Wetland burns. Fluvial drifts in the Carnevale archive
This paper explores the Graciela Carnevale archive in order to highlight the territorial practices of sensitive perception that her producer has been carrying out for more than a decade. We face a personal archive, and at the same time collective, that follows the vital pulse of fifty-five years of...
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| Formato: | Artículo revista |
| Lenguaje: | Español |
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Facultad de Filosofía y Humanidades. Escuela de Letras
2022
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| Acceso en línea: | https://revistas.unc.edu.ar/index.php/heterotopias/article/view/39746 |
| Aporte de: |
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I10-R333-article-39746 |
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Universidad Nacional de Córdoba |
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I-10 |
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R-333 |
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Heterotopías |
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Español |
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Artículo revista |
| topic |
Archive river event autobiography archival artist Archivo fluvial acontecimiento autobiografía artista archivista |
| spellingShingle |
Archive river event autobiography archival artist Archivo fluvial acontecimiento autobiografía artista archivista Bernabé, Mónica Wetland burns. Fluvial drifts in the Carnevale archive |
| topic_facet |
Archive river event autobiography archival artist Archivo fluvial acontecimiento autobiografía artista archivista |
| author |
Bernabé, Mónica |
| author_facet |
Bernabé, Mónica |
| author_sort |
Bernabé, Mónica |
| title |
Wetland burns. Fluvial drifts in the Carnevale archive |
| title_short |
Wetland burns. Fluvial drifts in the Carnevale archive |
| title_full |
Wetland burns. Fluvial drifts in the Carnevale archive |
| title_fullStr |
Wetland burns. Fluvial drifts in the Carnevale archive |
| title_full_unstemmed |
Wetland burns. Fluvial drifts in the Carnevale archive |
| title_sort |
wetland burns. fluvial drifts in the carnevale archive |
| description |
This paper explores the Graciela Carnevale archive in order to highlight the territorial practices of sensitive perception that her producer has been carrying out for more than a decade. We face a personal archive, and at the same time collective, that follows the vital pulse of fifty-five years of artistic work with its interruptions, silences and destructions. Since the end of the 20th century and the beginning of the 21st, the chronological order has been noticeably altered by the interceptions and redefinitions caused by the successive exhumations of the itinerary of the sixties. Affected by the evil of the archive, our exploration suffered multiple deviations and was subjected to a logic and a time alien to the protocols of traditional archival research. In a space where autobiography and archive are confused, we were deeply impacted by forms of life that assume the world of things as a vibrating bodies. How to transfer this experience? How to archive a work that is constituted as a series of events in the manner of a performance embodied on earth? What kind of relationship can we establish between the “wetland” section and the consolidated area of the 1960s archive? How to order a fund that is constituted from a series of assemblages in an interconnected network of humans, non-humans and machines? Faced with the challenge presented by a living archive, we propose to figure Graciela Carnevale as an artist-as-archivist (Foster). Her archive is configured as a hybrid that crosses traditional archiving technologies and unconventional forms. Without the requirements of historical reconstruction and without the premises of order and principle, typical of the modern archival ratio that would reject any anarchic existence of documentary collections, it is necessary to think Carnevale’s Archive from the disruptive force of the event that critically interferes in the reality. |
| publisher |
Facultad de Filosofía y Humanidades. Escuela de Letras |
| publishDate |
2022 |
| url |
https://revistas.unc.edu.ar/index.php/heterotopias/article/view/39746 |
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AT bernabemonica wetlandburnsfluvialdriftsinthecarnevalearchive AT bernabemonica humedalardederivasfluvialesenelarchivocarnevale20092019 |
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2024-09-03T21:09:56Z |
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2024-09-03T21:09:56Z |
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1809210719848103936 |
