Transculturation and Epic Theater: Tools for Social Criticism in Chico Buarque and Paulo Pontes’ Gota d’agua
The following article proposes a revision of dramatic creation strategies present in the play Gota d’água (1975) by Chico Buarque and Paulo Pontes. Firstly, it will provide a comparative exercise with Medea by Euripides (431 BC) in order to account for the transculturation processes from the Europea...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Centro de Investigaciones de la Facultad de Lenguas (CIFAL), Facultad de Lenguas, Universidad Nacional de Córdoba. Avenida Enrique Barros s/n, Ciudad Universitaria. Córdoba, Argentina. Correo electrónico: revistacylc@lenguas.unc.edu.ar
2016
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/CultyLit/article/view/16389 |
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| Sumario: | The following article proposes a revision of dramatic creation strategies present in the play Gota d’água (1975) by Chico Buarque and Paulo Pontes. Firstly, it will provide a comparative exercise with Medea by Euripides (431 BC) in order to account for the transculturation processes from the European referent. Then, the manner in which authors make use of epic-brechtian resources is analyzed to finally develop an interpretation proposal that links the 1975 play to the political and social situation in Brazil during the military dictatorship. |
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