Tiny Tim on the big screen. The representation of disability in three adaptations of A Chistmas Carol in the post-World War II period
This paper focuses on the character of Tiny Tim in Charles Dickens’s A Christmas Carol to examine how he was represented in three films made in the postwar period: the British Scrooge (1951), the Spanish Leyenda de Navidad (1947) and the Italian Non è mai troppo tardi (1953). Adopting the double per...
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| Formato: | Artículo revista |
| Lenguaje: | Italiano |
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Centro de Investigaciones de la Facultad de Lenguas (CIFAL), Facultad de Lenguas, Universidad Nacional de Córdoba. Avenida Enrique Barros s/n, Ciudad Universitaria. Córdoba, Argentina. Correo electrónico: revistacylc@lenguas.unc.edu.ar
2023
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/CultyLit/article/view/43908 |
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I10-R337-article-439082023-12-23T22:26:40Z Tiny Tim on the big screen. The representation of disability in three adaptations of A Chistmas Carol in the post-World War II period Tiny Tim en la gran pantalla. La representación de la discapacidad en tres adaptaciones de A Chistmas Carol en la posguerra de la Segunda Guerra Mundial Tiny Tim sul grande schermo. La rappresentazione della disabilità in tre adattamenti di A Christmas Carol del secondo dopoguerra Gallitelli, Eleonora Charles Dickens A Christmas Carol film adaptation disability affect studies Charles Dickens A Christmas Carol adaptación fílmica discapacidad affect studies Charles Dickens A Christmas Carol adattamento disabilità affect studies This paper focuses on the character of Tiny Tim in Charles Dickens’s A Christmas Carol to examine how he was represented in three films made in the postwar period: the British Scrooge (1951), the Spanish Leyenda de Navidad (1947) and the Italian Non è mai troppo tardi (1953). Adopting the double perspective of disability studies (to consider the representation of infirmity) and affect studies (to assess the interaction between the characters, or “in-between-ness”), the analysis aims to throw light on the disability stereotypes which typically emerge in film adaptations of the novel. Esta contribución se centra en el análisis del personaje de Tiny Tim del texto de Dickens A Christmas Carol y su representación en tres películas de la posguerra: la película británica Scrooge (1951), la española Leyenda de Navidad (1947) y la italiana Nunca es demasiado tarde (1953). El análisis está realizado desde una doble perspectiva que atiende a los “disability studies” (con respecto a la representación de la enfermedad) y de “affect studies” (en referencia a la interacción entre los sujetos o in-between-ness) perspectiva que ayudará a arrojar luz sobre la perspectiva estereotipada de la discapacidad que se advierte en las transposiciones fílmicas del relato. Il presente contributo intende soffermarsi sul personaggio di Tiny Tim del dickensiano A Christmas Carol per esaminare come sia stato rappresentato in tre film realizzati nel secondo dopoguerra: il britannico Scrooge (1951), lo spagnolo Leyenda de Navidad (1947) e l’italiano Non è mai troppo tardi (1953). L’analisi, condotta dalla doppia prospettiva dei disability studies (per quanto riguarda la rappresentazione dell’infermità) e degli affect studies (in riferimento all’interazione tra i soggetti o in-between-ness), contribuirà a fare luce sulla stereotipizzazione della disabilità che emerge nelle trasposizioni filmiche della novella. Centro de Investigaciones de la Facultad de Lenguas (CIFAL), Facultad de Lenguas, Universidad Nacional de Córdoba. Avenida Enrique Barros s/n, Ciudad Universitaria. Córdoba, Argentina. Correo electrónico: revistacylc@lenguas.unc.edu.ar 2023-12-23 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistas.unc.edu.ar/index.php/CultyLit/article/view/43908 Revista de Culturas y Literaturas Comparadas; Vol. 14 (2023): Poéticas de la intimidad y la enfermedad en las literaturas contemporáneas comparadas 2591-3883 1852-4737 ita https://revistas.unc.edu.ar/index.php/CultyLit/article/view/43908/44144 https://revistas.unc.edu.ar/index.php/CultyLit/article/view/43908/44145 http://creativecommons.org/licenses/by-nc-nd/4.0 |
| institution |
Universidad Nacional de Córdoba |
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I-10 |
| repository_str |
R-337 |
| container_title_str |
Revista de Culturas y Literaturas Comparadas |
| language |
Italiano |
| format |
Artículo revista |
| topic |
Charles Dickens A Christmas Carol film adaptation disability affect studies Charles Dickens A Christmas Carol adaptación fílmica discapacidad affect studies Charles Dickens A Christmas Carol adattamento disabilità affect studies |
| spellingShingle |
Charles Dickens A Christmas Carol film adaptation disability affect studies Charles Dickens A Christmas Carol adaptación fílmica discapacidad affect studies Charles Dickens A Christmas Carol adattamento disabilità affect studies Gallitelli, Eleonora Tiny Tim on the big screen. The representation of disability in three adaptations of A Chistmas Carol in the post-World War II period |
| topic_facet |
Charles Dickens A Christmas Carol film adaptation disability affect studies Charles Dickens A Christmas Carol adaptación fílmica discapacidad affect studies Charles Dickens A Christmas Carol adattamento disabilità affect studies |
| author |
Gallitelli, Eleonora |
| author_facet |
Gallitelli, Eleonora |
| author_sort |
Gallitelli, Eleonora |
| title |
Tiny Tim on the big screen. The representation of disability in three adaptations of A Chistmas Carol in the post-World War II period |
| title_short |
Tiny Tim on the big screen. The representation of disability in three adaptations of A Chistmas Carol in the post-World War II period |
| title_full |
Tiny Tim on the big screen. The representation of disability in three adaptations of A Chistmas Carol in the post-World War II period |
| title_fullStr |
Tiny Tim on the big screen. The representation of disability in three adaptations of A Chistmas Carol in the post-World War II period |
| title_full_unstemmed |
Tiny Tim on the big screen. The representation of disability in three adaptations of A Chistmas Carol in the post-World War II period |
| title_sort |
tiny tim on the big screen. the representation of disability in three adaptations of a chistmas carol in the post-world war ii period |
| description |
This paper focuses on the character of Tiny Tim in Charles Dickens’s A Christmas Carol to examine how he was represented in three films made in the postwar period: the British Scrooge (1951), the Spanish Leyenda de Navidad (1947) and the Italian Non è mai troppo tardi (1953). Adopting the double perspective of disability studies (to consider the representation of infirmity) and affect studies (to assess the interaction between the characters, or “in-between-ness”), the analysis aims to throw light on the disability stereotypes which typically emerge in film adaptations of the novel. |
| publisher |
Centro de Investigaciones de la Facultad de Lenguas (CIFAL), Facultad de Lenguas, Universidad Nacional de Córdoba. Avenida Enrique Barros s/n, Ciudad Universitaria. Córdoba, Argentina. Correo electrónico: revistacylc@lenguas.unc.edu.ar |
| publishDate |
2023 |
| url |
https://revistas.unc.edu.ar/index.php/CultyLit/article/view/43908 |
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