A trace in the Möbius tape. The political in the work of Leopoldo Lugones. 1910-1932
In the following essay we argue that the genre on which Leopoldo Lugones presents himself as an intellectual place him —as a poet— as the ultimate authority of culture from the intellectual tradition of Romanticism and Modernism. From the analyzed sources, with a language overloaded with images, typ...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Centro de Investigaciones de la Facultad de Filosofía y Humanidades
2023
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/cuadernosdehistoriaeys/article/view/43463 |
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| Sumario: | In the following essay we argue that the genre on which Leopoldo Lugones presents himself as an intellectual place him —as a poet— as the ultimate authority of culture from the intellectual tradition of Romanticism and Modernism. From the analyzed sources, with a language overloaded with images, typical of American Modernism, he builds his prescriptive-pedagogical essays with an explicitly polemical and political character. |
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