The Impossible Post-apocalypse:Trauma and Style in Louis Ferdinand Céline's From One Castle to the Other and in Thomas Bernhard's The Origin

Published almost ten years apart, the novels D’un château l’autre, by Louis Ferdinand Céline, and Die Ursache, by Thomas Bernhard, narrate events that occurred at the same historical moment: the end of World War II. The traumatic experience of the bombings engenders in the narrators a horrified and...

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Autor principal: Salaris Banegas, Francisco
Formato: Artículo revista
Lenguaje:Español
Publicado: Centro de Investigaciones de la Facultad de Lenguas (CIFAL), Facultad de Lenguas, Universidad Nacional de Córdoba. Avenida Enrique Barros s/n, Ciudad Universitaria. Córdoba, Argentina. Correo electrónico: revistacylc@lenguas.unc.edu.ar 2020
Materias:
trauma
style
post-apocalypse
estilo
postapocalipsis
Acceso en línea:https://revistas.unc.edu.ar/index.php/CultyLit/article/view/31863
Aporte de:
Revista de Culturas y Literaturas Comparadas de Universidad Nacional de Córdoba
id I10-R337-article-31863
record_format ojs
spelling I10-R337-article-318632021-12-03T14:00:50Z The Impossible Post-apocalypse:Trauma and Style in Louis Ferdinand Céline's From One Castle to the Other and in Thomas Bernhard's The Origin El postapocalipsis imposible: trauma y estilo en De un castillo al otro, de Louis Ferdinand Céline, y en El origen, de Thomas Bernhard Salaris Banegas, Francisco trauma style post-apocalypse trauma estilo postapocalipsis Published almost ten years apart, the novels D’un château l’autre, by Louis Ferdinand Céline, and Die Ursache, by Thomas Bernhard, narrate events that occurred at the same historical moment: the end of World War II. The traumatic experience of the bombings engenders in the narrators a horrified and fascinated vision at the same time, and the destruction thus begins to be perceived as an aesthetic fact. This paper intends to study how trauma appears as a decisive factor in the configuration of Céline and Bernhard's style, based on the aforementioned works. For this, elements such as the relationship between reality and language, the rhythm and structure of prose, misanthropy, the place of writing, temporal conceptions, etc. will be analyzed. The presence of trauma hinders any possibility of post-apocalyptic space, because the present and the future disarticulate before the great weight of the past. Publicadas con casi diez años de diferencia, las novelas De un castillo al otro, de Louis Ferdinand Céline, y El origen, de Thomas Bernhard, narran, sin embargo, acontecimientos ocurridos en un mismo momento histórico: el fin de la Segunda Guerra Mundial. La experiencia traumática de los bombardeos engendra en los narradores una visión horrorizada y fascinada a la vez, y la destrucción comienza así a percibirse como un hecho estético. El presente trabajo se propone estudiar de qué manera el trauma aparece como un factor decisivo en la configuración del estilo de Céline y de Bernhard, tomando como base las obras antes mencionadas. Para ello, se analizarán elementos como la relación entre la realidad y el lenguaje, el ritmo y la estructura de la prosa, la misantropía, el lugar de la escritura, las concepciones temporales, entre otras. La presencia del trauma obstaculiza cualquier posibilidad de espacio postapocalíptico, porque el presente y el futuro se desarticulan ante el gran peso del pasado. Centro de Investigaciones de la Facultad de Lenguas (CIFAL), Facultad de Lenguas, Universidad Nacional de Córdoba. Avenida Enrique Barros s/n, Ciudad Universitaria. Córdoba, Argentina. Correo electrónico: revistacylc@lenguas.unc.edu.ar 2020-12-31 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf text/html https://revistas.unc.edu.ar/index.php/CultyLit/article/view/31863 Revista de Culturas y Literaturas Comparadas; Núm. 10 (2020): Distopía y postapocalipsis en la literatura y las artes; 70-83 2591-3883 1852-4737 spa https://revistas.unc.edu.ar/index.php/CultyLit/article/view/31863/32747 https://revistas.unc.edu.ar/index.php/CultyLit/article/view/31863/32748 http://creativecommons.org/licenses/by-nc-nd/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-337
container_title_str Revista de Culturas y Literaturas Comparadas
language Español
format Artículo revista
topic trauma
style
post-apocalypse
trauma
estilo
postapocalipsis
spellingShingle trauma
style
post-apocalypse
trauma
estilo
postapocalipsis
Salaris Banegas, Francisco
The Impossible Post-apocalypse:Trauma and Style in Louis Ferdinand Céline's From One Castle to the Other and in Thomas Bernhard's The Origin
topic_facet trauma
style
post-apocalypse
trauma
estilo
postapocalipsis
author Salaris Banegas, Francisco
author_facet Salaris Banegas, Francisco
author_sort Salaris Banegas, Francisco
title The Impossible Post-apocalypse:Trauma and Style in Louis Ferdinand Céline's From One Castle to the Other and in Thomas Bernhard's The Origin
title_short The Impossible Post-apocalypse:Trauma and Style in Louis Ferdinand Céline's From One Castle to the Other and in Thomas Bernhard's The Origin
title_full The Impossible Post-apocalypse:Trauma and Style in Louis Ferdinand Céline's From One Castle to the Other and in Thomas Bernhard's The Origin
title_fullStr The Impossible Post-apocalypse:Trauma and Style in Louis Ferdinand Céline's From One Castle to the Other and in Thomas Bernhard's The Origin
title_full_unstemmed The Impossible Post-apocalypse:Trauma and Style in Louis Ferdinand Céline's From One Castle to the Other and in Thomas Bernhard's The Origin
title_sort impossible post-apocalypse:trauma and style in louis ferdinand céline's from one castle to the other and in thomas bernhard's the origin
description Published almost ten years apart, the novels D’un château l’autre, by Louis Ferdinand Céline, and Die Ursache, by Thomas Bernhard, narrate events that occurred at the same historical moment: the end of World War II. The traumatic experience of the bombings engenders in the narrators a horrified and fascinated vision at the same time, and the destruction thus begins to be perceived as an aesthetic fact. This paper intends to study how trauma appears as a decisive factor in the configuration of Céline and Bernhard's style, based on the aforementioned works. For this, elements such as the relationship between reality and language, the rhythm and structure of prose, misanthropy, the place of writing, temporal conceptions, etc. will be analyzed. The presence of trauma hinders any possibility of post-apocalyptic space, because the present and the future disarticulate before the great weight of the past.
publisher Centro de Investigaciones de la Facultad de Lenguas (CIFAL), Facultad de Lenguas, Universidad Nacional de Córdoba. Avenida Enrique Barros s/n, Ciudad Universitaria. Córdoba, Argentina. Correo electrónico: revistacylc@lenguas.unc.edu.ar
publishDate 2020
url https://revistas.unc.edu.ar/index.php/CultyLit/article/view/31863
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first_indexed 2024-09-03T21:19:17Z
last_indexed 2024-09-03T21:19:17Z
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