The Marginalization of the sublime in hegelian aesthetics
In Lectures on Aesthetics (1989), Hegel not only marginalizes the concept of the sublime by giving it scant space, but also refers to it as a low and grotesque notion. In Hegel there is no balanced dialogue between the beautiful and the sublime, rather the beautiful is the only and undisputed protag...
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Facultad de Filosofía y Humanidades. Secretaría de Investigación, Ciencia y Técnica. Secretaría Académica
2022
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I10-R356-article-370192022-08-12T13:48:15Z The Marginalization of the sublime in hegelian aesthetics La Marginación de lo sublime en la estética hegeliana Bisignano, Ignacio Hegel sublime estética dialéctica arte Hegel sublime esthetic dialectic Art In Lectures on Aesthetics (1989), Hegel not only marginalizes the concept of the sublime by giving it scant space, but also refers to it as a low and grotesque notion. In Hegel there is no balanced dialogue between the beautiful and the sublime, rather the beautiful is the only and undisputed protagonist, while sublimity is positioned as a minor accident, a footnote in the different configurations of the developtment of the concept of the beautiful. Given that in Hegelian aesthetics the sublime is approached in an exceptional and unconventional way –if we compare it with any of the aesthetics theories of the 18th and 19th centuries-, and little importance is attached to it, this paper intends to account for what were our author´s motives for such a treatment of the concept. The main argument is base don showing that the Hegelian marginalization of the sublime is due to the dialectical role that this category has in the conceptual deployment of the beautiful in its historical dynamism. En Lecciones de estética (1989), Hegel no solo margina el concepto de lo sublime otorgándole escaso espacio, sino que a la vez lo referencia como una noción baja y grotesca. En Hegel no existe diálogo equilibrado entre lo bello y lo sublime, más bien lo bello es el único e indiscutido protagonista, mientras la sublimidad se posiciona como un accidente menor, una nota al pie de página en las distintas configuraciones del desarrollo del concepto de lo bello. Dado que en la estética hegeliana se encara lo sublime de una manera excepcional y poco convencional- si la comparamos con cualquiera de las teorías estéticas de los siglos XVIII y XIX-, y se le otorga escasa importancia, el presente trabajo se propone dar cuenta de cuáles fueron los motivos de nuestro autor para semejante tratamiento del concepto. La principal argumentación se basa en demostrar que la marginación hegeliana de lo sublime se debe al rol dialéctico que dicha categoría tiene en el despliegue conceptual de lo bello en su dinamismo histórico. Facultad de Filosofía y Humanidades. Secretaría de Investigación, Ciencia y Técnica. Secretaría Académica 2022-08-05 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/sintesis/article/view/37019 Síntesis; Núm. 12 (2022): Revista Síntesis nº 12; 15-26 2314-291X 1851-8060 spa https://revistas.unc.edu.ar/index.php/sintesis/article/view/37019/38523 Derechos de autor 2022 Síntesis https://creativecommons.org/licenses/by-nc-nd/4.0 |
institution |
Universidad Nacional de Córdoba |
institution_str |
I-10 |
repository_str |
R-356 |
container_title_str |
Síntesis |
language |
Español |
format |
Artículo revista |
topic |
Hegel sublime estética dialéctica arte Hegel sublime esthetic dialectic Art |
spellingShingle |
Hegel sublime estética dialéctica arte Hegel sublime esthetic dialectic Art Bisignano, Ignacio The Marginalization of the sublime in hegelian aesthetics |
topic_facet |
Hegel sublime estética dialéctica arte Hegel sublime esthetic dialectic Art |
author |
Bisignano, Ignacio |
author_facet |
Bisignano, Ignacio |
author_sort |
Bisignano, Ignacio |
title |
The Marginalization of the sublime in hegelian aesthetics |
title_short |
The Marginalization of the sublime in hegelian aesthetics |
title_full |
The Marginalization of the sublime in hegelian aesthetics |
title_fullStr |
The Marginalization of the sublime in hegelian aesthetics |
title_full_unstemmed |
The Marginalization of the sublime in hegelian aesthetics |
title_sort |
marginalization of the sublime in hegelian aesthetics |
description |
In Lectures on Aesthetics (1989), Hegel not only marginalizes the concept of the sublime by giving it scant space, but also refers to it as a low and grotesque notion. In Hegel there is no balanced dialogue between the beautiful and the sublime, rather the beautiful is the only and undisputed protagonist, while sublimity is positioned as a minor accident, a footnote in the different configurations of the developtment of the concept of the beautiful. Given that in Hegelian aesthetics the sublime is approached in an exceptional and unconventional way –if we compare it with any of the aesthetics theories of the 18th and 19th centuries-, and little importance is attached to it, this paper intends to account for what were our author´s motives for such a treatment of the concept. The main argument is base don showing that the Hegelian marginalization of the sublime is due to the dialectical role that this category has in the conceptual deployment of the beautiful in its historical dynamism. |
publisher |
Facultad de Filosofía y Humanidades. Secretaría de Investigación, Ciencia y Técnica. Secretaría Académica |
publishDate |
2022 |
url |
https://revistas.unc.edu.ar/index.php/sintesis/article/view/37019 |
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AT bisignanoignacio themarginalizationofthesublimeinhegelianaesthetics AT bisignanoignacio lamarginaciondelosublimeenlaesteticahegeliana AT bisignanoignacio marginalizationofthesublimeinhegelianaesthetics |
first_indexed |
2024-09-03T22:21:31Z |
last_indexed |
2024-09-03T22:21:31Z |
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1809215223430643712 |