Territorial flows and forms of community. Two short films and a fluvial expedition in the Argentina of the Bicentennial
This article proposes to triangulate the short films Nueva Argirópolis (2010) by Lucrecia Martel and Nómade (2010) by Pablo Trapero together with the Paraná R'angá Scientific-Cultural Expedition (Buenos Aires-Asunción, 2010), as philosophical and artistic essays that, around 2010, and mentionin...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Facultad de Filosofía y Humanidades. Escuela de Letras
2022
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/heterotopias/article/view/39750 |
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I10-R333-article-397502022-12-19T12:37:15Z Territorial flows and forms of community. Two short films and a fluvial expedition in the Argentina of the Bicentennial Flujos territoriales y formas de comunidad. Dos cortometrajes y una expedición fluvial en la Argentina del Bicentenario Contreras, Sandra New Argentine cinema foundational fictions bicentennial Nuevo cine argentino ficciones fundacionales bicentenario This article proposes to triangulate the short films Nueva Argirópolis (2010) by Lucrecia Martel and Nómade (2010) by Pablo Trapero together with the Paraná R'angá Scientific-Cultural Expedition (Buenos Aires-Asunción, 2010), as philosophical and artistic essays that, around 2010, and mentioning three foundational moments (1567, 1810, 1850), assemble different temporalities through a montage of spaces: the hypothesis is that the incision of the story in the temporal folds of history implies in the three some ways of experiencing the territory, exposing ways of thinking (of imagining) forms of community. The article proposes to read, on the one hand, the fluvial reinscriptions of Sarmiento’s utopia (in Nueva Argirópolis, Paraná R'angá), and, on the other, the forms of the inaccessible and the non-place (that classic topic of the ethnographic journey) as powerful interventions in the context not only of the Bicentennial but also of the indigenous reemergence in the political and social scene of the last two decades (Nueva Argirópolis, Nómade). El trabajo propone triangular los cortos cinematográficos Nueva Argirópolis (2010) de Lucrecia Martel y Nómade (2010) de Pablo Trapero junto con la Expedición científico-cultural Paraná R’angá (Buenos Aires-Asunción, 2010), en tanto ensayos entre filosóficos y artísticos que, en torno a 2010, y mentando tres momentos fundacionales (1567, 1810, 1850), montan temporalidades diversas a través de un montaje de espacios: la hipótesis es que la incisión del relato en los pliegues temporales de la historia implica en los tres unas formas de experimentar el territorio, exponiendo a su vez, en esos flujos, modos de pensar (de imaginar y exponer) formas de comunidad. El trabajo propone leer, por un lado, las reinscripciones fluviales de la utopía sarmientina (en Nueva Argirópolis, Paraná R’angá), y, por otro, las formas de lo inaccesible y del no-lugar (ese clásico del viaje etnográfico) como potentes intervenciones en el contexto no solo del Bicentenario sino de la reemergencia indígena en la escena política y social de las últimas dos décadas (Nueva Argirópolis, Nómade). Facultad de Filosofía y Humanidades. Escuela de Letras 2022-12-19 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/heterotopias/article/view/39750 Heterotopías; Vol. 5 No. 10 (2022): River matter. Aesthetic-political configurations of American watersheds.; 73-88 Heterotopías; Vol. 5 Núm. 10 (2022): Materia fluvial. Configuraciones estético-políticas de las cuencas de América; 73-88 2618-2726 spa https://revistas.unc.edu.ar/index.php/heterotopias/article/view/39750/39884 https://creativecommons.org/licenses/by-nc-sa/4.0 |
| institution |
Universidad Nacional de Córdoba |
| institution_str |
I-10 |
| repository_str |
R-333 |
| container_title_str |
Heterotopías |
| language |
Español |
| format |
Artículo revista |
| topic |
New Argentine cinema foundational fictions bicentennial Nuevo cine argentino ficciones fundacionales bicentenario |
| spellingShingle |
New Argentine cinema foundational fictions bicentennial Nuevo cine argentino ficciones fundacionales bicentenario Contreras, Sandra Territorial flows and forms of community. Two short films and a fluvial expedition in the Argentina of the Bicentennial |
| topic_facet |
New Argentine cinema foundational fictions bicentennial Nuevo cine argentino ficciones fundacionales bicentenario |
| author |
Contreras, Sandra |
| author_facet |
Contreras, Sandra |
| author_sort |
Contreras, Sandra |
| title |
Territorial flows and forms of community. Two short films and a fluvial expedition in the Argentina of the Bicentennial |
| title_short |
Territorial flows and forms of community. Two short films and a fluvial expedition in the Argentina of the Bicentennial |
| title_full |
Territorial flows and forms of community. Two short films and a fluvial expedition in the Argentina of the Bicentennial |
| title_fullStr |
Territorial flows and forms of community. Two short films and a fluvial expedition in the Argentina of the Bicentennial |
| title_full_unstemmed |
Territorial flows and forms of community. Two short films and a fluvial expedition in the Argentina of the Bicentennial |
| title_sort |
territorial flows and forms of community. two short films and a fluvial expedition in the argentina of the bicentennial |
| description |
This article proposes to triangulate the short films Nueva Argirópolis (2010) by Lucrecia Martel and Nómade (2010) by Pablo Trapero together with the Paraná R'angá Scientific-Cultural Expedition (Buenos Aires-Asunción, 2010), as philosophical and artistic essays that, around 2010, and mentioning three foundational moments (1567, 1810, 1850), assemble different temporalities through a montage of spaces: the hypothesis is that the incision of the story in the temporal folds of history implies in the three some ways of experiencing the territory, exposing ways of thinking (of imagining) forms of community. The article proposes to read, on the one hand, the fluvial reinscriptions of Sarmiento’s utopia (in Nueva Argirópolis, Paraná R'angá), and, on the other, the forms of the inaccessible and the non-place (that classic topic of the ethnographic journey) as powerful interventions in the context not only of the Bicentennial but also of the indigenous reemergence in the political and social scene of the last two decades (Nueva Argirópolis, Nómade). |
| publisher |
Facultad de Filosofía y Humanidades. Escuela de Letras |
| publishDate |
2022 |
| url |
https://revistas.unc.edu.ar/index.php/heterotopias/article/view/39750 |
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2024-09-03T21:09:57Z |
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2024-09-03T21:09:57Z |
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