El pliegue gótico/colonial en la narrativa de Liliana Colanzi
The article proposes a reading of the narrative of the Bolivian writer Liliana Colanzi from thequestion of the ways in which the gothic repertoire is rhetorically intertwined with thereferences to the relations of colonial domination on which the idea of nation is based. Thecorpus is made up of four...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Facultad de Filosofía y Humanidades. Escuela de Letras
2023
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/heterotopias/article/view/41675 |
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| Sumario: | The article proposes a reading of the narrative of the Bolivian writer Liliana Colanzi from thequestion of the ways in which the gothic repertoire is rhetorically intertwined with thereferences to the relations of colonial domination on which the idea of nation is based. Thecorpus is made up of four stories that are included in Nuestro mundo muerto (2017):"Alfredito", "La Ola", "Meteorito" and "Chaco". In general lines, the work starts from theanalysis of the plot, the narrative voices and the construction of the intrigue in each of thetexts in order to reconstruct a series of metaphors that allude to a foundational violence thatmakes the order (racial, sexual and moral) dominant and a subversive representation ofindigenous subjectivities. |
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