Territorial flows and forms of community. Two short films and a fluvial expedition in the Argentina of the Bicentennial
This article proposes to triangulate the short films Nueva Argirópolis (2010) by Lucrecia Martel and Nómade (2010) by Pablo Trapero together with the Paraná R'angá Scientific-Cultural Expedition (Buenos Aires-Asunción, 2010), as philosophical and artistic essays that, around 2010, and mentionin...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Facultad de Filosofía y Humanidades. Escuela de Letras
2022
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/heterotopias/article/view/39750 |
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| Sumario: | This article proposes to triangulate the short films Nueva Argirópolis (2010) by Lucrecia Martel and Nómade (2010) by Pablo Trapero together with the Paraná R'angá Scientific-Cultural Expedition (Buenos Aires-Asunción, 2010), as philosophical and artistic essays that, around 2010, and mentioning three foundational moments (1567, 1810, 1850), assemble different temporalities through a montage of spaces: the hypothesis is that the incision of the story in the temporal folds of history implies in the three some ways of experiencing the territory, exposing ways of thinking (of imagining) forms of community. The article proposes to read, on the one hand, the fluvial reinscriptions of Sarmiento’s utopia (in Nueva Argirópolis, Paraná R'angá), and, on the other, the forms of the inaccessible and the non-place (that classic topic of the ethnographic journey) as powerful interventions in the context not only of the Bicentennial but also of the indigenous reemergence in the political and social scene of the last two decades (Nueva Argirópolis, Nómade). |
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