The Other Journey in Jean Rhys' Wide Sargasso Sea (1966), Marysé Condé's I, Tituba, Black Witch of Salem (1986) and Mayra Montero's Del rojo de su sombra (1992). A Comparative Study

The journey motif is a feature of interest in the representation of women in Caribbean literature. They travel across geographical and symbolic borders demarcated by social classes, racial constructions, and national origins in pursuit of their desire like funambulists. We found a certain distance b...

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Autor principal: Swindt , Pamela
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones de la Facultad de Lenguas (CIFAL), Facultad de Lenguas, Universidad Nacional de Córdoba. Avenida Enrique Barros s/n, Ciudad Universitaria. Córdoba, Argentina. Correo electrónico: revistacylc@lenguas.unc.edu.ar 2021
Materias:
journey
Caribbean literatures
wandering
identities
viaje
literaturas caribeñas
errancia
identidades
Acceso en línea:https://revistas.unc.edu.ar/index.php/CultyLit/article/view/36298
Aporte de:
Revista de Culturas y Literaturas Comparadas de Universidad Nacional de Córdoba
id I10-R337-article-36298
record_format ojs
spelling I10-R337-article-362982021-12-27T14:28:17Z The Other Journey in Jean Rhys' Wide Sargasso Sea (1966), Marysé Condé's I, Tituba, Black Witch of Salem (1986) and Mayra Montero's Del rojo de su sombra (1992). A Comparative Study El otro viaje en El vasto mar de los sargazos (1966) de Jean Rhys, Yo, Tituba, la bruja negra de Salem (1986) de Marysé Condé y Del rojo de su sombra (1992) de Mayra Montero. Un estudio comparado Swindt , Pamela journey Caribbean literatures wandering identities viaje literaturas caribeñas errancia identidades The journey motif is a feature of interest in the representation of women in Caribbean literature. They travel across geographical and symbolic borders demarcated by social classes, racial constructions, and national origins in pursuit of their desire like funambulists. We found a certain distance between the classical idea of the journey due to the wandering concept, a form of displacement without a definite course of events, led by the only certainty of a fatal end, which results from challenging the traditional historiographic syntax linked to agonistic and patriarchal values. Wandering is proposed as a way of living and being, as a difference and alternative possibility to linear time and its discursive methods. Static geographies disrupted through deterritorialization show a context that transcends national frontiers on a gradual search and construction of identities. El motivo del viaje constituye un factor de interés en la representación de la mujer en las literaturas caribeñas, quien, como equilibrista, se desplaza por fronteras geográficas y simbólicas demarcadas por clases sociales, construcciones raciales y orígenes nacionales en pos de la consecución de sus deseos. Hay un distanciamiento respecto de la idea clásica de viaje en virtud de la errancia; un desplazamiento sin un rumbo definido con la sola certeza de un desenlace fatal que se produce en un contexto de impugnación de la sintaxis historiográfica tradicional vinculada a los valores agonísticos y patriarcales. La errancia se propone como una manera de vivir y de ser, como diferencia y posibilidad alternativa al tiempo lineal y sus manifestaciones discursivas. Lo evidencia la ruptura con las geografías estáticas mediante la desterritorialización en la progresiva búsqueda y construcción de identidades en un marco que supera las fronteras nacionales. Centro de Investigaciones de la Facultad de Lenguas (CIFAL), Facultad de Lenguas, Universidad Nacional de Córdoba. Avenida Enrique Barros s/n, Ciudad Universitaria. Córdoba, Argentina. Correo electrónico: revistacylc@lenguas.unc.edu.ar 2021-12-27 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistas.unc.edu.ar/index.php/CultyLit/article/view/36298 Revista de Culturas y Literaturas Comparadas; Núm. 12 (2021) 2591-3883 1852-4737 spa https://revistas.unc.edu.ar/index.php/CultyLit/article/view/36298/36609 https://revistas.unc.edu.ar/index.php/CultyLit/article/view/36298/36610 http://creativecommons.org/licenses/by-nc-nd/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-337
container_title_str Revista de Culturas y Literaturas Comparadas
language Español
format Artículo revista
topic journey
Caribbean literatures
wandering
identities
viaje
literaturas caribeñas
errancia
identidades
spellingShingle journey
Caribbean literatures
wandering
identities
viaje
literaturas caribeñas
errancia
identidades
Swindt , Pamela
The Other Journey in Jean Rhys' Wide Sargasso Sea (1966), Marysé Condé's I, Tituba, Black Witch of Salem (1986) and Mayra Montero's Del rojo de su sombra (1992). A Comparative Study
topic_facet journey
Caribbean literatures
wandering
identities
viaje
literaturas caribeñas
errancia
identidades
author Swindt , Pamela
author_facet Swindt , Pamela
author_sort Swindt , Pamela
title The Other Journey in Jean Rhys' Wide Sargasso Sea (1966), Marysé Condé's I, Tituba, Black Witch of Salem (1986) and Mayra Montero's Del rojo de su sombra (1992). A Comparative Study
title_short The Other Journey in Jean Rhys' Wide Sargasso Sea (1966), Marysé Condé's I, Tituba, Black Witch of Salem (1986) and Mayra Montero's Del rojo de su sombra (1992). A Comparative Study
title_full The Other Journey in Jean Rhys' Wide Sargasso Sea (1966), Marysé Condé's I, Tituba, Black Witch of Salem (1986) and Mayra Montero's Del rojo de su sombra (1992). A Comparative Study
title_fullStr The Other Journey in Jean Rhys' Wide Sargasso Sea (1966), Marysé Condé's I, Tituba, Black Witch of Salem (1986) and Mayra Montero's Del rojo de su sombra (1992). A Comparative Study
title_full_unstemmed The Other Journey in Jean Rhys' Wide Sargasso Sea (1966), Marysé Condé's I, Tituba, Black Witch of Salem (1986) and Mayra Montero's Del rojo de su sombra (1992). A Comparative Study
title_sort other journey in jean rhys' wide sargasso sea (1966), marysé condé's i, tituba, black witch of salem (1986) and mayra montero's del rojo de su sombra (1992). a comparative study
description The journey motif is a feature of interest in the representation of women in Caribbean literature. They travel across geographical and symbolic borders demarcated by social classes, racial constructions, and national origins in pursuit of their desire like funambulists. We found a certain distance between the classical idea of the journey due to the wandering concept, a form of displacement without a definite course of events, led by the only certainty of a fatal end, which results from challenging the traditional historiographic syntax linked to agonistic and patriarchal values. Wandering is proposed as a way of living and being, as a difference and alternative possibility to linear time and its discursive methods. Static geographies disrupted through deterritorialization show a context that transcends national frontiers on a gradual search and construction of identities.
publisher Centro de Investigaciones de la Facultad de Lenguas (CIFAL), Facultad de Lenguas, Universidad Nacional de Córdoba. Avenida Enrique Barros s/n, Ciudad Universitaria. Córdoba, Argentina. Correo electrónico: revistacylc@lenguas.unc.edu.ar
publishDate 2021
url https://revistas.unc.edu.ar/index.php/CultyLit/article/view/36298
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first_indexed 2024-09-03T21:19:26Z
last_indexed 2024-09-03T21:19:26Z
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