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I10-R333-article-397462022-12-19T12:37:25Z Wetland burns. Fluvial drifts in the Carnevale archive Humedal arde. Derivas fluviales en el archivo Carnevale (2009-2019) Bernabé, Mónica Archive river event autobiography archival artist Archivo fluvial acontecimiento autobiografía artista archivista This paper explores the Graciela Carnevale archive in order to highlight the territorial practices of sensitive perception that her producer has been carrying out for more than a decade. We face a personal archive, and at the same time collective, that follows the vital pulse of fifty-five years of artistic work with its interruptions, silences and destructions. Since the end of the 20th century and the beginning of the 21st, the chronological order has been noticeably altered by the interceptions and redefinitions caused by the successive exhumations of the itinerary of the sixties. Affected by the evil of the archive, our exploration suffered multiple deviations and was subjected to a logic and a time alien to the protocols of traditional archival research. In a space where autobiography and archive are confused, we were deeply impacted by forms of life that assume the world of things as a vibrating bodies. How to transfer this experience? How to archive a work that is constituted as a series of events in the manner of a performance embodied on earth? What kind of relationship can we establish between the “wetland” section and the consolidated area of the 1960s archive? How to order a fund that is constituted from a series of assemblages in an interconnected network of humans, non-humans and machines? Faced with the challenge presented by a living archive, we propose to figure Graciela Carnevale as an artist-as-archivist (Foster). Her archive is configured as a hybrid that crosses traditional archiving technologies and unconventional forms. Without the requirements of historical reconstruction and without the premises of order and principle, typical of the modern archival ratio that would reject any anarchic existence of documentary collections, it is necessary to think Carnevale’s Archive from the disruptive force of the event that critically interferes in the reality. Exploramos el archivo Graciela Carnevale con el objeto de relevar las prácticas territoriales de percepción sensible que su productora viene realizando desde hace más de una década. Estamos ante un archivo personal, y a su vez colectivo, que sigue el pulso vital de cincuenta y cinco años de trabajo artístico con sus interrupciones, silencios y destrucciones. Desde fines del siglo XX y comienzos del XXI, el orden cronológico se ve notoriamente alterado por las intercepciones y resignificaciones que provocan las sucesivas exhumaciones del itinerario de los sesenta. Afectada por el mal de archivo, nuestra exploración sufrió múltiples desvíos y se sometió a una lógica y un tiempo ajenos a los protocolos de la investigación archivística tradicional. En un espacio donde autobiografía y archivo se confunden, fuimos hondamente impactadas por formas de vida que asumen al mundo de las cosas como cuerpo vibrátil ¿Cómo transferir esta experiencia? ¿Cómo archivar una obra que se constituye como una serie de acontecimientos a la manera de una performance encarnada en la tierra? ¿Qué relación podemos establecer entre la sección “del humedal” con la zona consolidada del archivo de los sesenta? ¿Cómo ordenar un fondo que se constituye a partir de una serie de agenciamientos en una red interconectada de humanos, no-humanos y máquinas? Ante el desafío que presenta un archivo vivo, pensamos en la figura de Graciela Carnevale como la de una artista-como-archivista (Foster). Su archivo se configura como un híbrido que cruza tecnologías de archivación tradicionales y formas no convencionales. Sin los requerimientos de la reconstrucción histórica y sin las premisas del orden y el principio, propias de la ratio archivística moderna que rechazaría cualquier existencia anárquica de los fondos documentales, es necesario pensar al Archivo Carnevale desde la fuerza disruptiva del acontecimiento que interfiere críticamente en la realidad. Facultad de Filosofía y Humanidades. Escuela de Letras 2022-12-19 info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion application/pdf https://revistas.unc.edu.ar/index.php/heterotopias/article/view/39746 Heterotopías; Vol. 5 No. 10 (2022): River matter. Aesthetic-political configurations of American watersheds.; 28-42 Heterotopías; Vol. 5 Núm. 10 (2022): Materia fluvial. Configuraciones estético-políticas de las cuencas de América; 28-42 2618-2726 spa https://revistas.unc.edu.ar/index.php/heterotopias/article/view/39746/39879 https://creativecommons.org/licenses/by-nc-sa/4.0 |