Transactional experiences. From control problem and discursive coherence to the search for an integrative experience in the argentine contemporary interactive music of the twenty-first century.

In the present work, we attempt to add value as well as put into consideration interactive music, refuting negative arguments made by the academicist sector against this form of art. For this purpose, this writing is articulated into two main parts: the first one is a historical observation of the m...

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Autor principal: Costamagna, Sofía
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2018
Materias:
music
interactivity
experience
form
systems
música
interactividad
experiencia
forma
sistemas
Acceso en línea:https://revistas.unc.edu.ar/index.php/ART/article/view/21065
Aporte de:
Artilugio de Universidad Nacional de Córdoba
id I10-R361-article-21065
record_format ojs
spelling I10-R361-article-210652023-02-09T22:57:27Z Transactional experiences. From control problem and discursive coherence to the search for an integrative experience in the argentine contemporary interactive music of the twenty-first century. Experiencias transactivas. Del problema del control y de la coherencia discursiva a la búsqueda de una experiencia integradora en la música interactiva contemporánea argentina del siglo XXI. Costamagna, Sofía music interactivity experience form systems música interactividad experiencia forma sistemas In the present work, we attempt to add value as well as put into consideration interactive music, refuting negative arguments made by the academicist sector against this form of art. For this purpose, this writing is articulated into two main parts: the first one is a historical observation of the music-technology relation, distinguishing the bases upon which such way of expression is founded, and also analyzing the form problem as a positive turning point for this search; the second part is an analytical approach to two interactive musical pieces by Yamil Burguener, validating the hypothesis made in first instance, and finally, concluding with a reflection about the potentialities held by the unforeseeable nature of the interactive musical composition.  En el presente trabajo se intenta poner en valor y consideración la obra de música interactiva objetando las opiniones negativas del sector academicista hacia esta forma de arte. Con este propósito el escrito se articula en dos grandes partes: la primera, una observación histórica de la relación música-tecnología distinguiendo las bases sobre las cuales se funda dicho modo de expresión y analizando el problema de la forma como punto de inflexión positiva en esta búsqueda artística; la segunda, un acercamiento analítico a dos obras de música interactiva de Yamil Burguener, constatando de manera más tangible las hipótesis forjadas en primera instancia concluyendo, por último, en una reflexión acerca de las potencialidades que alberga el carácter imprevisible de la obra de música interactiva. Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba. 2018-09-03 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Double-blind peer-reviewed article Artículo revisado por sistema de pares doble ciego application/pdf https://revistas.unc.edu.ar/index.php/ART/article/view/21065 10.55443/artilugio.n4.2018.21065 Artilugio; No. 4 (2018): Policies of the Living; 27-40 Artilugio; Núm. 4 (2018): Políticas de lo vivo; 27-40 Artilugio; n. 4 (2018): Políticas de lo vivo; 27-40 2408-462X 10.55443/artilugio.n4.2018 spa https://revistas.unc.edu.ar/index.php/ART/article/view/21065/20640 Derechos de autor 2018 Artilugio
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-361
container_title_str Artilugio
language Español
format Artículo revista
topic music
interactivity
experience
form
systems
música
interactividad
experiencia
forma
sistemas
spellingShingle music
interactivity
experience
form
systems
música
interactividad
experiencia
forma
sistemas
Costamagna, Sofía
Transactional experiences. From control problem and discursive coherence to the search for an integrative experience in the argentine contemporary interactive music of the twenty-first century.
topic_facet music
interactivity
experience
form
systems
música
interactividad
experiencia
forma
sistemas
author Costamagna, Sofía
author_facet Costamagna, Sofía
author_sort Costamagna, Sofía
title Transactional experiences. From control problem and discursive coherence to the search for an integrative experience in the argentine contemporary interactive music of the twenty-first century.
title_short Transactional experiences. From control problem and discursive coherence to the search for an integrative experience in the argentine contemporary interactive music of the twenty-first century.
title_full Transactional experiences. From control problem and discursive coherence to the search for an integrative experience in the argentine contemporary interactive music of the twenty-first century.
title_fullStr Transactional experiences. From control problem and discursive coherence to the search for an integrative experience in the argentine contemporary interactive music of the twenty-first century.
title_full_unstemmed Transactional experiences. From control problem and discursive coherence to the search for an integrative experience in the argentine contemporary interactive music of the twenty-first century.
title_sort transactional experiences. from control problem and discursive coherence to the search for an integrative experience in the argentine contemporary interactive music of the twenty-first century.
description In the present work, we attempt to add value as well as put into consideration interactive music, refuting negative arguments made by the academicist sector against this form of art. For this purpose, this writing is articulated into two main parts: the first one is a historical observation of the music-technology relation, distinguishing the bases upon which such way of expression is founded, and also analyzing the form problem as a positive turning point for this search; the second part is an analytical approach to two interactive musical pieces by Yamil Burguener, validating the hypothesis made in first instance, and finally, concluding with a reflection about the potentialities held by the unforeseeable nature of the interactive musical composition. 
publisher Centro de Producción e Investigación en Artes, Facultad de Artes, Universidad Nacional de Córdoba.
publishDate 2018
url https://revistas.unc.edu.ar/index.php/ART/article/view/21065
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first_indexed 2024-09-03T22:27:56Z
last_indexed 2024-09-03T22:27:56Z
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