Don't make me schizophrenic here! Exposed bodies / disciplined bodies from confinement

One of the most visible cultural effects that emerged during the isolation and the COVID-19 pandemic has been the hyperdigitization of daily life and the displacement of face-to-face encounters to its web mediation. Since the confinement, the networks and the screens have become the privileged scena...

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Autor principal: Garbatzky , Irina
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Humanidades. Escuela de Letras 2023
Materias:
Performance;
COVID Pandemia;
Argentinian Theater;
Intermediality.
Pandemia COVID;
Teatro argentino;
Intermedialidad.
Acceso en línea:https://revistas.unc.edu.ar/index.php/heterotopias/article/view/43570
Aporte de:
Heterotopías de Universidad Nacional de Córdoba
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record_format ojs
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-333
container_title_str Heterotopías
language Español
format Artículo revista
topic Performance;
COVID Pandemia;
Argentinian Theater;
Intermediality.
Performance;
Pandemia COVID;
Teatro argentino;
Intermedialidad.
spellingShingle Performance;
COVID Pandemia;
Argentinian Theater;
Intermediality.
Performance;
Pandemia COVID;
Teatro argentino;
Intermedialidad.
Garbatzky , Irina
Don't make me schizophrenic here! Exposed bodies / disciplined bodies from confinement
topic_facet Performance;
COVID Pandemia;
Argentinian Theater;
Intermediality.
Performance;
Pandemia COVID;
Teatro argentino;
Intermedialidad.
author Garbatzky , Irina
author_facet Garbatzky , Irina
author_sort Garbatzky , Irina
title Don't make me schizophrenic here! Exposed bodies / disciplined bodies from confinement
title_short Don't make me schizophrenic here! Exposed bodies / disciplined bodies from confinement
title_full Don't make me schizophrenic here! Exposed bodies / disciplined bodies from confinement
title_fullStr Don't make me schizophrenic here! Exposed bodies / disciplined bodies from confinement
title_full_unstemmed Don't make me schizophrenic here! Exposed bodies / disciplined bodies from confinement
title_sort don't make me schizophrenic here! exposed bodies / disciplined bodies from confinement
description One of the most visible cultural effects that emerged during the isolation and the COVID-19 pandemic has been the hyperdigitization of daily life and the displacement of face-to-face encounters to its web mediation. Since the confinement, the networks and the screens have become the privileged scenario for artistic consumption, production and circulation. In the networks, at the same time, it was possible to see how the pandemic strengthened the multiplication of discourses linked to "well-being", "healthy living", "therapeutic cultures" or "mental health", articulated through the imperative of happiness, which, as Sara Ahmed (2019) points out, has become a new performance indicator in politics and the global economy. This discussion interests me as a framework to address the reading made by cartoonist and writer Robertita, on her Instagram and Instagram TV accounts (@soyrobertita and @benditoinstagram) during the months of Preventive and Mandatory Social Isolation in Argentina. On the one hand, in the feed, his "Pandemic Diary", written and drawn as a comic. And on the other, in their stories, the work of monitoring, editing and setting up public accounts of millenials focused on self-exposure in relation to hegemonic themes: self-help, mental health, obsession with the body and food, control and the psychologization of sexual life. From the fragility of confinement, making use of the home tools provided by the Internet, Robertita relieves these stories and reads them from the cutting and assembling of the mass culture heritage of the eighties and the return to democracy in Argentina. His ironic, critical and also affective gaze questions the scope that this eighties scene has today to think about limits, excesses, freedom and self-figuration; questions that seem to be reissued now under new disciplines.
publisher Facultad de Filosofía y Humanidades. Escuela de Letras
publishDate 2023
url https://revistas.unc.edu.ar/index.php/heterotopias/article/view/43570
