Scenes from our “Human Theater”. María Grazia Calandrone e Ieda Magri

This essay aims to compare two books published in 2021, that is, still in the pandemic period, which portray searches and returns of the autobiographical protagonists. Brilha como vida, by Maria Grazia Calandrone, and An exhibition, by Ieda Magri, were written in different cultural spaces, Italy and...

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Detalles Bibliográficos
Autor principal: Peterle, Patricia
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones de la Facultad de Lenguas (CIFAL), Facultad de Lenguas, Universidad Nacional de Córdoba. Avenida Enrique Barros s/n, Ciudad Universitaria. Córdoba, Argentina. Correo electrónico: revistacylc@lenguas.unc.edu.ar 2023
Materias:
unfinished
Maria Grazia Calandrone
Ieda Magri
installation
Inacabado
Montagem
Acceso en línea:https://revistas.unc.edu.ar/index.php/CultyLit/article/view/43886
Aporte de:
Revista de Culturas y Literaturas Comparadas de Universidad Nacional de Córdoba
id I10-R337-article-43886
record_format ojs
spelling I10-R337-article-438862023-12-23T22:34:05Z Scenes from our “Human Theater”. María Grazia Calandrone e Ieda Magri Escenas de nuestro “teatro humano”: María Grazia Calandrone e Ieda Magri Peterle, Patricia unfinished Maria Grazia Calandrone Ieda Magri installation Inacabado Maria Grazia Calandrone Ieda Magri Montagem Inacabado Maria Grazia Calandrone Ieda Magri Montagem This essay aims to compare two books published in 2021, that is, still in the pandemic period, which portray searches and returns of the autobiographical protagonists. Brilha como vida, by Maria Grazia Calandrone, and An exhibition, by Ieda Magri, were written in different cultural spaces, Italy and Brazil, respectively, but have some points of contact. The focus is on the initial moment of reading and on the elements chosen by the two writers to start their plots. In these pages, there is a need for searching, for returning, for those who speak to give form to what can only be presented as unfinished, which prevents a linear form. Then, for the construction of these narrative plots, images and family photos, other people's voices, fragmented memories and other elements that make up the scene of the “human theater” come into play. Este ensayo tiene como objetivo analizar comparativamente dos libros publicados en 2021, es decir, aún en el período de la pandemia, que retratan búsquedas y retornos de los protagonistas autobiográficos. Brilha como vida de Maria Grazia Calandrone y Uma exposición de Ieda Magri fueron escritas en diferentes espacios culturales, Italia y Brasil, respectivamente, pero que tienen algunos puntos de contacto. La atención se centra en el momento inicial de la lectura y en los elementos elegidos por los dos escritores para iniciar sus tramas. En estas páginas hay una necesidad de búsqueda, de retorno, de quienes hablan para dar forma a lo que solo puede presentarse desde la esfera de lo inacabado, no pudiendo así tener una forma lineal. Entonces, para la construcción de estas tramas narrativas, entran en juego imágenes y fotos familiares, voces ajenas, memorias carcomidas y otros elementos que componen la escena del “teatro humano”. O presente ensaio tem como objetivo colocar lado a lado dois livros publicados em 2021, ou seja, ainda no período da pandemia, que retratam buscas e retornos das personagens protagonistas autobiográficas. Brilha como vida de Maria Grazia Calandrone e Uma exposição de Ieda Magri foram escritos em diferentes espaços culturais, Itália e Brasil, respectivamente, mas que apresentam alguns pontos de contato. O foco se concentra no momento inicial de leitura e nos elementos escolhidos pelas duas escritoras para iniciar suas tramas. Há nestas páginas necessidade de busca, de retorno, de quem fala dar forma à aquilo que só