index.php/ART/article/view/21071/20646 Derechos de autor 2018 Artilugio
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-361
container_title_str Artilugio
language Español
format Artículo revista
topic artistic intervention
public space
political
conflict
intervención artística
espacio público
conflicto
política
spellingShingle artistic intervention
public space
political
conflict
intervención artística
espacio público
conflicto
política
Repetto, María Inés
Territories, Art And Politics. Intervention / Installation Within The Framework Of The Exhibition "Disruptive Translations".
topic_facet artistic intervention
public space
political
conflict
intervención artística
espacio público
conflicto
política
author Repetto, María Inés
author_facet Repetto, María Inés
author_sort Repetto, María Inés
title Territories, Art And Politics. Intervention / Installation Within The Framework Of The Exhibition "Disruptive Translations".
title_short Territories, Art And Politics. Intervention / Installation Within The Framework Of The Exhibition "Disruptive Translations".
title_full Territories, Art And Politics. Intervention / Installation Within The Framework Of The Exhibition "Disruptive Translations".
title_fullStr Territories, Art And Politics. Intervention / Installation Within The Framework Of The Exhibition "Disruptive Translations".
title_full_unstemmed Territories, Art And Politics. Intervention / Installation Within The Framework Of The Exhibition "Disruptive Translations".
title_sort territories, art and politics. intervention / installation within the framework of the exhibition "disruptive translations".
description In this paper we propose to think about the art/politics relationship from Rancière's perspective, reflecting on the dispute of the CePIA’ spaces between student political groups.We propose an analysis of the tension generated when the group of artists Translations intervened spaces of the Center for Production and Research in Arts (CePIA) with a montage of the exhibition "Disruptive Translations" in 2017, focusing the actions of the militants and artists as performative acts from an anthropological perspective.
publisher Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba.
publishDate 2018
url https://revistas.unc.edu.ar/index.php/ART/article/view/21071
work_keys_str_mv AT repettomariaines territoriesartandpoliticsinterventioninstallationwithintheframeworkoftheexhibitiondisruptivetranslations
AT repettomariaines territoriosarteypoliticaintervencioninstalacionenelmarcodelamuestratraduccionesdisruptivas
first_indexed 2024-09-03T22:27:58Z
last_indexed 2024-09-03T22:27:58Z
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