Underpaid workers in global cinema: modes of precariousness in Rome (2018) and Nomadland (2020)

This article reflects on the emergence of precariousness in global cinema and on what currently allows cinema to become political in order to, in this way, consider the subjects who, due to the current conditions of neoliberalism, are relegated to the edge of the abyss. Faced with the question of wh...

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Detalles Bibliográficos
Autor principal: Martinelli, Lucas
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Humanidades. Escuela de Letras 2024
Materias:
Global cinema;
Violence;
Workers;
Capitalism
Cine global;
Violencia;
Trabajadoras;
Capitalismo
Acceso en línea:https://revistas.unc.edu.ar/index.php/heterotopias/article/view/45390
Aporte de:
Heterotopías de Universidad Nacional de Córdoba
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spelling I10-R333-article-453902024-06-25T02:22:25Z Underpaid workers in global cinema: modes of precariousness in Rome (2018) and Nomadland (2020) Trabajadoras mal pagas en el cine global: modos de la precariedad en Roma (2018) y Nomadland (2020) Martinelli, Lucas Global cinema; Violence; Workers; Capitalism Cine global; Violencia; Trabajadoras; Capitalismo This article reflects on the emergence of precariousness in global cinema and on what currently allows cinema to become political in order to, in this way, consider the subjects who, due to the current conditions of neoliberalism, are relegated to the edge of the abyss. Faced with the question of whether global cinema can make affective statements about precariousness, it is proposed to investigate, from the analysis of some scenes and the forms of production of the films Roma (2018, Alfonso Cuarón) and Nomandland (2020, Chloé Zhao), the ways to present and represent issues linked to poverty, violence and the proximity of death. The relationships that arise from the work carried out by women from specific temporal and geographical perspectives allow us to enter textual proposals that, from abundant material resources, can produce an affective, aesthetic and ethical discourse on the precarious. Este artículo reflexiona sobre la emergencia de la precariedad en el cine global y sobre aquello que en la actualidad permite al cine hacerse político para, de este modo, considerar a los sujetos que por las condiciones actuales del neoliberalismo son relegados al borde del abismo. Ante la pregunta de si el cine global puede hacer declaraciones afectivas sobre la precariedad, se propone indagar desde el análisis de algunas escenas y las formas de producción de los filmes Roma (2018, Alfonso Cuarón) y Nomandland (2020, Chloé Zhao) las maneras de presentar y representar cuestiones ligadas a la pobreza, la violencia y la proximidad de la muerte. Las relaciones que surgen del trabajo realizado por mujeres desde perspectivas temporales y geográficas específicas permiten ingresar a propuestas textuales que, desde recursos materiales abundantes, se pueden producir un discurso afectivo, estético y ético sobre lo precario. Facultad de Filosofía y Humanidades. Escuela de Letras 2024-06-25 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/heterotopias/article/view/45390 Heterotopías; Vol. 7 No. 13 (2024): Writings on the edge of the abyss: How is the present constructed?; 1-19 Heterotopías; Vol. 7 Núm. 13 (2024): Escrituras al borde del abismo. ¿Cómo se construye el presente?; 1-19 2618-2726 spa https://revistas.unc.edu.ar/index.php/heterotopias/article/view/45390/45355 Derechos de autor 2024 Heterotopías https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-333
container_title_str Heterotopías
language Español
format Artículo revista
topic Global cinema;
Violence;
Workers;
Capitalism
Cine global;
Violencia;
Trabajadoras;
Capitalismo
spellingShingle Global cinema;
Violence;
Workers;
Capitalism
Cine global;
Violencia;
Trabajadoras;
Capitalismo
Martinelli, Lucas
Underpaid workers in global cinema: modes of precariousness in Rome (2018) and Nomadland (2020)
topic_facet Global cinema;
Violence;
Workers;
Capitalism
Cine global;
Violencia;
Trabajadoras;
Capitalismo
author Martinelli, Lucas
author_facet Martinelli, Lucas
author_sort Martinelli, Lucas
title Underpaid workers in global cinema: modes of precariousness in Rome (2018) and Nomadland (2020)
title_short Underpaid workers in global cinema: modes of precariousness in Rome (2018) and Nomadland (2020)
title_full Underpaid workers in global cinema: modes of precariousness in Rome (2018) and Nomadland (2020)
title_fullStr Underpaid workers in global cinema: modes of precariousness in Rome (2018) and Nomadland (2020)
title_full_unstemmed Underpaid workers in global cinema: modes of precariousness in Rome (2018) and Nomadland (2020)
title_sort underpaid workers in global cinema: modes of precariousness in rome (2018) and nomadland (2020)
description This article reflects on the emergence of precariousness in global cinema and on what currently allows cinema to become political in order to, in this way, consider the subjects who, due to the current conditions of neoliberalism, are relegated to the edge of the abyss. Faced with the question of whether global cinema can make affective statements about precariousness, it is proposed to investigate, from the analysis of some scenes and the forms of production of the films Roma (2018, Alfonso Cuarón) and Nomandland (2020, Chloé Zhao), the ways to present and represent issues linked to poverty, violence and the proximity of death. The relationships that arise from the work carried out by women from specific temporal and geographical perspectives allow us to enter textual proposals that, from abundant material resources, can produce an affective, aesthetic and ethical discourse on the precarious.
publisher Facultad de Filosofía y Humanidades. Escuela de Letras
publishDate 2024
url https://revistas.unc.edu.ar/index.php/heterotopias/article/view/45390
work_keys_str_mv AT martinellilucas underpaidworkersinglobalcinemamodesofprecariousnessinrome2018andnomadland2020
AT martinellilucas trabajadorasmalpagasenelcineglobalmodosdelaprecariedadenroma2018ynomadland2020
first_indexed 2024-09-03T21:10:21Z
last_indexed 2024-09-03T21:10:21Z
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