The curious intertextuality of Arrow Chest (2010): its neo-Victorian interrogations

The present article purports to delve into a singular deployment of intertextuality stemming from the fusion of two triads of doppelgängers, whose stories, which linger as fragments in the popular cultural imaginary, become additionally intertwined with the mythical tale of Apollo and Daphne. This i...

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Autor principal: González de Gatti, María Marcela
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones de la Facultad de Lenguas (CIFAL), Facultad de Lenguas, Universidad Nacional de Córdoba. Avenida Enrique Barros s/n, Ciudad Universitaria. Córdoba, Argentina. Correo electrónico: revistacylc@lenguas.unc.edu.ar 2022
Materias:
neo-Victorian
neo-Gothic
hyperreality
historiocopia
historioglosia
neovictoriano
noegótico
hiperrealidad
Acceso en línea:https://revistas.unc.edu.ar/index.php/CultyLit/article/view/39660
Aporte de:
Revista de Culturas y Literaturas Comparadas de Universidad Nacional de Córdoba
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spelling I10-R337-article-396602022-12-16T20:36:25Z The curious intertextuality of Arrow Chest (2010): its neo-Victorian interrogations La curiosa intertextualidad de Arrow Chest (2011): sus impugnaciones neovictorianas González de Gatti, María Marcela neo-Victorian neo-Gothic hyperreality historiocopia historioglosia neovictoriano noegótico hiperrealidad historiocopia historioglosia The present article purports to delve into a singular deployment of intertextuality stemming from the fusion of two triads of doppelgängers, whose stories, which linger as fragments in the popular cultural imaginary, become additionally intertwined with the mythical tale of Apollo and Daphne. This interlacing of characters harnessed from various hypotexts takes place at the narrative core of the romantic neo-Gothic novel Arrow Chest (2011) authored by British writer Robert Stephen Parry. The article analyzes the multiple interrogations which, as a neo-Victorian text, it poses in relation to a variety of features concerning contemporary culture. Such impeachment pertains to the concept of the hyperreality that characterizes contemporary societies organized on the principle of simulation as well as the new popular epistemologies used for the consumption of history in the form of historiocopia and historioglosia. El presente artículo se propone indagar en un singular uso de la intertextualidad, derivado de la fusión de dos tríadas de doppelgängers cuyas historias, que persisten como fragmentos en el imaginario cultural popular, además, se engarzan en el relato mítico de la historia de Apolo y Dafne. Este entrelazamiento de personajes provenientes de distintos hipotextos se produce en el seno de la trama de la novela neogótica romántica Arrow Chest (2011) del escritor británico Robert Stephen Parry. El artículo analiza las múltiples interpelaciones que, a partir de su construcción como texto neovictoriano, la novela monta respecto de algunos aspectos de la cultura contemporánea. Tales interrogaciones se vinculan con el concepto de hiperrealidad de las sociedades contemporáneas organizadas en torno al principio de simulación y las nuevas epistemologías populares para el consumo de la historia en sus versiones de historiocopia e historioglosia. Centro de Investigaciones de la Facultad de Lenguas (CIFAL), Facultad de Lenguas, Universidad Nacional de Córdoba. Avenida Enrique Barros s/n, Ciudad Universitaria. Córdoba, Argentina. Correo electrónico: revistacylc@lenguas.unc.edu.ar 2022-12-16 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistas.unc.edu.ar/index.php/CultyLit/article/view/39660 Revista de Culturas y Literaturas Comparadas; Núm. 13 (2022) 2591-3883 1852-4737 spa https://revistas.unc.edu.ar/index.php/CultyLit/article/view/39660/39853 https://revistas.unc.edu.ar/index.php/CultyLit/article/view/39660/39854 http://creativecommons.org/licenses/by-nc-nd/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-337
container_title_str Revista de Culturas y Literaturas Comparadas
language Español
format Artículo revista
topic neo-Victorian
neo-Gothic
hyperreality
historiocopia
historioglosia
neovictoriano
noegótico
hiperrealidad
historiocopia
historioglosia
spellingShingle neo-Victorian
neo-Gothic
hyperreality
historiocopia
historioglosia
neovictoriano
noegótico
hiperrealidad
historiocopia
historioglosia
González de Gatti, María Marcela
The curious intertextuality of Arrow Chest (2010): its neo-Victorian interrogations
topic_facet neo-Victorian
neo-Gothic
hyperreality
historiocopia
historioglosia
neovictoriano
noegótico
hiperrealidad
historiocopia
historioglosia
author González de Gatti, María Marcela
author_facet González de Gatti, María Marcela
author_sort González de Gatti, María Marcela
title The curious intertextuality of Arrow Chest (2010): its neo-Victorian interrogations
title_short The curious intertextuality of Arrow Chest (2010): its neo-Victorian interrogations
title_full The curious intertextuality of Arrow Chest (2010): its neo-Victorian interrogations
title_fullStr The curious intertextuality of Arrow Chest (2010): its neo-Victorian interrogations
title_full_unstemmed The curious intertextuality of Arrow Chest (2010): its neo-Victorian interrogations
title_sort curious intertextuality of arrow chest (2010): its neo-victorian interrogations
description The present article purports to delve into a singular deployment of intertextuality stemming from the fusion of two triads of doppelgängers, whose stories, which linger as fragments in the popular cultural imaginary, become additionally intertwined with the mythical tale of Apollo and Daphne. This interlacing of characters harnessed from various hypotexts takes place at the narrative core of the romantic neo-Gothic novel Arrow Chest (2011) authored by British writer Robert Stephen Parry. The article analyzes the multiple interrogations which, as a neo-Victorian text, it poses in relation to a variety of features concerning contemporary culture. Such impeachment pertains to the concept of the hyperreality that characterizes contemporary societies organized on the principle of simulation as well as the new popular epistemologies used for the consumption of history in the form of historiocopia and historioglosia.
publisher Centro de Investigaciones de la Facultad de Lenguas (CIFAL), Facultad de Lenguas, Universidad Nacional de Córdoba. Avenida Enrique Barros s/n, Ciudad Universitaria. Córdoba, Argentina. Correo electrónico: revistacylc@lenguas.unc.edu.ar
publishDate 2022
url https://revistas.unc.edu.ar/index.php/CultyLit/article/view/39660
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