Proposals in silence. An analysis of The Chaco War: My visit to the trenches and ditches of the veil (1935) by Laura Graciela de la Rosa Torres
Little has been written or represented in art about the work of women during the Chaco War. Although there are publications in the press written by women and some research carried out from the 1990s, there are few investigations that focus on particular and notable figures of this era. This work is...
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Formato: | Artículo revista |
Lenguaje: | Español |
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Centro de Investigaciones de la Facultad de Filosofía y Humanidades
2023
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Acceso en línea: | https://revistas.unc.edu.ar/index.php/intersticios/article/view/42423 |
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I10-R342-article-42423 |
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record_format |
ojs |
institution |
Universidad Nacional de Córdoba |
institution_str |
I-10 |
repository_str |
R-342 |
container_title_str |
Intersticios de la política y la cultura. Intervenciones latinoamericanas |
language |
Español |
format |
Artículo revista |
topic |
Chaco War essay chronicle women subjectivity Guerra del Chaco ensayo crónica mujeres subjetividad Guerra do Chaco Re-existência crônica mulheres subjetividade |
spellingShingle |
Chaco War essay chronicle women subjectivity Guerra del Chaco ensayo crónica mujeres subjetividad Guerra do Chaco Re-existência crônica mulheres subjetividade Verdesoto Ardaya, Fernanda Proposals in silence. An analysis of The Chaco War: My visit to the trenches and ditches of the veil (1935) by Laura Graciela de la Rosa Torres |
topic_facet |
Chaco War essay chronicle women subjectivity Guerra del Chaco ensayo crónica mujeres subjetividad Guerra do Chaco Re-existência crônica mulheres subjetividade |
author |
Verdesoto Ardaya, Fernanda |
author_facet |
Verdesoto Ardaya, Fernanda |
author_sort |
Verdesoto Ardaya, Fernanda |
title |
Proposals in silence. An analysis of The Chaco War: My visit to the trenches and ditches of the veil (1935) by Laura Graciela de la Rosa Torres |
title_short |
Proposals in silence. An analysis of The Chaco War: My visit to the trenches and ditches of the veil (1935) by Laura Graciela de la Rosa Torres |
title_full |
Proposals in silence. An analysis of The Chaco War: My visit to the trenches and ditches of the veil (1935) by Laura Graciela de la Rosa Torres |
title_fullStr |
Proposals in silence. An analysis of The Chaco War: My visit to the trenches and ditches of the veil (1935) by Laura Graciela de la Rosa Torres |
title_full_unstemmed |
Proposals in silence. An analysis of The Chaco War: My visit to the trenches and ditches of the veil (1935) by Laura Graciela de la Rosa Torres |
title_sort |
proposals in silence. an analysis of the chaco war: my visit to the trenches and ditches of the veil (1935) by laura graciela de la rosa torres |
description |
Little has been written or represented in art about the work of women during the Chaco War. Although there are publications in the press written by women and some research carried out from the 1990s, there are few investigations that focus on particular and notable figures of this era.
This work is focused on the literary and philanthropic work of Laura Graciela de la Rosa Torres. Laura de la Rosa was known for being the director of the magazine Feminiflor (1921-1923), however, after the magazine closed, she founded the Liga Filial de Oruro, which was one of the main philanthropic organizations during the war. With this organization, De la Rosa visited the trenches and later wrote La Guerra del Chaco. Mi visita a las trincheras y zanjas del velo (The Chaco War. My visit to the trenches and ditches of the veil) in 1935.
This paper intends to analyze Laura de la Rosa's book as a text that innovates in the literary form, because it is a hybrid text between the chronicle and essay genres. At the same time, the book will be analyzed as a text with new perspectives for the time, where there is an observation on the condition of the wounded, a solidarity approach with the Paraguayan prisoners, and, at the same time, new proposals and demands for the well-being of the soldiers. De la Rosa tells her own experience from a female perspective, from subjectivity and empathy. At the same time, the author generates innovative proposals that had not been taken into account, as well as makes visible the functions that women performed throughout the conflict. |
publisher |
Centro de Investigaciones de la Facultad de Filosofía y Humanidades |
publishDate |
2023 |
url |
https://revistas.unc.edu.ar/index.php/intersticios/article/view/42423 |
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2024-09-03T21:24:31Z |
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2024-09-03T21:24:31Z |
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spelling |
