Territories, Art And Politics. Intervention / Installation Within The Framework Of The Exhibition "Disruptive Translations".
In this paper we propose to think about the art/politics relationship from Rancière's perspective, reflecting on the dispute of the CePIA’ spaces between student political groups.We propose an analysis of the tension generated when the group of artists Translations intervened spaces of the Cent...
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Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba.
2018
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Acceso en línea: | https://revistas.unc.edu.ar/index.php/ART/article/view/21071 |
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I10-R361-article-210712023-02-09T22:57:27Z Territories, Art And Politics. Intervention / Installation Within The Framework Of The Exhibition "Disruptive Translations". Territorios, arte y política. Intervención/instalación en el marco de la muestra “Traducciones Disruptivas”. Repetto, María Inés artistic intervention public space political conflict intervención artística espacio público conflicto política In this paper we propose to think about the art/politics relationship from Rancière's perspective, reflecting on the dispute of the CePIA’ spaces between student political groups.We propose an analysis of the tension generated when the group of artists Translations intervened spaces of the Center for Production and Research in Arts (CePIA) with a montage of the exhibition "Disruptive Translations" in 2017, focusing the actions of the militants and artists as performative acts from an anthropological perspective. El texto propone pensar la relación arte/política desde la mirada de Rancière, a partir de un hecho –que funciona como disparador– ocurrido a fines de marzo y primera quincena de abril de 2017, en el espacio del edificio del CePIA, de la Facultad de Artes de la Universidad Nacional de Córdoba. Se reflexiona alrededor de la disputa por el espacio entre agrupaciones políticas estudiantiles que pone en evidencia todo un espectro de consideraciones sobre lo político, circunstancia que se tensiona aún más cuando el colectivo de artistas “Traducciones” realiza el montaje de una intervención en los pasillos de la planta baja del edificio mencionado, en el marco de la Instalación “Traducciones disruptivas”, inaugurada el 30 de marzo. La propuesta lee las acciones de los militantes y de las artistas como performáticas desde un enfoque antropológico del concepto. En la narración de lo acontecido establece relaciones con las ideas que desarrolla Jacques Rancière en El reparto de lo sensible, tratando de desanudar el conflicto que aparece en la superficie y deconstruirlo desde una mirada “extranjera”. Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2018-09-03 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-blind peer-reviewed article Artículo revisado por sistema de pares doble ciego application/pdf https://revistas.unc.edu.ar/index.php/ART/article/view/21071 10.55443/artilugio.n4.2018.21071 Artilugio; No. 4 (2018): Policies of the Living; 97-108 Artilugio; Núm. 4 (2018): Políticas de lo vivo; 97-108 Artilugio; n. 4 (2018): Políticas de lo vivo; 97-108 2408-462X 10.55443/artilugio.n4.2018 spa https://revistas.unc.edu.ar/index.php/ART/article/view/21071/20646 Derechos de autor 2018 Artilugio |
institution |
Universidad Nacional de Córdoba |
institution_str |
I-10 |
repository_str |
R-361 |
container_title_str |
Artilugio |
language |
Español |
format |
Artículo revista |
topic |
artistic intervention public space political conflict intervención artística espacio público conflicto política |
spellingShingle |
artistic intervention public space political conflict intervención artística espacio público conflicto política Repetto, María Inés Territories, Art And Politics. Intervention / Installation Within The Framework Of The Exhibition "Disruptive Translations". |
topic_facet |
artistic intervention public space political conflict intervención artística espacio público conflicto política |
author |
Repetto, María Inés |
author_facet |
Repetto, María Inés |
author_sort |
Repetto, María Inés |
title |
Territories, Art And Politics. Intervention / Installation Within The Framework Of The Exhibition "Disruptive Translations". |
title_short |
Territories, Art And Politics. Intervention / Installation Within The Framework Of The Exhibition "Disruptive Translations". |
title_full |
Territories, Art And Politics. Intervention / Installation Within The Framework Of The Exhibition "Disruptive Translations". |
title_fullStr |
Territories, Art And Politics. Intervention / Installation Within The Framework Of The Exhibition "Disruptive Translations". |
title_full_unstemmed |
Territories, Art And Politics. Intervention / Installation Within The Framework Of The Exhibition "Disruptive Translations". |
title_sort |
territories, art and politics. intervention / installation within the framework of the exhibition "disruptive translations". |
description |
In this paper we propose to think about the art/politics relationship from Rancière's perspective, reflecting on the dispute of the CePIA’ spaces between student political groups.We propose an analysis of the tension generated when the group of artists Translations intervened spaces of the Center for Production and Research in Arts (CePIA) with a montage of the exhibition "Disruptive Translations" in 2017, focusing the actions of the militants and artists as performative acts from an anthropological perspective. |
publisher |
Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. |
publishDate |
2018 |
url |
https://revistas.unc.edu.ar/index.php/ART/article/view/21071 |
work_keys_str_mv |
AT repettomariaines territoriesartandpoliticsinterventioninstallationwithintheframeworkoftheexhibitiondisruptivetranslations AT repettomariaines territoriosarteypoliticaintervencioninstalacionenelmarcodelamuestratraduccionesdisruptivas |
first_indexed |
2024-09-03T22:27:58Z |
last_indexed |
2024-09-03T22:27:58Z |
_version_ |
1809215629153009664 |