pode se apresentar a partir da esfera do inacabado, não podendo assim ter uma forma linear. Entram em cena, então, para a construção dessas tramas narrativas imagens e fotos de família, vozes de outras pessoas, lembranças carcomidas e outros elementos que compõem a cena do “teatro humano”. Centro de Investigaciones de la Facultad de Lenguas (CIFAL), Facultad de Lenguas, Universidad Nacional de Córdoba. Avenida Enrique Barros s/n, Ciudad Universitaria. Córdoba, Argentina. Correo electrónico: revistacylc@lenguas.unc.edu.ar 2023-12-23 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistas.unc.edu.ar/index.php/CultyLit/article/view/43886 Revista de Culturas y Literaturas Comparadas; Vol. 14 (2023): Poéticas de la intimidad y la enfermedad en las literaturas contemporáneas comparadas 2591-3883 1852-4737 spa https://revistas.unc.edu.ar/index.php/CultyLit/article/view/43886/44114 https://revistas.unc.edu.ar/index.php/CultyLit/article/view/43886/44141 http://creativecommons.org/licenses/by-nc-nd/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-337
container_title_str Revista de Culturas y Literaturas Comparadas
language Español
format Artículo revista
topic unfinished
Maria Grazia Calandrone
Ieda Magri
installation
Inacabado
Maria Grazia Calandrone
Ieda Magri
Montagem
Inacabado
Maria Grazia Calandrone
Ieda Magri
Montagem
spellingShingle unfinished
Maria Grazia Calandrone
Ieda Magri
installation
Inacabado
Maria Grazia Calandrone
Ieda Magri
Montagem
Inacabado
Maria Grazia Calandrone
Ieda Magri
Montagem
Peterle, Patricia
Scenes from our “Human Theater”. María Grazia Calandrone e Ieda Magri
topic_facet unfinished
Maria Grazia Calandrone
Ieda Magri
installation
Inacabado
Maria Grazia Calandrone
Ieda Magri
Montagem
Inacabado
Maria Grazia Calandrone
Ieda Magri
Montagem
author Peterle, Patricia
author_facet Peterle, Patricia
author_sort Peterle, Patricia
title Scenes from our “Human Theater”. María Grazia Calandrone e Ieda Magri
title_short Scenes from our “Human Theater”. María Grazia Calandrone e Ieda Magri
title_full Scenes from our “Human Theater”. María Grazia Calandrone e Ieda Magri
title_fullStr Scenes from our “Human Theater”. María Grazia Calandrone e Ieda Magri
title_full_unstemmed Scenes from our “Human Theater”. María Grazia Calandrone e Ieda Magri
title_sort scenes from our “human theater”. maría grazia calandrone e ieda magri
description This essay aims to compare two books published in 2021, that is, still in the pandemic period, which portray searches and returns of the autobiographical protagonists. Brilha como vida, by Maria Grazia Calandrone, and An exhibition, by Ieda Magri, were written in different cultural spaces, Italy and Brazil, respectively, but have some points of contact. The focus is on the initial moment of reading and on the elements chosen by the two writers to start their plots. In these pages, there is a need for searching, for returning, for those who speak to give form to what can only be presented as unfinished, which prevents a linear form. Then, for the construction of these narrative plots, images and family photos, other people's voices, fragmented memories and other elements that make up the scene of the “human theater” come into play.
publisher Centro de Investigaciones de la Facultad de Lenguas (CIFAL), Facultad de Lenguas, Universidad Nacional de Córdoba. Avenida Enrique Barros s/n, Ciudad Universitaria. Córdoba, Argentina. Correo electrónico: revistacylc@lenguas.unc.edu.ar
publishDate 2023
url https://revistas.unc.edu.ar/index.php/CultyLit/article/view/43886
work_keys_str_mv AT peterlepatricia scenesfromourhumantheatermariagraziacalandroneeiedamagri
AT peterlepatricia escenasdenuestroteatrohumanomariagraziacalandroneeiedamagri
first_indexed 2024-09-03T21:19:29Z
last_indexed 2024-09-03T21:19:29Z
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