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spelling I10-R333-article-435702023-12-19T19:40:29Z Don't make me schizophrenic here! Exposed bodies / disciplined bodies from confinement ¡No me hagas una esquizofrenia acá! Cuerpos expuestos / cuerpos disciplinados desde el confinamiento Garbatzky , Irina Performance; COVID Pandemia; Argentinian Theater; Intermediality. Performance; Pandemia COVID; Teatro argentino; Intermedialidad. One of the most visible cultural effects that emerged during the isolation and the COVID-19 pandemic has been the hyperdigitization of daily life and the displacement of face-to-face encounters to its web mediation. Since the confinement, the networks and the screens have become the privileged scenario for artistic consumption, production and circulation. In the networks, at the same time, it was possible to see how the pandemic strengthened the multiplication of discourses linked to "well-being", "healthy living", "therapeutic cultures" or "mental health", articulated through the imperative of happiness, which, as Sara Ahmed (2019) points out, has become a new performance indicator in politics and the global economy. This discussion interests me as a framework to address the reading made by cartoonist and writer Robertita, on her Instagram and Instagram TV accounts (@soyrobertita and @benditoinstagram) during the months of Preventive and Mandatory Social Isolation in Argentina. On the one hand, in the feed, his "Pandemic Diary", written and drawn as a comic. And on the other, in their stories, the work of monitoring, editing and setting up public accounts of millenials focused on self-exposure in relation to hegemonic themes: self-help, mental health, obsession with the body and food, control and the psychologization of sexual life. From the fragility of confinement, making use of the home tools provided by the Internet, Robertita relieves these stories and reads them from the cutting and assembling of the mass culture heritage of the eighties and the return to democracy in Argentina. His ironic, critical and also affective gaze questions the scope that this eighties scene has today to think about limits, excesses, freedom and self-figuration; questions that seem to be reissued now under new disciplines. Uno de los efectos culturales más visibles que emergieron durante el aislamiento y la pandemia del COVID-19 ha sido la hiperdigitalización de la vida cotidiana y el desplazamiento de los encuentros cuerpo a cuerpo a su mediación web. Desde el confinamiento, las redes y las pantallas se convirtieron en el escenario privilegiado de consumo, producción y circulación artística. En las redes, a la vez, pudo verse cómo la pandemia fortaleció la multiplicación de discursos vinculados con el "bienestar", la "vida saludable", las "culturas terapéuticas" o la "salud mental", articulados a través del imperativo de la felicidad, el cual, como señala Sara Ahmed (2019), se ha convertido en un nuevo indicador de desempeño en la política y la economía global. Esta discusión me interesa como marco para abordar la lectura hecha por la dibujante y escritora Robertita, en sus cuentas de Instagram e Instagram TV (@soyrobertita y @benditoinstagram) durante los meses del Aislamiento Social Preventivo y Obligatorio en la Argentina. Por un lado, en el feed, su "Diario de pandemia", escrito y dibujado a modo de historieta. Y por otro, en sus stories, el trabajo de seguimiento, edición y montaje de cuentas públicas de millenialls centradas en la autoexposición en relación con temas hegemónicos: la autoayuda, la salud mental, la obsesión con el cuerpo y la alimentación, el control y la psicologización de la vida sexual. Desde la fragilidad del confinamiento, echando mano de las herramientas caseras que brinda Internet, Robertita releva estas historias y las lee a partir del corte y ensamblado el acervo de la cultura de masas de los años ochenta y la vuelta a la democracia en Argentina. Su mirada irónica, crítica y también afectiva, cuestiona los alcances que dicha escena de los ochenta posee hoy para pensar los límites, los excesos, la libertad y la autofiguración; cuestiones que parecen reeditarse ahora bajo nuevos disciplinamientos. Facultad de Filosofía y Humanidades. Escuela de Letras 2023-12-13 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Scientific articles Artículos científicos application/pdf https://revistas.unc.edu.ar/index.php/heterotopias/article/view/43570 Heterotopías; Vol. 6 No. 12 (2023): Discourses, representations, and appropriations of the contemporary city. A look at urban habitation; 1 - 11 Heterotopías; Vol. 6 Núm. 12 (2023): "Discursos, representaciones, y apropiaciones de la ciudad contemporánea. Una mirada al  habitar urbano"; 1 - 11 2618-2726 spa https://revistas.unc.edu.ar/index.php/heterotopias/article/view/43570/43611 Derechos de autor 2023 Heterotopías https://creativecommons.org/licenses/by-nc-sa/4.0

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