I10-R342-article-424232023-12-19T15:27:28Z Proposals in silence. An analysis of The Chaco War: My visit to the trenches and ditches of the veil (1935) by Laura Graciela de la Rosa Torres Propuestas en silencio. Un análisis de La Guerra del Chaco: Mi visita a las trincheras y a las zanjas del velo (1935) de Laura Graciela de la Rosa Torres Propostas em silêncio. Uma análise de A Guerra do Chaco: Minha visita às trincheiras e valas do véu (1935) por Laura Graciela de la Rosa Torres Verdesoto Ardaya, Fernanda Chaco War essay chronicle women subjectivity Guerra del Chaco ensayo crónica mujeres subjetividad Guerra do Chaco Re-existência crônica mulheres subjetividade Little has been written or represented in art about the work of women during the Chaco War. Although there are publications in the press written by women and some research carried out from the 1990s, there are few investigations that focus on particular and notable figures of this era. This work is focused on the literary and philanthropic work of Laura Graciela de la Rosa Torres. Laura de la Rosa was known for being the director of the magazine Feminiflor (1921-1923), however, after the magazine closed, she founded the Liga Filial de Oruro, which was one of the main philanthropic organizations during the war. With this organization, De la Rosa visited the trenches and later wrote La Guerra del Chaco. Mi visita a las trincheras y zanjas del velo (The Chaco War. My visit to the trenches and ditches of the veil) in 1935. This paper intends to analyze Laura de la Rosa's book as a text that innovates in the literary form, because it is a hybrid text between the chronicle and essay genres. At the same time, the book will be analyzed as a text with new perspectives for the time, where there is an observation on the condition of the wounded, a solidarity approach with the Paraguayan prisoners, and, at the same time, new proposals and demands for the well-being of the soldiers. De la Rosa tells her own experience from a female perspective, from subjectivity and empathy. At the same time, the author generates innovative proposals that had not been taken into account, as well as makes visible the functions that women performed throughout the conflict. Poco se ha escrito o representado en el arte sobre la labor de las mujeres durante la Guerra del Chaco. Si bien existen publicaciones en la prensa escritas por mujeres y algunas investigaciones realizadas a partir de la década de 1990, son escasas las investigaciones que se enfocan en figuras particulares y destacables de esta época. Este artículo está centrado en la labor literaria y filantrópica de Laura Graciela de la Rosa Torres. Laura de la Rosa fue conocida por ser la directora de la revista Feminiflor (1921-1923), sin embargo, después del cierre de la revista, fundó la Liga Filial de Oruro, que fue una de las principales organizaciones filantrópicas durante la guerra. Con esta organización, De la Rosa visitó las trincheras y posteriormente escribió La Guerra del Chaco. Mi visita a las trincheras y zanjas del velo en 1935. Este trabajo pretende analizar el libro de Laura de la Rosa como un texto que innova en la forma literaria, debido a que es un texto híbrido entre los géneros de la crónica y el ensayo. Paralelamente, se analizará el libro como un texto de perspectivas nuevas para la época, donde existe una observación sobre la condición de los heridos, un enfoque solidario con los prisioneros paraguayos, y, a la vez, nuevas propuestas y demandas para el bienestar de los combatientes. De la Rosa cuenta su propia experiencia desde la perspectiva femenina, desde la subjetividad y la empatía. A la vez, la autora genera propuestas innovadoras que no habían sido tomadas en cuenta, así como visibiliza las funciones que ejecutaron las mujeres a lo largo del conflicto. Pouco foi escrito ou representado na arte sobre o trabalho das mulheres durante a Guerra do Chaco. Embora existam publicações na imprensa escritas por mulheres e algumas pesquisas realizadas a partir da década de 1990, há pouca investigação que se concentre em figuras particulares e notáveis desta época. Este artigo tem como foco a obra literária e filantrópica de Laura Graciela de la Rosa Torres. Laura de la Rosa ficou conhecida por ser diretora da revista Feminiflor (1921-1923), porém, após o fechamento da revista, fundou a Liga Filial de Oruro, que foi uma das principais organizações filantrópicas durante a guerra. Com esta organização, De la Rosa visitou as trincheiras e mais tarde escreveu La Guerra del Chaco. Mi visita a las trincheras y zanjas del velo (A Guerra do Chaco. Minha visita às trincheiras e valas do véu) em 1935. Este trabalho tem como objetivo analisar o livro de Laura de la Rosa como um texto que inova na forma literária, por ser um texto híbrido entre os gêneros crônica e ensaio. Ao mesmo tempo, o livro será analisado como um texto com novas perspectivas para a época, onde há uma observação sobre a condição dos feridos, uma abordagem de solidariedade aos presos paraguaios e, ao mesmo tempo, novas propostas e exigências pelo bem-estar dos prisioneiros e combatentes. De la Rosa conta sua própria experiência a partir da perspectiva feminina, da subjetividade e da empatia. Ao mesmo tempo, a autora gera propostas inovadoras que não foram levadas em conta, além de tornar visíveis as funções que as mulheres desempenharam ao longo do conflito. Centro de Investigaciones de la Facultad de Filosofía y Humanidades 2023-12-19 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/intersticios/article/view/42423 Interstices of politics and culture. Latin American interventions; Vol. 12 No. 24 (2023): Escribir en-desde el intersticio: resistencias y transgresiones escriturales en América; 71-93 Intersticios de la política y la cultura. Intervenciones latinoamericanas; Vol. 12 Núm. 24 (2023): Escribir en-desde el intersticio: resistencias y transgresiones escriturales en América; 71-93 Intersticipações de política e cultura. Intervenções na América Latina; v. 12 n. 24 (2023): Escribir en-desde el intersticio: resistencias y transgresiones escriturales en América; 71-93 2250-6543 spa https://revistas.unc.edu.ar/index.php/intersticios/article/view/42423/43943 http://creativecommons.org/licenses/by-nc-sa/4.0 |