Mourning and memory. The Dock, by Matilde Sanchez

In this article I try to analyze the textuality of El Dock, by the argentinian author Matilde Sanchez, where memory and oblivion trace the fragments and remains of a subjetivity. In this case, the first person narration tells of a friendship between two women, which has been interrupted. It is a que...

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Autor principal: Fernández, Nancy
Formato: Artículo revista
Lenguaje:Español
Publicado: Facultad de Filosofía y Humanidades. Escuela de Letras 2023
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Acceso en línea:https://revistas.unc.edu.ar/index.php/heterotopias/article/view/41726
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spelling I10-R333-article-417262023-07-01T20:38:30Z Mourning and memory. The Dock, by Matilde Sanchez Duelo y memoria. El Dock, de Matilde Sánchez Fernández, Nancy Writing; narration; language; memory; Escritura; narración; lenguaje; memoria; In this article I try to analyze the textuality of El Dock, by the argentinian author Matilde Sanchez, where memory and oblivion trace the fragments and remains of a subjetivity. In this case, the first person narration tells of a friendship between two women, which has been interrupted. It is a question, after several years, of restoring those survivals where the motives of a private nature intersect with the history and politics of the country, in a determined context. And it seeks to read the figure of an experience that the narrator registers and recovers to return to the friend form an absence and a silence that seemed unappealable.     En el presente artículo, procuro analizar la textualidad de El Dock, de la autora argentina Matilde Sánchez, allí donde los fragmentos y restos de la memoria y el olvido van trazando la configuración de la subjetivividad. En este caso, la narración en primera persona da cuenta de una amistad entre dos mujeres que se ha interrumpido. Se trata, luego de varios años, de recobrar aquellas supervivencias donde los motivos de índole privado se cruzan con la historia y la política del país en un contexto determinado. Y se busca leer la cifra de una experiencia, tan íntima como política, que la narradora inscribe y recupera para rescatar a la amiga de una ausencia y un silencio que parecían inapelables.      Facultad de Filosofía y Humanidades. Escuela de Letras 2023-06-30 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion Scientific articles Artículos científicos application/pdf https://revistas.unc.edu.ar/index.php/heterotopias/article/view/41726 Heterotopías; Vol. 6 No. 11 (2023): "Poetics of interruption: feminist aesthetic-political practices and sexual disobedience in/from the South".; 1-9 Heterotopías; Vol. 6 Núm. 11 (2023): "Poéticas de la interruqción: prácticas estético-políticas feministas y de las desobediencias sexuales en/desde el sur"; 1-9 2618-2726 spa https://revistas.unc.edu.ar/index.php/heterotopias/article/view/41726/41726 Derechos de autor 2023 Heterotopías https://creativecommons.org/licenses/by-nc-sa/4.0
institution Universidad Nacional de Córdoba
institution_str I-10
repository_str R-333
container_title_str Heterotopías
language Español
format Artículo revista
topic Writing;
narration;
language;
memory;
Escritura;
narración;
lenguaje;
memoria;
spellingShingle Writing;
narration;
language;
memory;
Escritura;
narración;
lenguaje;
memoria;
Fernández, Nancy
Mourning and memory. The Dock, by Matilde Sanchez
topic_facet Writing;
narration;
language;
memory;
Escritura;
narración;
lenguaje;
memoria;
author Fernández, Nancy
author_facet Fernández, Nancy
author_sort Fernández, Nancy
title Mourning and memory. The Dock, by Matilde Sanchez
title_short Mourning and memory. The Dock, by Matilde Sanchez
title_full Mourning and memory. The Dock, by Matilde Sanchez
title_fullStr Mourning and memory. The Dock, by Matilde Sanchez
title_full_unstemmed Mourning and memory. The Dock, by Matilde Sanchez
title_sort mourning and memory. the dock, by matilde sanchez
description In this article I try to analyze the textuality of El Dock, by the argentinian author Matilde Sanchez, where memory and oblivion trace the fragments and remains of a subjetivity. In this case, the first person narration tells of a friendship between two women, which has been interrupted. It is a question, after several years, of restoring those survivals where the motives of a private nature intersect with the history and politics of the country, in a determined context. And it seeks to read the figure of an experience that the narrator registers and recovers to return to the friend form an absence and a silence that seemed unappealable.    
publisher Facultad de Filosofía y Humanidades. Escuela de Letras
publishDate 2023
url https://revistas.unc.edu.ar/index.php/heterotopias/article/view/41726
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first_indexed 2024-09-03T21:10:08Z
last_indexed 2024-09-03T21:10:08Z
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